Ruby Lal – författare

A captivating biography of one of the world’s greatest adventurers, the itinerant Mughal Princess Gulbadan, based on her long-forgotten memoir  Longlisted for the Cundill History Prize • Finalist, Georgia Author of the Year Award • Shortlisted for James Tait Black Prize in Biography  “Ruby Lal coaxes the remarkable Gulbadan out from the shadows of history.”—Sara Wheeler, Wall Street Journal  Situated in the early decades of the magnificent Mughal Empire, this first ever biography of Princess Gulbadan offers an enthralling portrait of a charismatic adventurer and unique pictures of the multicultural society in which she lived. Following a migratory childhood that spanned Kabul and north India, Gulbadan spent her middle years in a walled harem established by her nephew Akbar to showcase his authority as the Great Emperor. Gulbadan longed for the exuberant itinerant lifestyle she’d known. With Akbar’s blessing, she led an unprecedented sailing and overland voyage and guided harem women on an extended pilgrimage in Arabia. Amid increasing political tensions, the women’s “un-Islamic” behavior forced their return, lengthened by a dramatic shipwreck in the Red Sea.  Gulbadan wrote a book upon her return, the only extant work of prose by a woman of the age. A portion of it is missing, either lost to history or redacted by officials who did not want the princess to have her say.  Vagabond Princess contemplates the story of the missing pages and breathes new life into a daring historical figure. It offers a portal to a richly complex world, rife with movement and migration, where women’s conviviality, adventure, and autonomies shine through.

A captivating biography of one of the world’s greatest adventurers, the itinerant Mughal Princess Gulbadan, based on her long-forgotten memoir  Longlisted for the Cundill History Prize • Finalist, Georgia Author of the Year Award • Shortlisted for James Tait Black Prize in Biography  “Ruby Lal coaxes the remarkable Gulbadan out from the shadows of history.”—Sara Wheeler, Wall Street Journal  Situated in the early decades of the magnificent Mughal Empire, this first ever biography of Princess Gulbadan offers an enthralling portrait of a charismatic adventurer and unique pictures of the multicultural society in which she lived. Following a migratory childhood that spanned Kabul and north India, Gulbadan spent her middle years in a walled harem established by her nephew Akbar to showcase his authority as the Great Emperor. Gulbadan longed for the exuberant itinerant lifestyle she’d known. With Akbar’s blessing, she led an unprecedented sailing and overland voyage and guided harem women on an extended pilgrimage in Arabia. Amid increasing political tensions, the women’s “un-Islamic” behavior forced their return, lengthened by a dramatic shipwreck in the Red Sea.  Gulbadan wrote a book upon her return, the only extant work of prose by a woman of the age. A portion of it is missing, either lost to history or redacted by officials who did not want the princess to have her say.  Vagabond Princess contemplates the story of the missing pages and breathes new life into a daring historical figure. It offers a portal to a richly complex world, rife with movement and migration, where women’s conviviality, adventure, and autonomies shine through.

In 1611, thirty-four-year-old Nur Jahan, daughter of a Persian noble and widow of a subversive official, became the twentieth and favourite wife of the Emperor Jahangir who ruled the Mughal Empire. An astute politician as well as a devoted partner, she issued imperial orders; coins of the realm bore her name. When Jahangir was imprisoned by a rebellious nobleman, the Empress led troops into battle and rescued him.The only woman to acquire the stature of empress in her male-dominated world, Nur was also a talented dress designer and innovative architect whose work inspired her stepson’s Taj Mahal. Nur’s confident assertion of talent and power is revelatory; it far exceeded the authority of her female contemporaries, including Elizabeth I. Here, she finally receives her due in a deeply researched and evocative biography.

In 1611, thirty-four-year-old Nur Jahan, daughter of a Persian noble and widow of a subversive official, became the twentieth and favourite wife of the Emperor Jahangir who ruled the Mughal Empire. An astute politician as well as a devoted partner, she issued imperial orders; coins of the realm bore her name. When Jahangir was imprisoned by a rebellious nobleman, the Empress led troops into battle and rescued him.The only woman to acquire the stature of empress in her male-dominated world, Nur was also a talented dress designer and innovative architect whose work inspired her stepson’s Taj Mahal. Nur’s confident assertion of talent and power is revelatory; it far exceeded the authority of her female contemporaries, including Elizabeth I. Here, she finally receives her due in a deeply researched and evocative biography.

In a fascinating and innovative study, first published in 2005, Ruby Lal explores domestic life and the place of women in the Mughal court of the sixteenth century. Challenging traditional, orientalist interpretations of the haram that have portrayed a domestic world of seclusion and sexual exploitation, the author reveals a complex society where noble men and women negotiated their everyday life and public-political affairs in the 'inner' chambers as well as the 'outer' courts. Using Ottoman and Safavid histories as a counterpoint, she demonstrates the richness, ambiguity and particularity of the Mughal haram, which was pivotal in the transition to institutionalisation and imperial excellence.

In a fascinating and innovative study, first published in 2005, Ruby Lal explores domestic life and the place of women in the Mughal court of the sixteenth century. Challenging traditional, orientalist interpretations of the haram that have portrayed a domestic world of seclusion and sexual exploitation, the author reveals a complex society where noble men and women negotiated their everyday life and public-political affairs in the 'inner' chambers as well as the 'outer' courts. Using Ottoman and Safavid histories as a counterpoint, she demonstrates the richness, ambiguity and particularity of the Mughal haram, which was pivotal in the transition to institutionalisation and imperial excellence.

In this engaging and eloquent history, Ruby Lal traces the becoming of nineteenth-century Indian women through a critique of narratives of linear transition from girlhood to womanhood. In the north Indian patriarchal environment, women's lives were dominated by the expectations of the male universal, articulated most clearly in household chores and domestic duties. The author argues that girls and women in the early nineteenth century experienced freedoms, eroticism, adventurousness and playfulness, even within restrictive circumstances. Although women in the colonial world of the later nineteenth century remained agential figures, their activities came to be constrained by more firmly entrenched domestic norms. Lal skillfully marks the subtle and complex alterations in the multifaceted female subject in a variety of nineteenth-century discourses, elaborated in four different sites - forest, school, household, and rooftops.

In this engaging and eloquent history, Ruby Lal traces the becoming of nineteenth-century Indian women through a critique of narratives of linear transition from girlhood to womanhood. In the north Indian patriarchal environment, women's lives were dominated by the expectations of the male universal, articulated most clearly in household chores and domestic duties. The author argues that girls and women in the early nineteenth century experienced freedoms, eroticism, adventurousness and playfulness, even within restrictive circumstances. Although women in the colonial world of the later nineteenth century remained agential figures, their activities came to be constrained by more firmly entrenched domestic norms. Lal skillfully marks the subtle and complex alterations in the multifaceted female subject in a variety of nineteenth-century discourses, elaborated in four different sites - forest, school, household, and rooftops.