Adam Roberts – författare

Roberts and Guelff's text has become widely accepted internationally as a standard work on international humanitarian law.The book contains authoritative texts of the main treaties and other key documents covering a wide variety of issues: the rights and duties of both belligerents and neutrals; prohibitions or restrictions on the use of particular weapons; the protection of victims of war, including the wounded and sick, prisoners of war, and civilians; the application of the law to forces operating under UN auspices; the attempts to apply the laws of war in civil wars; the prosecution of war crimes and genocide; the legality of the threat or use of nuclear weapons; and many other matters.This third edition, greatly expanded from the second, contains thirteen new documents, including agreements on anti-personnel mines and laser weapons; key extracts from the statutes of the international criminal tribunals for the former Yugoslavia and Rwanda, and the International Criminal Court; two documents on UN forces and international humanitarian law; and an extract from the Advisory Opinion of the International Court of Justice on nuclear weapons. There is a new appendix listing internet websites.The Introduction sets the subject in its historical context, outlines the various sources of the law, provides basic information about its application to states and individuals, and discusses its relevance in contemporary conflicts. In addition, each of the documents is preceded by a prefatory note by the editors, explaining matters relating to its adoption, interpretation and implementation, including how it relates to other agreements concluded subsequently. Each treaty is followed by a complete list of all states parties, along with the dates of adherence and details of any reservations or declarations which states have made.Prepared with extensive assistance from the official Depositaries of the various agreements, this is an essential reference book for statesmen and diplomats, members of armed forces and humanitarian organizations, lawyers, journalists, and students of international law and international relations.

Shortlisted for The British Science Fiction Association Best Non-Fiction 2020Are we doomed? Is an almighty power or an earth-shattering meteor waiting for us just around the corner?In this thought-provoking book, Professor Adam Roberts explores our many different cultural visions of the end of the world - likely and unlikely, mundane and bizarre - and what they say about how we see ourselves and our societies. What is it is that we are really afraid of? An uncaring universe; an uncontrollable environment; the human capacity for destruction; or just our own, personal apocalypse - our mortality?From last man and dying earth fiction to zombies swarming on screen and the ruined landscapes of immersive gaming, via sweeping contagions, invading aliens, falling bombs and rising robots, buckle up for the end of the world.

Adam Roberts turns his attention to answering the Fermi Paradox with a taut and claustrophobic tale that echoes John Carpenter's The Thing.Two men while away the days in an Antarctic research station. Tensions between them build as they argue over a love-letter one of them has received. One is practical and open. The other surly, superior and obsessed with reading one book - by the philosopher Kant.As a storm brews and they lose contact with the outside world they debate Kant, reality and the emptiness of the universe. They come to hate each other, and they learn that they are not alone.

WINNER OF THE BSFA AWARD FOR BEST NOVELJack Glass is the murderer. We know this from the start. Yet as this extraordinary novel tells the story of three murders committed by Glass the reader will be surprised to find out that it was Glass who was the killer and how he did it. And by the end of the book our sympathies for the killer are fully engaged.Riffing on the tropes of crime fiction (the country house murder, the locked room mystery) and imbued with the feel of golden age SF, JACK GLASS is another bravura performance from Roberts. Whatever games he plays with the genre, whatever questions he asks of the reader, Roberts never loses sight of the need to entertain and JACK GLASS has some wonderfully gruesome moments, is built around three gripping HowDunnits and comes with liberal doses of sly humour.Roberts invites us to have fun and tricks us into thinking about both crime and SF via a beautifully structured novel set in a society whose depiction challanges notions of crime, punishment, power and freedom. It is an extraordinary novel.

While the works of Hugo Grotius (1583-1645) have long been held in high esteem by international lawyers, this book addresses the broader, and neglected, theme of his contribution to the theoretical and practical aspects of international relations. It critically reappraises Grotius' thought, examining it in relation to his predecessors and in the context of the wars and controversies of his time, and assesses the strengths and weaknesses of the `Grotian' tradition of thought - one which accepts the sovereignty of states but at the same time stresses the existence of shared values and the necessity of rules.

This book, highly praised as an authoritative assessment of the United Nations and its place in international relations, brings together distinguished academics and senior UN officials in a clear and penetrating examination of how the UN has developed since 1945. It examines the UN's various roles in addressing long-standing and difficult problems in the relations of states in such fields as international security, human rights, international law, and economic development.The book takes into account a wide range of developments in a world which remains very much divided; the rapid expansion of UN peacekeeping and election-monitoring activities; the consequences of the collapse of communism in eastern Europe and the Soviet Union; the 1990-1 Gulf conflict and its aftermath; attempts at settlement of many regional conflicts; UN involvements in fractured societies, including Cambodia, Somalia, and the former Yugoslavia; and the political and resource limits of the UN's capabilities. This edition also takes full account of new sources, writings, and debates.There are four completely new chapters, by Patricia Birnie (environmental protection), Sally Morphet (peacekeeping), Brian Urquhart (post-Cold War security), and Peter Wilenski (the UN's structure). An appendix contains the full text of former Secretary-General Boutros-Ghali's important report, An Agenda for Peace, to which he has added an introduction for this book.United Nations, Divided World is also a key reference work. The appendices include a bibliography and the complete text of the UN Charter, with all amendments. They also include lists of member states and their assessed contributions, Secretaries-General, UN peacekeeping and observer forces, and judgments and opinions of the International Court of Justice.

Cleanness, both in the sense of a neoclassical stylistic purity and of an individual moral and political probity, was centrally important to Walter Savage Landor's writing, both in his prose and poetry. At the same time, this commitment to purity was contaminated in a variety of eloquent and complicating uncleannesses: his own fiery temper and frequent rages; his sometimes scurrilous and sexually explicit Latin poems; and the innovative, compacted, proto-Modernist verse style of works such as his epic Gebir, as stylistically-tangled and potent a poem ever produced in the Romantic era. The present study, the first comprehensive study of Landor's writing for nearly half a century, addresses the whole of Landor's prodigious output over the seven decades of his writing life, in verse, prose, and drama, in English and Latin: from the brief lyrics by which (if at all) he is remembered today up to his idylls, tragedies, and epics; from his pamphlets and essays to historical novels like Pericles and Aspasia and the textual colossus of the Imaginary Conversations. 'Cleanness' becomes the organising principle by which this heterogeneous and multivocal body of work is read. At once a survey of Landor's output and life, a critically engaged reading of his work and an interrogation of the principles of poetry itself, Landor's Cleanness seeks to reconfigure the map of Romantic and Victorian writing, and move Landor's reputation at least some way in the direction of the eminence he once enjoyed: as a major writer of his time, both intensely characteristic of the nineteenth-century and startlingly relevant to the twenty-first.

Civil resistance, especially in the form of massive peaceful demonstrations, was at the heart of the Arab Spring-the chain of events in the Middle East and North Africa that erupted in December 2010. It won some notable victories: popular movements helped to bring about the fall of authoritarian governments in Tunisia, Egypt, Libya and Yemen. Yet these apparent triumphs of non-violent action were followed by disasters--wars in Syria, anarchy in Libya and Yemen, reversion to authoritarian rule in Egypt, and counter-revolution backed by external intervention in Bahrain. Looming over these events was the enduring divide between the Sunni and Shi'a branches of Islam.Why did so much go wrong? Was the problem the methods, leadership and aims of the popular movements, or the conditions of their societies? In this book, experts on these countries, and on the techniques of civil resistance, set the events in their historical, social and political contexts. They describe how governments and outside powers--including the US and EU--responded, how Arab monarchies in Jordan and Morocco undertook to introduce reforms to avert revolution, and why the Arab Spring failed to spark a Palestinian one. They indicate how and why Tunisia remained, precariously, the country that experienced the most political change for the lowest cost in bloodshed.This book provides a vivid illustrated account and rigorous scholarly analysis of the course and fate, the strengths and the weaknesses, of the Arab Spring. The authors draw clear and challenging conclusions from these tumultuous events. Above all, they show how civil resistance aiming at regime change is not enough: building the institutions and the trust necessary for reforms to be implemented and democracy to develop is a more difficult but equally crucial task.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Browning's poetry and prose chosen from the whole range of his career to give the essence of his work and thinking.Browning's work ranges from the beguiling magic of 'The Pied Piper of Hamelin' to the epic book-length poem The Ring and the Book. This comprehensive selection includes over eighty of his shorter poems, amongst them his most famous and best-loved dramatic monologues, as well as the complete text of many of his longer poems (Pauline, Pippa Passes, 'Bishop Blougram's Apology'). It contains three books from The Ring and the Book and Browning's only significant piece of critical writing (the 'Essay on Shelley'). This edition also selects generously from the love letters between Browning and Elizabeth Barrett, as well as from Browning's more general correspondence - letters which cast a unique light upon the poems themselves, and poetry in general. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Tennyson's poetry and prose - juvenilia as well as his best-known poems, and letters and journal entries - to give the essence of his work and thinking.Tennyson was acclaimed in his own day as the chief poetic voice of his age, and he remains one of the most highly regarded masters of the music and mood of poetry. This edition selects extensively from Tennyson's entire career, beginning with his striking juvenilia, through his career as Poet Laureate and the powerful poetry he wrote in his ninth decade. It contains such classics as 'The Lady of Shalott', 'Morte d'Arthur', Break, Break, Break', 'Locksley Hall', 'Ulysses', 'The Charge of the Light Brigade', and 'Tears, Idle Tears'. It also includes in its entirety Tennyson's quasi-feminist epic The Princess, as well as the whole of In Memoriam, Maud, Enoch Arden, and several of the Idylls of the King. The poems are augmented with a broad selection from Tennyson's letters, as well as relevant passages from his son Hallam Tennyson's Memoir of his father, where Tennyson talks widely about his own poetry and the writing of others. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This widely-praised book identified peaceful struggle as a key phenomenon in international politics a year before the revolutions in Tunisia and Egypt confirmed its central argument. Civil resistance - non-violent action against such challenges as dictatorial rule, racial discrimination and foreign military occupation - is a significant but inadequately understood feature of world politics. Especially through the peaceful revolutions of 1989, and the developments in the Arab world since December 2010, it has helped to shape the world we live in.Civil Resistance and Power Politics covers most of the leading cases, including the actions master-minded by Gandhi, the US civil rights struggle in the 1960s, the Islamic revolution in Iran in 1979, the 'people power' revolt in the Philippines in the 1980s, the campaigns against apartheid in South Africa, the various movements contributing to the collapse of the Soviet Bloc in 1989-91, and, in this century, the 'colour revolutions' in Georgia and Ukraine. The chapters, written by leading experts, are richly descriptive and analytically rigorous. This book addresses the complex interrelationship between civil resistance and other dimensions of power. It explores the question of whether civil resistance should be seen as potentially replacing violence completely, or as a phenomenon that operates in conjunction with, and modification of, power politics. It looks at cases where campaigns were repressed, including China in 1989 and Burma in 2007. It notes that in several instances, including Northern Ireland, Kosovo and, Georgia, civil resistance movements were followed by the outbreak of armed conflict. It also includes a chapter with new material from Russian archives showing how the Soviet leadership responded to civil resistance, and a comprehensive bibliographical essay. Illustrated throughout with a remarkable selection of photographs, this uniquely wide-ranging and path-breaking study is written in an accessible style and is intended for the general reader as well as for students of Modern History, Politics, Sociology, and International Relations.

From the 494 B.C. plebeians' march out of Rome to gain improved status, to Gandhi's nonviolent campaigns in India, to the liberation of Poland and the Baltic nations, and the revolutions in North Africa, nonviolent struggles have played pivotal roles in world events for centuries. Sharp's Dictionary of Power and Struggle is a groundbreaking reference work on this topic by the "godfather of nonviolent resistance." In nearly 1,000 entries, the Dictionary defines those ideologies, political systems, strategies, methods, and concepts that form the core of nonviolent action as it has occurred throughout history and across the globe, providing much-needed clarification of language that is often mired in confusion. Entries discuss everything from militarization to censorship, guerrilla theater, pacifism, secret agents, and protest songs. In addition, the dictionary features a foreword by Sir Adam Roberts, President of the British Academy; an introduction by Gene Sharp; an essay on power and realism; case studies of conflicts in Serbia and Tunisia; and a guide for further reading. Sharp's Dictionary of Power and Struggle is an invaluable resource for activists, educators and anyone else curious about nonviolent alternatives to both passivity and violent conflict. "Gene Sharp is perhaps the most influential proponent of nonviolent action alive."--The Progressive"Sharp has had broad influence on international events over the past two decades, helping to advance a global democratic awakening."--The Wall Street Journal"[Sharp's] work has served as the template for taking on authoritarian regimes from Burma to Belgrade."--The Christian Science Monitor

This glossary offers an introduction to Victorian Studies and a route-map to further study. Designed specifically with undergraduates in mind, it contains around 400 short and accessible explanations of the key words, events, figures and concepts in the study of the Victorian period.

This glossary offers an introduction to Victorian Studies and a route-map to further study. Designed specifically with undergraduates in mind, it contains around 400 short and accessible explanations of the key words, events, figures and concepts in the study of the Victorian period.

An invaluable introduction to the life and work of one of today's most important cultural critics. Studied on most undergraduate literary and cultural studies courses, Fredric Jameson's writing targets subjects from architecture to science fiction, cinema to global capitalism. Of his works, The Political Unconscious remains one of the most widely cited Marxist literary-theoretical texts, and 'Postmodernism, or the cultural logic of late capitalism', is amongst the most influential statements on the nature of post-modernity ever published. Adam Roberts offers an `ngaging introduction to this crucial figure, which will convince any student of contemporary theory that Jameson must be read.

An invaluable introduction to the life and work of one of today's most important cultural critics. Studied on most undergraduate literary and cultural studies courses, Fredric Jameson's writing targets subjects from architecture to science fiction, cinema to global capitalism. Of his works, The Political Unconscious remains one of the most widely cited Marxist literary-theoretical texts, and 'Postmodernism, or the cultural logic of late capitalism', is amongst the most influential statements on the nature of post-modernity ever published. Adam Roberts offers an `ngaging introduction to this crucial figure, which will convince any student of contemporary theory that Jameson must be read.

Science Fiction is a fascinating and comprehensive introduction to one of the most popular areas of modern culture. This second edition reflects how the field is rapidly changing in both its practice and its critical reception. With an entirely new conclusion and all other chapters fully reworked and updated, this volume includes:a concise history of science fiction and the ways in which the genre has been used and definedexplanations of key concepts in Science Fiction criticism and theory through chapters such as Gender, Race, Technology and Metaphorexamines the interactions between Science Fiction and Science Factanchors each chapter with a case study drawn from short story, book or film, from Frank Herbert’s Dune to Star Wars, from The Left Hand of Darkness to Neuromancer.Introducing the reader to nineteenth-century, Pulp, Golden Age, New Wave, Feminist and Cyberpunk science fictions, this is the essential contemporary guide to a major cultural movement.

Science Fiction is a fascinating and comprehensive introduction to one of the most popular areas of modern culture. This second edition reflects how the field is rapidly changing in both its practice and its critical reception. With an entirely new conclusion and all other chapters fully reworked and updated, this volume includes:a concise history of science fiction and the ways in which the genre has been used and definedexplanations of key concepts in Science Fiction criticism and theory through chapters such as Gender, Race, Technology and Metaphorexamines the interactions between Science Fiction and Science Factanchors each chapter with a case study drawn from short story, book or film, from Frank Herbert’s Dune to Star Wars, from The Left Hand of Darkness to Neuromancer.Introducing the reader to nineteenth-century, Pulp, Golden Age, New Wave, Feminist and Cyberpunk science fictions, this is the essential contemporary guide to a major cultural movement.

Fifty Key Figures in Science Fiction is a collection of engaging essays on some of the most significant figures who have shaped and defined the genre. Diverse groups within the science fiction community are represented, from novelists and film makers to comic book and television writers. Important and influential names discussed include:Octavia ButlerGeorge LucasRobert Heinlein Gene RoddenberryStan LeeUrsula K. Le GuinH.G. WellsThis outstanding reference guide charts the rich and varied landscape of science fiction and includes helpful and up-to-date lists of further reading at the end of each entry. Available in an easy to use A-Z format, Fifty Key Figures in Science Fiction will be of interest to students of Literature, Film Studies, and Cultural Studies.

Fifty Key Figures in Science Fiction is a collection of engaging essays on some of the most significant figures who have shaped and defined the genre. Diverse groups within the science fiction community are represented, from novelists and film makers to comic book and television writers. Important and influential names discussed include:Octavia ButlerGeorge LucasRobert Heinlein Gene RoddenberryStan LeeUrsula K. Le GuinH.G. WellsThis outstanding reference guide charts the rich and varied landscape of science fiction and includes helpful and up-to-date lists of further reading at the end of each entry. Available in an easy to use A-Z format, Fifty Key Figures in Science Fiction will be of interest to students of Literature, Film Studies, and Cultural Studies.

The Routledge Companion to Science Fiction is a comprehensive overview of the history and study of science fiction. It outlines major writers, movements, and texts in the genre, established critical approaches and areas for future study. Fifty-six entries by a team of renowned international contributors are divided into four parts which look, in turn, at: history – an integrated chronological narrative of the genre’s developmenttheory – detailed accounts of major theoretical approaches including feminism, Marxism, psychoanalysis, cultural studies, postcolonialism, posthumanism and utopian studiesissues and challenges – anticipates future directions for study in areas as diverse as science studies, music, design, environmentalism, ethics and alteritysubgenres – a prismatic view of the genre, tracing themes and developments within specific subgenres.Bringing into dialogue the many perspectives on the genre The Routledge Companion to Science Fiction is essential reading for anyone interested in the history and the future of science fiction and the way it is taught and studied.

The Routledge Companion to Science Fiction is a comprehensive overview of the history and study of science fiction. It outlines major writers, movements, and texts in the genre, established critical approaches and areas for future study. Fifty-six entries by a team of renowned international contributors are divided into four parts which look, in turn, at: history – an integrated chronological narrative of the genre’s developmenttheory – detailed accounts of major theoretical approaches including feminism, Marxism, psychoanalysis, cultural studies, postcolonialism, posthumanism and utopian studiesissues and challenges – anticipates future directions for study in areas as diverse as science studies, music, design, environmentalism, ethics and alteritysubgenres – a prismatic view of the genre, tracing themes and developments within specific subgenres.Bringing into dialogue the many perspectives on the genre The Routledge Companion to Science Fiction is essential reading for anyone interested in the history and the future of science fiction and the way it is taught and studied.

In contrast to the common perception that the United Nations is, or should become, a system of collective security, this paper advances the proposition that the UN Security Council embodies a necessarily selective approach. Analysis of its record since 1945 suggests that the Council cannot address all security threats effectively. The reasons for this include not only the veto power of the five permanent members, but also the selectivity of all UN member states: their unwillingness to provide forces for peacekeeping or other purposes except on a case-by-case basis, and their reluctance to involve the Council in certain conflicts to which they are parties, or which they perceive as distant, complex and resistant to outside involvement. The Council’s selectivity is generally seen as a problem, even a threat to its legitimacy. Yet selectivity, which is rooted in prudence and in the UN Charter itself, has some virtues. Acknowledging the necessary limitations within which the Security Council operates, this paper evaluates the Council’s achievements in tackling the problem of war since 1945. In doing so, it sheds light on the division of labour among the Council, regional security bodies and states, and offers a pioneering contribution to public and governmental understanding of the UN’s past, present and future roles.

The new Adam Roberts novel is a story of global apocalypse, old hatreds and new beginnings. It is his best novel to date.And this is how the world will end ...'The snow started falling on the sixth of September, soft noiseless flakes filling the sky like a swarm of white moths, or like static interference on your TV screen - whichever metaphor, nature or technology, you find the more evocative. Snow everywhere, all through the air, with that distinctive sense of hurrying that a vigorous snowfall brings with it. Everything in a rush, busy-busy snowflakes. And, simultaneously, paradoxically, everything is hushed, calm, as quiet as cancer, as white as death.And at the beginning people were happy.'But the snow doesn't stop. It falls and falls and falls. Until it lies three miles thick across the whole of the earth. Six billion people have died. Perhaps 150,000 survive. But those 150,000 need help, they need support, they need organising, governing.And so the lies begin. Lies about how the snow started. Lies about who is to blame. Lies about who is left. Lies about what really lies beneath.

It is 1848 and the British Empire has grown rich exploiting Lilliputian slaves - the finesse of their working allowing unheard of feats of minature engineering; even Babbage's computing device has been made to work.But now the French have formed a regiment of previously peaceful Brobdingnagian giants and invasion looms. In a world where humanity is both smaller and larger than it once was, love and hate loom large. Mankind discovers itself at the centre of scale. Lilliputians are twelve times smaller than us but there are those twelve times smaller than them, and twelve times smaller again and so on. And the scale of being goes up from Swift's giants also ...Adam Roberts has written both a rip roaring 19th century adventure, a love story and a thought-provoking pre-atomic SF novel about our place in the universe.

Russia, 1946, the Nazis recently defeated. Stalin gathers half a dozen of the top Soviet science fiction authors in a dacha in the countryside somewhere. Convinced that the defeat of America is only a few years away, and equally convinced that the Soviet Union needs a massive external threat to hold it together, to give it purpose and direction, he tells the writers: 'I want you to concoct a story about aliens poised to invade earth ... I want it to be massively detailed, and completely believable. If you need props and evidence to back it up, then we can create them. But when America is defeated, your story must be so convincing that the whole population of Soviet Russia believes in it - the population of the whole world!' The little group of writers gets down to the task and spends months working on it. But then new orders come from Moscow: they are told to drop the project; Stalin has changed his mind; forget everything about it. So they do. They get on with their lives in their various ways; some of them survive the remainder of Stalin's rule, the changes of the 50s and 60s. And then, in the aftermath of Chernobyl, the survivors gather again, because something strange has started to happen. The story they invented in 1946 is starting to come true ...A typically mind-blowing SF novel from one of the genre's literary stars.

Adam Roberts' new novel is a terrifying vision of a near future war - a civil war that tears the UK apart as new technologies allow the world's first truly democratic army to take on the British army and wrest control from the powers that be. Taking advances in modern communication and the new eagerness for power from the bottom upwards, Adam Roberts has produced a novel that is at once an exciting war novel and a philosophical examination of war and democracy. It shows one of the UKs most exciting and innovative literary voices working at the height of his powers and investing SF with literary significance that is its due.

In a world where we have been genetically engineered so that we can photosynthesise sunlight with our hair, hunger is a thing of the past, food an indulgence. The poor grow their hair, the rich affect baldness and flaunt their wealth by still eating.But other hungers remain ... The young daughter of an affluent New York family is kidnapped. The ransom demands are refused. A year later a young woman arrives at the family home claiming to be their long lost daughter. She has changed so much, she has lived on light, can anyone be sure that she has come home?Adam Roberts' new novel is yet another amazing melding of startling ideas and beautiful prose. Set in a New York of the future it nevertheless has echoes of a Fitzgeraldesque affluence and art-deco style. It charts his further progress as one of the most important writers of his generation.