Roman Muradov – författare
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6 produkter
6 produkter
Häftad, Engelska, 2026
295 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2022
165 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2018, 15+ år
180 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2018
112 kr
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In an age of obsessive productivity and stress, this illustrated ode to idleness invites readers to explore the pleasures and possibilities of slowing down. Beloved author and illustrator Roman Muradov weaves together the words and stories of artists, writers, philosophers, and eccentrics who have pursued inspiration by doing less. He reveals that doing nothing is both easily achievable and absolutely essential to leading an enjoyable and creative life. Cultivating idleness can be as simple as taking a long walk without a destination or embracing chance in the creative process. Peppered with playful illustrations, this handsome volume is a refreshing and thought-provoking read.
Inbunden, Engelska, 2016, 15+ år
171 kr
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Jacob Bladders: illustrator, braggart, and victim of assault by thugs sent by the mysterious Charlie. Part satire of commercial art, part noirish detective story, part puzzle to be solved or left in pieces. Roman Muradov's latest is an ink-smeared Blakean vision of 1940s New York where Twitter exists as a network of pneumatic tubes, but artwork is still delivered by hand.Roman Muradov was born in Moscow, Russia. He now resides in San Francisco, California. As an illustrator he has worked for Vogue, Random House, the New Yorker, the New York Times, and Penguin. In 2013, Muradov received a Gold Medal from the Society of Illustrators. His first book, (In a Sense) Lost and Found, was published last year by Nobrow Press.
Häftad, Engelska, 2025
314 kr
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In the summer of 1912, Marcel Duchamp took a train to Munich and stayed there for three months. Very little direct knowledge remains about that trip. Immediately afterward, Duchamp gave up on painting and later in his life referred to Munich as the site of his 'complete liberation.' Roman Muradov's highly unreliable narrator attempts to reconstruct this period, interrogating from different angles the fundamental futility of retelling another person's life. The result is a fabulist satire that questions Duchamp's legacy, his silence and sexuality, and the sources of the work that made him famous. At once meticulously researched and wildly irreverent, The Adventures of Munich in Marcel Duchamp is an anti-biography worthy of the great trickster.