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Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline’s past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008.
A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field’s relevance and pointing the way toward new horizons of research.
New to this edition:
Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements.
977 kr
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Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline’s past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008.
A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field’s relevance and pointing the way toward new horizons of research.
New to this edition:
Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements.
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“Her poems startle us over and over with their shapeliness, their humor, their youthfulness, their wild aptness, their strangeness, their sudden familiarity, the authority of their insights, the moral gulps they prompt, their fierce exactness of language and memory.”—Galway Kinnell on presenting the Wallace Stevens Award
“In the Next Galaxy gives us the unflinching vision of a woman well into her ’80s, fully inhabiting body and mind.”—National Book Award Judges’ statement
“Compassionate, comic, feminist and horrified by injustice, Stone’s poems are composed with an accessible deftness.”—The Oregonian
Ruth Stone has earned nearly every major literary award for her poetry. She taught at many universities, finally settling at SUNY Binghamton. Today she lives in Vermont.
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“An aging poet’s failing eyesight informs this collection . . . some of which recall the spirit of Russian poet Anna Akhmatova. Dark but not hopeless, they spring from Stone’s lucid inner vision, which is straightforward, musical, and defiant.”—Utne
Now available in paperback, In the Dark, winner of the Paterson Award for Sustained Literary Achievement, is Ruth Stone’s follow-up to her National Book Award--winning In the Next Galaxy. Personal issues of memory, aging, and loss are balanced against profound political and cultural change. Stone has been called a “people’s poet” whose work is “profoundly rewarding,” and she writes a poetry of everyday life that recasts the mundane as indispensable. When asked whether poets improve with age, Stone, then eighty-nine, replied: “There’s no question.”From “What is a Poem?”:
Having come this far with a handful of alphabet, I am forced, with these few blocks, to invent the universe.
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"A collection of poems that give rich drama to ordinary experience, deepening our sense of what it means to be human."—Pulitzer Prize finalist citation
"There is a broad, powerful streak of independence—even disobedience—that runs through Stone's writing and has inspired a great number of women after her."—Guardian
Finalist for the 2009 Pulitzer Prize, this retrospective of Ruth Stone's poetry combines the best work from twelve previous volumes with an abundance of new poems. This comprehensive selection includes early formal lyrics, fierce political poems, and meditations on her husband's suicide and her own blindness. As Sharon Olds says in her foreword, "A Ruth Stone poem feels alive in the hands—ardent, independent, restless." What Love Comes To is a necessary collection from an American original.
Can it be thatmemory is useless,like a torn webhanging in the wind?Sometimes it billowsout, a full high gauze—like a canopy.But the air passesthrough the rentsand it falls again and flapsshapelesslike the ghost rag that it is—hanging at the windowof an empty room.
Ruth Stone is the author of twelve books of poetry. Among her many awards are the National Book Award, the National Book Critics Circle Award, the Eric Mathieu King Award, a Whiting Award, and she was a finalist for the 2009 Pulitzer Prize. She taught creative writing at many universities, finally settling at SUNY Binghamton. She lives in Vermont.
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"A collection of poems that give rich drama to ordinary experience, deepening our sense of what it means to be human."—Pulitzer Prize finalist citation
"There is a broad, powerful streak of independence—even disobedience—that runs through Stone''s writing and has inspired a great number of women after her."—Guardian
Finalist for the 2009 Pulitzer Prize, this retrospective of Ruth Stone''s poetry combines the best work from twelve previous volumes with an abundance of new poems. This comprehensive selection includes early formal lyrics, fierce political poems, and meditations on her husband''s suicide and her own blindness. As Sharon Olds says in her foreword, "A Ruth Stone poem feels alive in the hands—ardent, independent, restless." What Love Comes To is a necessary collection from an American original.
Can it be thatmemory is useless,like a torn webhanging in the wind?Sometimes it billowsout, a full high gauze—like a canopy.But the air passesthrough the rentsand it falls again and flapsshapelesslike the ghost rag that it is—hanging at the windowof an empty room.
Ruth Stone is the author of twelve books of poetry. Among her many awards are the National Book Award, the National Book Critics Circle Award, the Eric Mathieu King Award, a Whiting Award, and she was a finalist for the 2009 Pulitzer Prize. She taught creative writing at many universities, finally settling at SUNY Binghamton. She lives in Vermont.
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