Robert Tracy – författare

`the ideal reading...for the hours after midnight'Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as `The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His writings draw on the Gothic tradition, elements of Irish folklore, and even on the social and political anxieties of his Anglo-Irish contemporaries. In exploring sometimes inexplicable terrors, the tales focus on the unease of the haunted men and women who encounter the supernatural, rather than on the origin or purpose of the visitant. This makes for spine-chilling reading.The five stories presented here have been collected by Dr Hesselius, a `metaphysical' doctor, the forerunner of the modern psychiatrist, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Trollope’s Later Novels by Robert Tracy challenges long-standing assumptions about Anthony Trollope’s place in Victorian literature, presenting him not as a genial but second-rate craftsman, but as a novelist of considerable technical sophistication and moral seriousness. Tracy argues that Trollope’s later works, especially those of the 1870s, reveal a writer who had reached full artistic maturity. Far from being clumsy or rambling, these novels demonstrate a unity of form and function in which literary style and structure embody a coherent moral theory about society, values, and human conduct.Organized in two parts, the study first situates Trollope’s narrative techniques and social vision within the broader debates about form and order, then provides detailed readings of individual works, from Sir Harry Hotspur of Humblethwaite and The Way We Live Now to the late experimental fictions The Fixed Period and Mr. Scarborough’s Family. Tracy shows how Trollope’s multiple-plot structures, rhetorical choices, and social doctrines interweave to create fiction of remarkable subtlety, even when the author himself dismissed his art as mere craft. By reframing Trollope’s achievement, Trollope’s Later Novels invites readers and scholars alike to reconsider one of the most prolific Victorian writers as a central figure in the development of the English novel, whose best work exemplifies the unity of art and social vision that Wilde once described as the shared “canons” of both literature and society.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

Trollope’s Later Novels by Robert Tracy challenges long-standing assumptions about Anthony Trollope’s place in Victorian literature, presenting him not as a genial but second-rate craftsman, but as a novelist of considerable technical sophistication and moral seriousness. Tracy argues that Trollope’s later works, especially those of the 1870s, reveal a writer who had reached full artistic maturity. Far from being clumsy or rambling, these novels demonstrate a unity of form and function in which literary style and structure embody a coherent moral theory about society, values, and human conduct.Organized in two parts, the study first situates Trollope’s narrative techniques and social vision within the broader debates about form and order, then provides detailed readings of individual works, from Sir Harry Hotspur of Humblethwaite and The Way We Live Now to the late experimental fictions The Fixed Period and Mr. Scarborough’s Family. Tracy shows how Trollope’s multiple-plot structures, rhetorical choices, and social doctrines interweave to create fiction of remarkable subtlety, even when the author himself dismissed his art as mere craft. By reframing Trollope’s achievement, Trollope’s Later Novels invites readers and scholars alike to reconsider one of the most prolific Victorian writers as a central figure in the development of the English novel, whose best work exemplifies the unity of art and social vision that Wilde once described as the shared “canons” of both literature and society.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

For the first time all the characters in the complete works of Anthony Trollope, the most prolific writer of the Victorian age, are analyzed in one definitive reference. George Newlin does for Trollope what he did for Dickens in his award-winning Everyone in Dickens. This comprehensive four-volume set makes Trollope's complete oeuvre accessible to the general reader as well as the scholar. It deals with all the fiction - forty-seven novels and forty-six short stories - and more than two hundred nonfiction pieces, and assembles all works confirmed as by Trollope with their titles and dates of publications. More than 4,500 characters are analyzed and thousands more minor characters presented in this monumental resource. Volumes I and II cover the novels - using Trollope's own words, Newlin presents all the characters in the novels and also provides useful plot and content summaries and bibliographic data. Volume III covers the shorter fiction - short stories, sketches, and plays - and also features a cross-reference to all the fiction that provides meticulous detail on localities, historical figures, occupations, and relationships. In addition, there is a compilation of all Latin quotations with translations and sources. The complete nonfiction works are covered in Volume IV, along with a thematic concordance on nearly every aspect of life that Trollope wrote about. This exhaustive reference includes numerous illustrations, particularly those of John Everett Millais, which were printed in the Trollope first editions. Bibliographic information lists and dates all elements in the Trollope oeuvre and many works by Trollope scholars. As a starting point for research on every imaginable aspect of Trollope's work, this set is truly indispensable.

The Unappeasable Host: Studies in Irish Identities explores some of the tensions created when Anglo-Irish writers - Protestant in religion, of non-Irish ancestryreflected upon their preferred subject matter, Ireland and their unhyphenated Catholic contemporaries. These tensions involve the writers' sense of anxiety about their own membership in the Irish community, and at the same time their anxiety about losing their distinctive identity. Anglo-Irish writers founded modern Irish literature in English, identifying themselves with their native country and its people. Yet they often felt themselves surrounded and watched by an 'Unappeasable Host', a population that resented them. Robert Tracy discusses Irish writers who in England were considered Irish, in Ireland English - including Maria Edgeworth and Lady Morgan, the Banim brothers, Roger O'Connor, Sheridan Le Fanu, W. B. Yeats, J. M. Synge, Elizabeth Bowen - together with James Joyce, who, although neither of English ancestry nor Protestant, similarly focuses on individuals separated or excluded from the Irish life around them.