S. Montgomery Ewegen – författare

Plato's dialogue Cratylus focuses on being and human dependence on words, or the essential truths about the human condition. Arguing that comedy is an essential part of Plato's concept of language, S. Montgomery Ewegen asserts that understanding the comedic is key to an understanding of Plato's deeper philosophical intentions. Ewegen shows how Plato's view of language is bound to comedy through words and how, for Plato, philosophy has much in common with playfulness and the ridiculous. By tying words, language, and our often uneasy relationship with them to comedy, Ewegen frames a new reading of this notable Platonic dialogue.

Who is Socrates? While most readers know him as the central figure in Plato's work, he is hard to characterize. In this book, S. Montgomery Ewegen opens this long-standing and difficult question once again. Reading Socrates against a number of Platonic texts, Ewegen sets out to understand the way of Socrates. Taking on the nuances and contours of the Socrates that emerges from the dramatic and philosophical contexts of Plato's works, Ewegen considers questions of withdrawal, retreat, powerlessness, poverty, concealment, and release and how they construct a new view of Socrates. For Ewegen, Socrates is a powerful but strange and uncanny figure. Ewegen's withdrawn Socrates forever evades rigid interpretation and must instead remain a deep and insoluble question.

Who is Socrates? While most readers know him as the central figure in Plato's work, he is hard to characterize. In this book, S. Montgomery Ewegen opens this long-standing and difficult question once again. Reading Socrates against a number of Platonic texts, Ewegen sets out to understand the way of Socrates. Taking on the nuances and contours of the Socrates that emerges from the dramatic and philosophical contexts of Plato's works, Ewegen considers questions of withdrawal, retreat, powerlessness, poverty, concealment, and release and how they construct a new view of Socrates. For Ewegen, Socrates is a powerful but strange and uncanny figure. Ewegen's withdrawn Socrates forever evades rigid interpretation and must instead remain a deep and insoluble question.

On Beauty and Measure features renowned philosopher John Sallis' commentaries on Plato's dialogues the Symposium and the Statesman. Drawn from two lecture courses delivered by Sallis, they represent his longest and most sustained engagement to date with either work. Brilliantly original, Sallis's close readings of Plato's dialogues are grounded in the original passages and also illuminate the overarching themes that drive the dialogues.

On Beauty and Measure features renowned philosopher John Sallis' commentaries on Plato's dialogues the Symposium and the Statesman. Drawn from two lecture courses delivered by Sallis, they represent his longest and most sustained engagement to date with either work. Brilliantly original, Sallis's close readings of Plato's dialogues are grounded in the original passages and also illuminate the overarching themes that drive the dialogues.

By way of an analysis of Heidegger's use of the elements of earth, water, air, and fire as a means to describe the unfolding of being, this Element offers a novel account of Heidegger's understanding of the human. By covering a variety of texts from the late-20s through the early-50s (including several of his recently published Black Notebooks), this Element demonstrates the manner in which these elements comprise, for Heidegger, the very being of the human.

By way of an analysis of Heidegger's use of the elements of earth, water, air, and fire as a means to describe the unfolding of being, this Element offers a novel account of Heidegger's understanding of the human. By covering a variety of texts from the late-20s through the early-50s (including several of his recently published Black Notebooks), this Element demonstrates the manner in which these elements comprise, for Heidegger, the very being of the human.

An in-depth and unique take on Martin Heidegger's understanding of animality, showing that the question of the animal was central to Heidegger's philosophical project from beginning to end.The Great Detour offers an in-depth and unique take on Martin Heidegger's understanding of animality, showing that the question the animal's nature in comparison to the human was central to Heidegger's philosophical project from beginning to end. More importantly, by engaging certain key texts from across his corpus, including some of the Black Notebooks, author S. Montgomery Ewegen shows that Heidegger's understanding of animality is much more nuanced than has typically been presented. Whereas most scholars have argued that Heidegger held a somewhat dismissive and ill-informed view of animals (as "world-poor," as lacking language, etc.), Ewegen argues that animals for Heidegger hold an inestimable value, serving as one of the primary ways through which the human is able to become aware of its own being and, indeed, Being itself. In short, the question of the animal was, for Heidegger, indissolubly connected with the question of the human being's relation to Being, the latter of which serves as the focal point of Heidegger's philosophy.