Robin Torrence – författare

First published in 1989, What’s New? puts innovation firmly back on the agenda of archaeological interpretation. This book revives interest in the process of innovation and reinterprets it by drawing on original work done in a variety of disciplines. It demonstrates that the study of the components of innovation—invention, acceptance, and the context in which they occur—is essential if social change is to be better understood.

The book contains detailed case studies that cover a broad geographical range in the prehistoric, historic, and modern world. It simulates and analyses the conditions of innovation and provides the necessary theoretical framework. The technologies involved are diverse: herding, fishing, pottery-making, metalworking, and land management. Several important issues emerge from this diversity: it is the context of innovation that determines whether change will take place; within hierarchical societies, ideology can both stimulate and deny innovation; and the potential for innovation, experimentation, and change in traditional societies is systematically underrated by the Western world, which is dominated by a narrow, technological perspective. The contributors also study innovation in social and applied anthropology, industrial planning, and the natural sciences.

What’s New? will provoke renewed discussion throughout the archaeological community about the process of innovation. Anthropologists, human geographers, and other social scientists will find it fascinating because it provides a time dimension for the study of the conditions of human and social change.

First published in 1989, What’s New? puts innovation firmly back on the agenda of archaeological interpretation. This book revives interest in the process of innovation and reinterprets it by drawing on original work done in a variety of disciplines. It demonstrates that the study of the components of innovation—invention, acceptance, and the context in which they occur—is essential if social change is to be better understood.

The book contains detailed case studies that cover a broad geographical range in the prehistoric, historic, and modern world. It simulates and analyses the conditions of innovation and provides the necessary theoretical framework. The technologies involved are diverse: herding, fishing, pottery-making, metalworking, and land management. Several important issues emerge from this diversity: it is the context of innovation that determines whether change will take place; within hierarchical societies, ideology can both stimulate and deny innovation; and the potential for innovation, experimentation, and change in traditional societies is systematically underrated by the Western world, which is dominated by a narrow, technological perspective. The contributors also study innovation in social and applied anthropology, industrial planning, and the natural sciences.

What’s New? will provoke renewed discussion throughout the archaeological community about the process of innovation. Anthropologists, human geographers, and other social scientists will find it fascinating because it provides a time dimension for the study of the conditions of human and social change.

The Archaeology of Difference presents a new and radically different perspective on the archaeology of cross-cultural contact and engagement. The authors move away from acculturation or domination and resistance and concentrate on interaction and negotiation by using a wide variety of case studies which take a crucially indigenous rather than colonial standpoint.

The Archaeology of Difference presents a new and radically different perspective on the archaeology of cross-cultural contact and engagement. The authors move away from acculturation or domination and resistance and concentrate on interaction and negotiation by using a wide variety of case studies which take a crucially indigenous rather than colonial standpoint.

Museum collections are often perceived as static entities hidden away in storerooms or trapped behind glass cases. By focusing on the dynamic histories of museum collections, new research reveals their pivotal role in shaping a wide range of social relations.  Over time and across space the interactions between these artefacts and  the people and institutions who made, traded, collected, researched and exhibited them have generated complex networks of material and social agency.

In this innovative volume, the contributors draw on a broad range of source materials to explore the cross-cultural interactions which have created museum collections. These case studies contribute significantly to the development of new theoretical frameworks to examine broader questions of materiality, agency, and identity in the past and present.

Grounded in case studies from individual objects and museum collections from North America, Europe, Africa, the Pacific Islands, and Australia, this truly international volume juxtaposes historical, geographical, and cross-cultural studies.

This work will be of great interest to archaeologists and anthropologists studying material culture, as well as researchers in museum studies and cultural heritage management.