Roger Lonsdale – författare

No previous anthology has succeeded in illustrating so thoroughly the kinds of verse actually written in the eighteenth century. The familiar tradition is fully represented by selections from such poets as Pope, Swift, Tomson, Gray, Smart, Goldsmith, Cowper, Burns, and Blake. In addition, the anthology includes verse by many forgotten writers, both men and women, from all levels of society. Although they have never figured in conventional literary history, they wrote humorous, idiosyncratic, and graphic verse about their personal experience and the world around them, in a way that should challenge received ideas about the period''s restraints and inhibitions.

Johnson himself wrote in 1782: ''I know not that I have written any thing more generally commended than the Lives of the Poets''. Always recognized as a major biographical and critical achievement, Samuel Johnson''s last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.Johnson''s fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson''s memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.Roger Lonsdale''s Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson''s assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson''s sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill''s three-volume Oxford edition (1905).This is volume two of four.

No previous anthology has succeeded in illustrating so thoroughly the kinds of verse actually written in the eighteenth century. The familiar tradition is fully represented by selections from such poets as Pope, Swift, Tomson, Gray, Smart, Goldsmith, Cowper, Burns, and Blake. In addition, the anthology includes verse by many forgotten writers, both men and women, from all levels of society. Although they have never figured in conventional literary history, they wrote humorous, idiosyncratic, and graphic verse about their personal experience and the world around them, in a way that should challenge received ideas about the period''s restraints and inhibitions.

''If a man is to write A Panegyrick, he may keep vices out of sight; but if he professes to write A Life, he must represent it really as it was.''In the last of his major writings, Samuel Johnson looked back over the previous two centuries of English Literature in order to describe the personalities as well as the achievements of the leading English poets. The major Lives - of Milton, Dryden, Swift, and Pope - are memorable cameos of the life of writing in which Johnson is as attentive to human frailty as to literary prowess. The shorter Lives preserve some of Johnson''s most piercing, critical judgements.Unsentimental, opinionated, and quotable, The Lives of the Poets continues to influence the reputations of the writers concerned. It is one of the greatest works of English criticism, but also one of the most humanly diverting.This selection of the Lives of ten of the most important poets draws its text from Roger Lonsdale''s authoritative complete edition.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Johnson himself wrote in 1782: ''I know not that I have written any thing more generally commended than the Lives of the Poets''. Always recognized as a major biographical and critical achievement, Samuel Johnson''s last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.Johnson''s fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson''s memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.Roger Lonsdale''s Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson''s assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson''s sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill''s three-volume Oxford edition (1905).This is volume one of four.

Johnson himself wrote in 1782: ''I know not that I have written any thing more generally commended than the Lives of the Poets''. Always recognized as a major biographical and critical achievement, Samuel Johnson''s last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.Johnson''s fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson''s memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.Roger Lonsdale''s Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson''s assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson''s sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill''s three-volume Oxford edition (1905).This is volume three of four.

''If a man is to write A Panegyrick, he may keep vices out of sight; but if he professes to write A Life, he must represent it really as it was.''In the last of his major writings, Samuel Johnson looked back over the previous two centuries of English Literature in order to describe the personalities as well as the achievements of the leading English poets. The major Lives - of Milton, Dryden, Swift, and Pope - are memorable cameos of the life of writing in which Johnson is as attentive to human frailty as to literary prowess. The shorter Lives preserve some of Johnson''s most piercing, critical judgements.Unsentimental, opinionated, and quotable, The Lives of the Poets continues to influence the reputations of the writers concerned. It is one of the greatest works of English criticism, but also one of the most humanly diverting.This selection of the Lives of ten of the most important poets draws its text from Roger Lonsdale''s authoritative complete edition.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Who were the women poets of the eighteenth century? More than a hundred are represented in this anthology, yet only few have hitherto featured in conventional surveys and anthologies of eighteenth-century verse. Unlike the women who wrote fiction, the vast majority of those who wrote verse have been ignored and forgotten since their own day. Yet they speak with vigour and immediacy, in a range of moods from the resentful and melancholic to the humorous and exuberant; about the world they lived in and their experience of life in town and country, of love and marriage. Nor were they all from one social class: as the biographical headnotes reveal, women at all levels of society, washerwomen and duchesses, both wrote and found their way into print. Usually most at ease writing in informal and unpretentious verse, the women poets grew in confidence during the century, writing eventually in a great variety of poetic forms and on public as well as private topics. The writers in this wide-ranging and unpredictable anthology open a new perspective on their age, and provide the grounds for a reassessment of a neglected aspect of its literature.Roger Lonsdale edited the New Oxford Book of Eighteenth-Century Verse.

Drawing on a wealth of unpublished material, this intimate study of one of the most engaging and energetic men of his age throws new light on his musical and literary career and on his acquaintance with such luminaries as Handel, Haydn, Rousseau, Garrick, and Johnson.

'If a man is to write A Panegyrick, he may keep vices out of sight; but if he professes to write A Life, he must represent it really as it was.'In the last of his major writings, Samuel Johnson looked back over the previous two centuries of English Literature in order to describe the personalities as well as the achievements of the leading English poets. The major Lives - of Milton, Dryden, Swift, and Pope - are memorable cameos of the life of writing in which Johnson is as attentive to human frailty as to literary prowess. The shorter Lives preserve some of Johnson's most piercing, critical judgements. Unsentimental, opinionated, and quotable, The Lives of the Poets continues to influence the reputations of the writers concerned. It is one of the greatest works of English criticism, but also one of the most humanly diverting.This selection of the Lives of ten of the most important poets draws its text from Roger Lonsdale's authoritative complete edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Johnson himself wrote in 1782: 'I know not that I have written any thing more generally commended than the Lives of the Poets'. Always recognized as a major biographical and critical achievement, Samuel Johnson's last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.Johnson's fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson's memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.Roger Lonsdale's Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson's assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson's sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill's three-volume Oxford edition (1905).This is volume one of four.

Johnson himself wrote in 1782: 'I know not that I have written any thing more generally commended than the Lives of the Poets'. Always recognized as a major biographical and critical achievement, Samuel Johnson's last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.Johnson's fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson's memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.Roger Lonsdale's Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson's assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson's sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill's three-volume Oxford edition (1905).This is volume two of four.

Johnson himself wrote in 1782: 'I know not that I have written any thing more generally commended than the Lives of the Poets'. Always recognized as a major biographical and critical achievement, Samuel Johnson's last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.Johnson's fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson's memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.Roger Lonsdale's Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson's assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson's sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill's three-volume Oxford edition (1905).This is volume three of four.

Johnson himself wrote in 1782: 'I know not that I have written any thing more generally commended than the Lives of the Poets'. Always recognized as a major biographical and critical achievement, Samuel Johnson's last literary project is also one of his most readable and entertaining, written with characteristic eloquence and conviction, and at times with combative trenchancy.Johnson's fifty-two biographies constitute a detailed survey of English poetry from the early seventeenth century down to his own time, with extended discussions of Cowley, Milton, Waller, Dryden, Addison, Prior, Swift, Pope, and Gray. The Lives also include Johnson's memorable biography of the enigmatic Richard Savage (1744), the friend of his own early years in London.Roger Lonsdale's Introduction describes the origins, composition, and textual history of the Lives, and assesses Johnson's assumptions and aims as biographer and critic. The commentary provides a detailed literary and historical context, investigating Johnson's sources, relating the Lives to his own earlier writings and conversation, and to the critical opinions of his contemporaries, as well as illustrating their early reception. This is the first scholarly edition since George Birkbeck Hill's three-volume Oxford edition (1905).This is volume four of four.

No previous anthology has succeeded in illustrating so thoroughly the kinds of verse actually written in the eighteenth century. The familiar tradition is fully represented by selections from such poets as Pope, Swift, Tomson, Gray, Smart, Goldsmith, Cowper, Burns, and Blake. In addition, the anthology includes verse by many forgotten writers, both men and women, from all levels of society. Although they have never figured in conventional literary history, they wrote humorous, idiosyncratic, and graphic verse about their personal experience and the world around them, in a way that should challenge received ideas about the period's restraints and inhibitions.