Rudolf Mrázek – författare

Based on close reading of historical documents--poetry as much as statistics--and focused on the conceptualization of technology, this book is an unconventional evocation of late colonial Netherlands East Indies (today Indonesia). In considering technology and the ways that people use and think about things, Rudolf Mrazek invents an original way to talk about freedom, colonialism, nationalism, literature, revolution, and human nature. The central chapters comprise vignettes and take up, in turn, transportation (from shoes to road-building to motorcycle clubs), architecture (from prison construction to home air-conditioning), optical technologies (from photography to fingerprinting), clothing and fashion, and the introduction of radio and radio stations.The text clusters around a group of fascinating recurring characters representing colonialism, nationalism, and the awkward, inevitable presence of the European cultural, intellectual, and political avant-garde: Tillema, the pharmacist-author of Kromoblanda; the explorer/engineer IJzerman; the "Javanese princess" Kartina; the Indonesia nationalist journalist Mas Marco; the Dutch novelist Couperus; the Indonesian novelist Pramoedya Ananta Toer; and Dutch left-wing liberal Wim Wertheim and his wife. In colonial Indies, as elsewhere, people employed what Proust called "remembering" and what Heidegger called "thinging" to sense and make sense of the world. In using this observation to approach Indonesian society, Mrazek captures that society off balance, allowing us to see it in unfamiliar positions. The result is a singular work with surprises for readers throughout the social sciences, not least those interested in Southeast Asia or colonialism more broadly.

A Certain Age is an unconventional, evocative work of history and a moving reflection on memory, modernity, space, time, and the limitations of traditional historical narratives. Rudolf MrÁzek visited Indonesia throughout the 1990s, recording lengthy interviews with elderly intellectuals in and around Jakarta. With few exceptions, they were part of an urban elite born under colonial rule and educated at Dutch schools. From the early twentieth century, through the late colonial era, the national revolution, and well into independence after 1945, these intellectuals injected their ideas of modernity, progress, and freedom into local and national discussion. When MrÁzek began his interviews, he expected to discuss phenomena such as the transition from colonialism to postcolonialism. His interviewees, however, wanted to share more personal recollections. MrÁzek illuminates their stories of the past with evocative depictions of their late-twentieth-century surroundings. He brings to bear insights from thinkers including Walter Benjamin, Bertold Brecht, Le Corbusier, and Marcel Proust, and from his youth in Prague, another metropolis with its own experience of passages and revolution. Architectural and spatial tropes organize the book. Thresholds, windowsills, and sidewalks come to seem more apt as descriptors of historical transitions than colonial and postcolonial, or modern and postmodern. Asphalt roads, homes, classrooms, fences, and windows organize movement, perceptions, and selves in relation to others. A Certain Age is a portal into questions about how the past informs the present and how historical accounts are inevitably partial and incomplete.

A comprehensive biography of the Indonesian nationalist leader and Prime Minister of the Indonesian Republic, Sutan Sjahrir. This work is both a study of an individual and the social conditions that shaped him. The author has conducted extensive research and interviews with those who knew Sjahrir personally, politically, and by reputation.

Indonesia is a semi-annual journal devoted to the timely study of Indonesia's culture, history, government, economy, and society. It features original scholarly articles, interviews, translations, and book reviews. Published by Cornell University's Southeast Asia Program since April 1966, the journal provides area scholars and interested readers with contemporary analysis of Indonesia and an extensive archive of research pertaining to the nation and region.

In The Complete Lives of Camp People Rudolf MrÁzek presents a sweeping study of the material and cultural lives of twentieth-century concentration camp internees and the multiple ways in which their experiences speak to the fundamental logics of modernity. MrÁzek focuses on the minutiae of daily life in two camps: Theresienstadt, a Nazi “ghetto” for Jews near Prague, and the Dutch “isolation camp” Boven Digoel-which was located in a remote part of New Guinea between 1927 and 1943 and held Indonesian rebels who attempted to overthrow the colonial government. Drawing on a mix of interviews with survivors and their descendants, archival accounts, ephemera, and media representations, MrÁzek shows how modern life's most mundane tasks-buying clothes, getting haircuts, playing sports-continued on in the camps, which were themselves designed, built, and managed in accordance with modernity's tenets. In this way, MrÁzek demonstrates that concentration camps are not exceptional spaces; they are the locus of modernity in its most distilled form.

In The Complete Lives of Camp People Rudolf MrÁzek presents a sweeping study of the material and cultural lives of twentieth-century concentration camp internees and the multiple ways in which their experiences speak to the fundamental logics of modernity. MrÁzek focuses on the minutiae of daily life in two camps: Theresienstadt, a Nazi “ghetto” for Jews near Prague, and the Dutch “isolation camp” Boven Digoel-which was located in a remote part of New Guinea between 1927 and 1943 and held Indonesian rebels who attempted to overthrow the colonial government. Drawing on a mix of interviews with survivors and their descendants, archival accounts, ephemera, and media representations, MrÁzek shows how modern life's most mundane tasks-buying clothes, getting haircuts, playing sports-continued on in the camps, which were themselves designed, built, and managed in accordance with modernity's tenets. In this way, MrÁzek demonstrates that concentration camps are not exceptional spaces; they are the locus of modernity in its most distilled form.

Amir Sjarifoeddin explores the experiences of a central figure in the Indonesian revolution, whose life mirrored the idealism and contradictions of the anti-colonial and post-war world of twentieth century Indonesia. Amir was born at the edge of an empire in a time of change. Imprisoned by the Dutch for anti-colonialism, he was sentenced to death by the Japanese for anti-fascism. He survived to become the prime minister of the new Indonesian republic. Disappointed by the direction the Indonesian elites were taking, Amir turned increasingly to the left. In 1948 he joined the armed uprising against both the Indonesian government and the corruption of the national revolution, and was captured and executed as a traitor. In Amir Sjarifoeddin, Rudolf Mrázek unveils the human dimensions of a figure who is widely mythologized but often poorly understood. Through Sjarifoeddin's life, it is possible to study the moral ambiguity and complexities of the political revolutions of the twentieth century.