Sam J. Miller - Böcker

Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.

Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.

***A PUBLISHERS WEEKLY BEST BOOK OF 2018******A KIRKUS BEST BOOK OF 2018*** 'Incisive and beautifully written . . . Blackfish City simmers with menace and heartache, suspense and wonder' Ann Leckie, Hugo, Nebula and Clarke Award-winning author'Sam Miller is a fiercely strong writer, and this book is a blast' Daryl Gregory, World Fantasy Award-winning author'It's too early in the year to begin assembling 2018's 'best of' list, but Blackfish City has got to be an early contender' Starburst*****After the climate wars, a floating city was constructed in the Arctic Circle. Once a remarkable feat of mechanical and social engineering it is now rife with corruption and the population simmers with unrest. Into this turmoil comes a strange new visitor - a woman accompanied by an orca and a chained polar bear. She disappears into the crowds looking for someone she lost thirty years ago, followed by whispers of a vanished people who could bond with animals. Her arrival draws together four people and sparks a chain of events that will change Blackfish City forever.DISTURBING, POWERFUL AND FEARLESSLY IMAGINED, BLACKFISH CITY IS A MESMERISING NOVEL FROM A REMARKABLE NEW VOICE IN SCIENCE FICTION*****'A compelling dystopian thriller' Guardian'I haven't been this swept away by imagination and worldbuilding since Philip Pullman's His Dark Materials' Carmen Maria Machado, National Book Award-nominated author of Her Body and other Parties'An urgent tale . . . wrapped in an action-packed science fiction thriller' Washington Post'An ambitious, imaginative and big-hearted dystopian ensemble story that's by turns elegiac and angry' Publisher's Weekly'This is the kind of swirling, original sci-fi we live for' B&N Sci-Fi and Fantasy Blog

***SHORTLISTED FOR THE NEBULA AWARD FOR BEST NOVEL******A PUBLISHERS WEEKLY BEST BOOK OF 2018******A KIRKUS BEST BOOK OF 2018*** ***A WASHINGTON POST BEST SCIENCE FICTION NOVEL OF 2018***'A remarkable work of dystopian imagination' - Starburst'Incisive and beautifully written . . . Blackfish City simmers with menace and heartache, suspense and wonder' - Ann Leckie, Hugo, Nebula and Clarke Award-winning author*****After the climate wars, a floating city was constructed in the Arctic Circle. Once a remarkable feat of mechanical and social engineering it is now rife with corruption and the population simmers with unrest. Into this turmoil comes a strange new visitor - a woman accompanied by an orca and a chained polar bear. She disappears into the crowds looking for someone she lost thirty years ago, followed by whispers of a vanished people who could bond with animals. Her arrival draws together four people and sparks a chain of events that will change Blackfish City forever.DISTURBING, POWERFUL AND FEARLESSLY IMAGINED, BLACKFISH CITY IS A MESMERISING NOVEL FROM A REMARKABLE NEW VOICE IN SCIENCE FICTION*****'A compelling dystopian thriller' Guardian'Sam Miller is a fiercely strong writer, and this book is a blast' - Daryl Gregory, World FantasyAward-winning author'I haven't been this swept away by imagination and worldbuilding since Philip Pullman's His Dark Materials' - Carmen Maria Machado, National Book Award-nominated author of Her Body and other Parties'Damn near perfect' - The Book Smugglers'An ambitious, imaginative and big-hearted dystopian ensemble story that's by turns elegiac and angry' - Publisher's Weekly'This is the kind of swirling, original sci-fi we live for' - B&N Sci-Fi and Fantasy Blog