Sadiah Qureshi – författare

SHORTLISTED FOR THE ROYAL SOCIETY TRIVEDI SCIENCE BOOK PRIZE 2025 & BSHS PICKSTONE PRIZE 2026A GUARDIAN & TELEGRAPH BEST SCIENCE BOOK 2025WATERSTONES BEST POPULAR SCIENCE BOOK 2025'A vital and important book' David OlusogaFrom an award-winning historian of race, science and empire, a path-breaking and poignant history of extinction as a scientific idea, an imperial legacy and a political choiceAnyone alive today is among a tiny fraction of the once living: over 90% of species that ever existed are now extinct. How did we come to think of ourselves as survivors in a world where species can vanish forever, or as capable of pushing our planet to the verge of a sixth mass extinction?Extinction, Sadiah Qureshi shows us, is a surprisingly modern concept – and a phenomenon that’s not as natural as we might think. In Europe until the late eighteenth century, species were considered perfect and unchanging creations of God. Then in the age of revolutions, scientists gathered enough fossil evidence to determine that mammoth bones, for example, were not just large elephants but a lost species that once roamed the Earth alongside ancient humans. Extinction went from being regarded as theologically dangerous to pervasive, and even inevitable.Yet Vanished shows us that extinction is more than a scientific idea; it’s a political choice that has led to devasting consequences. Europeans and Americans quickly used the notion that extinction was a natural process to justify persecution and genocide, predicting that nations from Newfoundland’s Beothuk to Aboriginal Australians were doomed to die out from imperial expansion.Exploring the tangled and unnatural histories of extinction and empire, Vanished weaves together pioneering original research and breath-taking storytelling to show us extinction is both an evolutionary process and a human act: one which illuminates our past, and may alter our future.

The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of Victorian preoccupations with the past was unprecedented and of lasting importance. They paved the way for many of our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain's most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past. Out of their discoveries, new histories emerged, giving rise to new debates, while seemingly well-known pasts were thrown into confusion by new tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid new picture of the Victorian world and its historical obsessions.

The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of Victorian preoccupations with the past was unprecedented and of lasting importance. They paved the way for many of our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain's most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past. Out of their discoveries, new histories emerged, giving rise to new debates, while seemingly well-known pasts were thrown into confusion by new tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid new picture of the Victorian world and its historical obsessions.

The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of their preoccupations with the past were unprecedented and of lasting importance. The Victorians paved the way for our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain’s most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past.   Out of their discoveries, new histories emerged, giving rise to fresh debates, while seemingly well-known histories were thrown into confusion by novel tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid picture of the Victorian world and its historical obsessions.

In May 1853, Charles Dickens paid a visit to the “savages at Hyde Park Corner,” an exhibition of thirteen imported Zulus performing cultural rites ranging from songs and dances to a “witch-hunt” and marriage ceremony. Dickens was not the only Londoner intrigued by these “living curiosities”: displayed foreign peoples provided some of the most popular public entertainments of their day. At first, such shows tended to be small-scale entrepreneurial speculations of just a single person or a small group. By the end of the century, performers were being imported by the hundreds and housed in purpose-built “native” villages for months at a time, delighting the crowds and allowing scientists and journalists the opportunity to reflect on racial difference, foreign policy, slavery, missionary work, and empire.   Peoples on Parade provides the first substantial overview of these human exhibitions in nineteenth-century Britain. Sadiah Qureshi considers these shows in their entirety—their production, promotion, management, and performance—to understand why they proved so commercially successful, how they shaped performers’ lives, how they were interpreted by their audiences, and what kinds of lasting influence they may have had on notions of race and empire. Qureshi supports her analysis with diverse visual materials, including promotional ephemera, travel paintings, theatrical scenery, art prints, and photography, and thus contributes to the wider understanding of the relationship between science and visual culture in the nineteenth century.   Through Qureshi’s vibrant telling and stunning images, readers will see how human exhibitions have left behind a lasting legacy both in the formation of early anthropological inquiry and in the creation of broader public attitudes toward racial difference.

SHORTLISTED FOR THE ROYAL SOCIETY TRIVEDI SCIENCE BOOK PRIZE 2025 & BSHS PICKSTONE PRIZE 2026A GUARDIAN & TELEGRAPH BEST SCIENCE BOOK 2025WATERSTONES BEST POPULAR SCIENCE BOOK 2025'A vital and important book' David Olusoga From an award-winning historian of race, science and empire, a path-breaking and poignant history of extinction as a scientific idea, an imperial legacy and a political choiceAnyone alive today is among a tiny fraction of the once living: over 90% of species that ever existed are now extinct. How did we come to think of ourselves as survivors in a world where species can vanish forever, or as capable of pushing our planet to the verge of a sixth mass extinction? Extinction, Sadiah Qureshi shows us, is a surprisingly modern concept – and a phenomenon that’s not as natural as we might think. In Europe until the late eighteenth century, species were considered perfect and unchanging creations of God. Then in the age of revolutions, scientists gathered enough fossil evidence to determine that mammoth bones, for example, were not just large elephants but a lost species that once roamed the Earth alongside ancient humans. Extinction went from being regarded as theologically dangerous to pervasive, and even inevitable. Yet Vanished shows us that extinction is more than a scientific idea; it’s a political choice that has led to devasting consequences. Europeans and Americans quickly used the notion that extinction was a natural process to justify persecution and genocide, predicting that nations from Newfoundland’s Beothuk to Aboriginal Australians were doomed to die out from imperial expansion. Exploring the tangled and unnatural histories of extinction and empire, Vanished weaves together pioneering original research and breath-taking storytelling to show us extinction is both an evolutionary process and a human act: one which illuminates our past, and may alter our future.