Gary Snyder – författare

These Pulitzer Prize-winning poems and essays by the author of No Nature range from the lucid, lyrical, and mystical to the political. All, however, share a common vision: a rediscovery of North America and the ways by which we might become true natives of the land for the first time.

This collection is made up of four sections: "Far West"—poems of the Western mountain country where, as a young man. Gary Snyder worked as a logger and forest ranger; "Far East"—poems written between 1956 and 1964 in Japan where he studied Zen at the monastery in Kyoto; "Kali"—poems inspired by a visit to India and his reading of Indian religious texts, particularly those of Shivaism and Tibetan Buddhism; and "Back"—poems done on his return to this country in 1964 which look again at our West with the eyes of India and Japan. The book concludes with a group of translations of the Japanese poet Miyazawa Kenji (1896-1933), with whose work Snyder feels a close affinity. The title, The Back Country, has three major associations; wilderness. the "backward" countries, and the “back country" of the mind with its levels of being in the unconscious.

"Wild nature as the ultimate ground of human affairs"––the beautiful, precarious balance among forces and species forms a unifying theme for the new poems in this collection. The title, Regarding Wave, reflects "a half-buried series of word origins dating back through the Indo-European language: intersections of energy, woman, song and 'Gone Beyond Wisdom.'" Central to the work is a cycle of songs for Snyder's wife, Masa, and their first son, Kai. Probing even further than Snyder'sprevious collection of poems, The Back Country, this new volume freshly explores "the most archaic values on earth… the fertilityof the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe…”

Beginning with the publication of The Back Country in 1968, Gary Snyder's long-cherished association with New Directions continued through the publication of his poetry books: the Pulitzer Prize-winning and bestselling Turtle Island (1974), and Myths & Texts (1978), as well as his prose works, Earth House Hold (1969) and The Real Work (1980), all essential titles on the New Directions list. Snyder's No Nature: New and Selected Poems, a finalist for the National Book Award, was published in 1993 by Pantheon, and his long-anticipated epic poem Mountains and Rivers without End was published by Counterpoint in 1997. Snyder has had a seminal place among American landscape writers. "As a poet," he once wrote, "I hold the most archaic values on earth." He has long been associated with Beat writers such as Jack Kerouac, Allen Ginsberg, and other poets such as Kenneth Rexroth, Robert Creeley, and Robert Duncan. His poetics are founded in Poundian modernism, Chinese and Japanese poetry, and ancient oral native traditions.Look Out is a collection personally compiled by Gary Snyder for New Directions, containing poems and essays from all his New Directions books. It offers first-time readers a chance to see the evolution of his thought and poetry, spanning two decades, and old-time fans the opportunity to behold all the favorites, in a new Bibelot edition. Also included here is Snyder's Introduction, as well as a new poem written about the late New Directions founder James Laughlin.

Electronics Fundamentals is more than a textbook: it's a hands-on electronics teaching system. The text provides both practical and theoretical coverage of electrical, magnetic and electronics concepts. Practical circuits, examples and troubleshooting exercises will help you develop useful analysis skills for resistive, reactive and device circuits.

The 9th Edition preserves the legacy of the 8th Edition while updating its content. Fully revised simulation circuits and tutorials, as well as a laboratory manual, supplement the text. A new tutorial illustrates how to use TI-84 and HP Prime calculators to analyze circuits similar to those in the textbook.

An epic of geology, prehistory and mythology. The poems travel beyond Western traditions to encompass Asian art and drama, Native American performance and storytelling, and the practice of Zen Buddhism. It is a moving celebration of earth and sky, rock and water, nature and humanity from one of the US's finest poets.

Gary Snyder joined his old friend, novelist Jim Harrison, to discuss their loves and lives and what has become of them throughout the years. Set amidst the natural beauty of the Santa Lucia Mountains, their conversations—harnessing their ideas of all that is wild, sacred and intimate in this world—move from the admission that Snyder’s mother was a devout atheist to his personal accounts of his initiation into Zen Buddhist culture, being literally dangled by the ankles over a cliff. After years of living in Japan, Snyder returns to the States to build a farmhouse in the remote foothills of the Sierras, a homestead he calls Kitkitdizze. For all of the depth in these conversations, Jim Harrison and Gary Snyder are humorous and friendly, and with the artfully interspersed dialogue from old friends and loves like Scott Slovic, Michael McClure, Jack Shoemaker, and Joanne Kyger, the discussion reaches a level of not only the personal, but the global, redefining our idea of the Beat Generation and challenging the future directions of the environmental movement and its association with “Deep Ecology.” The Etiquette of Freedom is an all-encompassing companion to the film The Practice of the Wild. A DVD is included which contains the film together with more than an hour of out-takes and expanded interviews, as well as an extended reading by Gary Snyder. The whole offers a rare glimpse of their extended discussion of life and what it means to be wild and alive.

Gary Snyder has been a major cultural force in America for five decades. Future readers will come to see this book as one of the central texts on wilderness and the interaction of nature and culture. The nine essays in Practice of the Wild reveal that " . . . before ecology became a household work, Snyder understood things about our civilization and economy that no one else was talking about, and he writes about them with great authority and a sinewy line." (The Nation) Snyder has gone on to become one of America’s cultural leaders, as his thought has ranged from political and spiritual matters to matters regarding the environment and the art of becoming native to this continent.

This collection of essays by Gary Snyder, now in paperback, blazes with insight. In his most autobiographical writing to date, Snyder employs fire as a metaphor for the crucial moment when deeply held viewpoints yield to new experiences, and our spirits and minds broaden and mature. Snyder here writes and riffs on a wide range of topics, from our sense of place and a need to review forestry practices, to the writing life and Eastern thought. Surveying the current wisdom that fires are in some cases necessary for ecosystems of the wild, he contemplates the evolution of his view on the practice, while exploring its larger repercussions on our perceptions of nature and the great landscapes of the West. These pieces include recollections of his boyhood, his involvement with the literary community of the Bay Area, his travels to Japan, as well as his thoughts on American culture today. All maintain Snyder''s reputation as an intellect to be reckoned with, while often revealing him at his most emotionally vulnerable. The final impression is holistic: We perceive not a collection of essays, but a cohesive presentation of Snyder''s life and work expressed in his characteristically straightforward prose.

When first published in 2004, Danger on Peaks was the poet's first new collection of poems in twenty years. Perhaps his most personal, autobiographical collection, it begins with the young poet ascending Mt. St. Helens in 1945, a climb accidentally timed with the bombing of Hiroshima and Nagasaki. He was 15 years old. Almost sixty years later, after the great Buddhas at Bamiyan Valley were bombed and with the victims of the World Trade Center also "turned to dust," the poet composed a prayer while at Short Grass Temple in Senso–ji, a pilgrim on the path of Kannon, Goddess of Mercy.This remarkable collection was greeted with broad praise, and as Julia Martin proclaimed, "Moving between relative and absolute ways of seeing, [Snyder] responds to the experience of global conflict and personal pain by reminding readers of the continuity of wildness, affirming the value of art, and invoking an ancient practice of wisdom and compassion."

In this thoughtful, affectionate collection of interviews and letters spanning three decades, beloved poet Gary Snyder talks with South African writer and scholar Julia Martin. Over this period many things changed decisively--globally, locally, and in their personal lives--and these changing conditions provide the back story for a long conversation. It begins in the early 1980s as an intellectual exchange between an earnest graduate student and a generous distinguished writer, and becomes a long-distance friendship and an exploration of spiritual practice. At the project's heart is Snyder's understanding of Buddhism. Again and again, the conversations return to an explication of the teachings. Snyder's characteristic approach is to articulate a direct experience of Buddhist practice rather than any kind of abstract philosophy. In the version he describes here, this practice finds expression not primarily as an Asian import or a monastic ideal, but in the specificities of a householder's life as lived creatively in a particular location at a particular moment in history.This means that whatever "topic" a dialogue explores, there is a sense that all of it is about practice--the spiritual-social practice of a contemporary poet.

In this thoughtful, affectionate collection of interviews and letters spanning three decades, beloved poet Gary Snyder talks with South African writer and scholar Julia Martin. Over this period many things changed decisively—globally, locally, and in their personal lives—and these changing conditions provide the back story for a long conversation. It begins in the early 1980s as an intellectual exchange between an earnest graduate student and a generous distinguished writer, and becomes a long-distance friendship and an exploration of spiritual practice.At the project’s heart is Snyder’s understanding of Buddhism. Again and again, the conversations return to an explication of the teachings. Snyder’s characteristic approach is to articulate a direct experience of Buddhist practice rather than any kind of abstract philosophy. In the version he describes here, this practice finds expression not primarily as an Asian import or a monastic ideal, but in the specificities of a householder’s life as lived creatively in a particular location at a particular moment in history. This means that whatever “topic” a dialogue explores, there is a sense that all of it is about practice—the spiritual-social practice of a contemporary poet.

The first collected edition of an essential, Pulitzer Prize-winning Beat poet, the indispensable voice whose deep ecological vision and Buddhist spirituality grows more relevant with each passing decade  Gary Snyder is one of America’s indispensable poets, the “Thoreau of the Beat Generation” and our “laureate of Deep Ecology.” Now, for the first time, all of Snyder’s poetry is gathered in a single, authoritative Library of America volume. Here are all of Snyder’s published books of poetry spanning a career of almost seventy years. Early collections such as Riprap and Cold Mountain Poems, Myths & Texts, and The Back Country reflect his hardscrabble rural upbringing in the Pacific Northwest; his life as a logger, fire-lookout, freighter crewman, carpenter, and trail-blazer; his lifelong interest in Native American oral literatures; and his pioneering studies of Zen Buddhism. In Turtle Island and Axe Handles––the former a winner of the Pulitzer Prize in 1975 and the latter the American Book Award in 1984––he explores countercultural alternatives to environmental and spiritual decline and envisioning new forms of harmony with nature. His epic Mountains and Rivers Without End, a poem four decades in the making and regarded by many as his masterwork, is followed by Danger on Peaks, and the intimate, preternaturally candid late lyrics of This Present Moment, which meditate on his life as a father, husband, friend, neighbor, and homesteader in the foothills of California’s Sierra Nevada, where he has lived since 1971. The volume concludes with a generous selection, made by Snyder himself, of previously uncollected poems from little magazines and broadsides; translations from East Asian literatures; and drafts and fragments never before published. Also included are explanatory notes, a detailed chronology of Snyder’s life, and an essay on textual selection.

In 1953, Gary Snyder returned to the Bay Area and, at age 23, enrolled in graduate school at the University of California, Berkeley, to study Asian languages and culture. He intensified his study of Chinese and Japanese, and taking up the challenge of one of his professors, Chen Shih-hsiang, he began to work on translating a largely unknown poet by the name of Han Shan, a writer with whom the professor thought Snyder might feel a special affinity. The results were magical. As Patrick Murphy noted, "These poems are something more than translations precisely because Snyder renders them as a melding of Han Shan''s Chinese Ch''an Buddhist mountain spirit trickster mentality and Snyder''s own mountain wilderness meditation and labor activities." The suite of 24 poems was published in the 1958 issue of The Evergreen Review, and the career of one of America''s greatest poets was launched.In 1972, Press-22 issued a beautiful edition of these poems written out by hand in italic by Michael McPherson. We are doing a new augments edition based on the old, with a new design, a preface by Lu Ch''iu-yin, and an afterword by Mr. Snyder where he discusses how he came to this work and what it meant to his development as a writer and Buddhist.On May 11, 2012, for the Stronach Memorial Lecture at The University of California, more than fifty years after his days there as a student, Snyder offered a public lecture reflecting on Chinese poetry, Han Shan, and his continuing work as a poet and translator. This remarkable occasion was recorded and we are including a CD of it in our edition, making this the most definitive edition of Cold Mountain Poems ever published.

"The letters are valuable for ecologists, students, and teachers of contemporary American literature and for those of us eager to know how these two distant neighbors networked, negotiated, and remained friends." —San Francisco Chronicle"In Distant Neighbors, both Berry and Snyder come across as honest and open-hearted explorers. There is an overall sense that they possess a deep and questing wisdom, hard earned through land work, travel, writing, and spiritual exploration. There is no rushing, no hectoring, and no grand gestures between these two, just an ever-deepening inquiry into what makes a good life and how to live it, even in the depths of the machine age." —Orion Magazine

In 1969 Gary Snyder returned from a long residence in Japan to northern California, to a homestead in the Sierra foothills where he intended to build a house and settle on the land with his wife and young sons. He had just published his first book of essays, Earth House Hold. A few years before, after a long absence, Wendell Berry left New York City to return to land near his grandfather''s farm in Port Royal, Kentucky, where he built a small studio and lived there with his wife as they restored an old house on their newly acquired homestead. In 1969 Berry had just published Long-Legged House. These two founding members of the counterculture and of the new environmental movement had yet to meet, but they knew each other''s work, and soon they began a correspondence. Neither man could have imagined the impact their work would have on American political and literary culture, nor could they have appreciated the impact they would have on one another.

Snyder had thrown over all vestiges of Christianity in favor of becoming a devoted Buddhist and Zen practitioner, and had lived in Japan for a prolonged period to develop this practice. Berry''s discomfort with the Christianity of his native land caused him to become something of a renegade Christian, troubled by the church and organized religion, but grounded in its vocabulary and its narrative. Religion and spirituality seemed like a natural topic for the two men to discuss, and discuss they did. They exchanged more than 240 letters from 1973 to 2013, remarkable letters of insight and argument. The two bring out the best in each other, as they grapple with issues of faith and reason, discuss ideas of home and family, worry over the disintegration of community and commonwealth, and share the details of the lives they''ve chosen to live with their wives and children. Contemporary American culture is the landscape they reside on. Environmentalism, sustainability, global politics and American involvement, literature, poetry and progressive ideals, these two public intellectuals address issues as broad as are found in any exchange in literature.

No one can be unaffected by the complexity of their relationship, the subtlety of their arguments, and the grace of their friendship. This is a book for the ages.

We are proud to continue our project of publishing Deluxe Audio Editions of the poems of Gary Snyder, read by him. When first published in 2004, it was the poet’s first new collection of poems in twenty years. Perhaps his most personal, autobiographical collection, it begins with the young poet ascending Mt. St. Helens in 1945, a climb accidentally timed with the bombing of Hiroshima and Nagasaki. He was 15 years old. Almost sixty years later, after the great Buddhas at Bamiyan Valley were bombed and with the victims of the World Trade Center also “turned to dust,” the poet composed a prayer while at Short Grass Temple in Senso-ji, a pilgrim on the path of Kannon, Goddess of Mercy.This remarkable collection was greeted with broad praise, and as Julia Martin proclaimed, “Moving between relative and absolute ways of seeing, [Snyder] responds to the experience of global conflict and personal pain by reminding readers of the continuity of wildness, affirming the value of art, and invoking an ancient practice of wisdom and compassion.”

For the full course of his remarkable career, Gary Snyder has continued his study of Eastern culture and philosophies. From the Ainu to the Mongols, from Hokkaido to Kyoto, from the landscapes of China to the backcountry of contemporary Japan, from the temples of Daitokoji to the Yellow River Valley, it is now clear how this work has influenced his poetry, his stance as an environmental and political activist, and his long practice of Zen. Growing up in the Pacific Northwest, Asia became a vocation for Snyder. While most American writers looked to the capitals of Europe for their inspiration, Sndyer looked East. American letters is profoundly indebted to this geographical choice.Long rumored to exist, The Great Clod collects more than a dozen chapters, several published in The Coevolution Quarterly almost forty years ago when Snyder briefly described this work as “The China Book,” and several others, the majority, never before published in any form. “Summer in Hokkaido,” “Wild in China,” “Ink and Charcoal, “ “Stories to Save the World,” “Walking the Great Ridge,” these essays turn from being memoirs of travel to prolonged considerations of art, culture, natural history and religion. Filled with Snyder’s remarkable insights and briskly beautiful descriptions, this collection adds enormously to the major corpus of his work, certain to delight and instruct his readers now and forever.