Robert Bringhurst – författare

This new edition of a collaboration between one of the finest living artists in North America and one of Canada's finest poets includes a new introduction by the distinguished anthropologist Claude Lévi-Strauss. Ten masterful, complex drawings by Bill Reid and ten tales demonstrate the richness and range of Haida mythology, from bawdy yet profound tales of the trickster Raven to poignant, imagistic narratives of love and its complications in a world where animals speak, dreams come real, and demigods, monsters, and men live side by side.

This succinct and thoughtful essay is the text of a talk commissioned for a symposium entitled The Future of Reading which was held at RIT in June 2010.Reading could have a rich and interesting future, because it does have a rich and interesting past. But if no one remembers that past, it may not mean much to the future.This succinct and thoughtful essay is the textof a talk commissioned for a symposium entitled The Future of Reading which was held at RIT in June 2010. Written and designed by Robert Bringhurst, this limited edition is carefully crafted and letterpress printed. Printed on Mohawk Ticonderoga paper.ROBERTBRINGHURST was the 2016 recipient of the RIT Frederic W. Goudy Award for Typographic Excellence.

This book offers offers insightful and informative research about Simon de Colines, one of the greatest typographers and printers of the Renaissance.Simon de Colines was one of the greatest typographers, printers and publishers of the Renaissance. He has nevertheless been unfairly neglected. Apart from a pair of scholarly bibliographies, published a century apart, this is thefirst book-length study of his work.As Robert Bringhurst writes in his introduction to this volume, "Colines as much as anyone built the semiotic structure of the book as we now know it, with its chapter headings and subheads,page numbers and running heads, tables of contents, indices, and source notes. He also cut lucid and beautiful type at a crucial moment: when the Latin and Greek alphabets were still engaged in their historic metamorphosis from manuscript to metal.."

The biography of one of world’s most popular typefaces. “Whether one likes Palatino or not, Mr. Bringhurst’s book is an instant classic.”—The Wall Street JournalHermann Zapf was one of the great practitioners of the graphic arts and Palatino is probably the most widely known and used of all Zapf faces. Author Robert Bringhurst traces Palatino’s development, with all its infinite permutations, and often invisible refinements through a long and fascinating history of variations and permutations, imitations and conflations—from hot metal, through the brief interlude of film setting and finally into the digital world.It is all here, in encompassing detail: a fully illustrated account of Palatino and its extended family: foundry and Linotype, Michelangelo, Sistina, Aldus, Heraklit, Phidias, Zapf Renaissance, PostScript Palatino, Palatino and Aldus Nova, and Palatino Sans. Included with the text are over 200 illustrations of design sketches, working drawings, smoke proofs and test prints, matrices, foundry and Linotype patterns.But beyond that, the book is an argument that artists who create letters can, and should, be judged by the same standards and held in the same esteem as composers who write music and artists who paint on canvas. Bringhurst asks the question, “Can a penstroke or a letterform be so beautiful it will stop you in your tracks and maybe break your heart?” In this groundbreaking and totally original book, he answers the question: “It can.”