Robert Browning – författare

Robert Browning was one of the greatest of English poets, whose intense and original imagination enabled him to transform any subject he chose - whether everyday or sublime - into startling memorable verse. In his work he brought to life the personalities of a diverse range of characters, and introduced a new immediacy, colloquial energy and psychological complexity to the poetry of his day. This selection brings together verse ranging from early dramatic monologues such as the chilling 'My Last Duchess' and the ribald 'Fra Lippo Lippi', which show his gift for inhabiting the mind of another, to the popular children's poem 'The Pied Piper of Hamelin' and many lesser known works. All display his innovative techniques of diction, rhythm and symbol, which transformed Victorian poetry and influenced major poets of the twentieth century such as Ezra Pound, T. S. Eliot and Robert Frost.

My Last Duchess, How they Brought The Good News from Ghent to Aix ''Childe Rolande to the Dark Tower Came, Prospice, Soliloquy of the Spanish Cloister, Home – Thoughts from Abroad, The Lost Leader, Porphyria''s Lover, Memorabilia, Rabbi Ben Ezra, ''The Year at the spring'', The Bishop Orders His Tomb, Andrea del Sarto, Fra Lippo LippiREAD BY JAMES MASON. Robert Browning was perhaps the most prolific and versatile English poet of the 19th century, and this recording by James Mason offers a generous selection from Browning’s work, ranging in style form the shorter lyrical poems to the vivid characteristics and perceptive insights of the dramatic monologues, three of which are included here in their entirety.AVAILABLE FOR THE FIRST TIME ON DIGITAL DOWNLOAD.

William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic fiction read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly abridged and remastered stories are now available to download for the first time.A collection of the greatest poetry from the Victorian era, read by some of the 20th century’s most renowned actors.Science, religion, and sexuality are played out in these timeless readings of poetry written during the Romantic period.Performed by Sir John Gielgud; Peter Orr; Gwen Watford; and David King.This collection includes poems from:• Robert Browning• Lord Alfred Tennyson• Christina Rossetti• Gerard Manley Hopkins• Dante Gabriel Rossetti• Algernon Charles Swinburne• Paul Edmonds• Matthew Arnold• Haldreyn (William Morris)• Arthur Hugh Clough

Robert Browning was one of the greatest of English poets, whose intense and original imagination enabled him to transform any subject he chose - whether everyday or sublime - into startling memorable verse. In his work he brought to life the personalities of a diverse range of characters, and introduced a new immediacy, colloquial energy and psychological complexity to the poetry of his day. This selection brings together verse ranging from early dramatic monologues such as the chilling 'My Last Duchess' and the ribald 'Fra Lippo Lippi', which show his gift for inhabiting the mind of another, to the popular children's poem 'The Pied Piper of Hamelin' and many lesser known works. All display his innovative techniques of diction, rhythm and symbol, which transformed Victorian poetry and influenced major poets of the twentieth century such as Ezra Pound, T. S. Eliot and Robert Frost.

Margaret Smith was the winner of the Rose Mary Crawshay Prize for her work on the Clarendon Edition of the Brontës work

Margaret Smith, winner of the Rose Mary Crawshay Prize for her work on the Brontës

Henry James described Browning's extended dramatic poem The Ring and the Book, over 20,000 lines in length, as `a great living thing', `a proportioned monstrous magnificence'. The story was developed from some old legal documents discovered by Browning concerning an actual murder which took place in Rome in 1698, and its writing was his major preoccupation in the 1860s, the early years of his widowerhood in London. This volume gives us the first third of the poems, Books I to IV. The Introduction draws on unpublished letters, journals, and working papers not examined by previous editors, to illuminate how the poem was conceived and researched, the range of people the poet consulted, and the five-year period of composition. The poem's complex publishing history is disentangled in the Text part of the Introduction, including a discussion of the corrections and revisions Browning made on sheets from volumes I, III, and IV of the second edition, which he later forgot and which never appeared in print. Appendix E gives these important variants in full. The annotation presents new contextual matter, including unpublished letters relating to `Lyric Love', Browning's famous invocation to his dead wife. The appendices give the original Italian text of Browning's second source, `Morte dell'Uxoricida Guido Franceschini Decapitato'; two previously unpublished autograph chronologies in which the poet worked out historical details of his story; and a new account of the biographical significance of the `Ring' image. The editors have made six substantive emendations to the text, ranging from inaccuracies in the original typesetting to changes made by Browning after publication. The evolution of the text from manuscript to copy text is also discussed, and an appendix is devoted to a set of corrected proofs preserved at Yale, a textual evolutionary dead end of great interest and significance.

This volume contains six of the eight Bells and Pomegranates, modestly-priced pamphlets published by Edward Moxon in a bid to help Browning recover from the ridicule which greeted the first appearance of Sordello. It includes Pippa Passes, four other dramatic works, and Dramatic Lyrics, the first of the great collections of short poems with which Browning established his reputation. In addition, a version of a poem on the Pied Piper by Browning's father is here printed for the first time. All significant textual variants are recorded, and each of the Bells is accompanied by an introduction and by full annotation. New information throws further light on this most important period in Browning's poetic career.

`Browning really comes back to life in the marvellous third volume of the new Oxford Browning', wrote John Bayley, choosing it as one of his Books of the Year for 1988. While Volume III included six of the eight Bells and Pomegranates pamphlets, the present volume completes the series and includes the most remarkable of all, Dramatic Romances and Lyrics. Here we find `Pictor Ignotus', `The Lost Leader', `The Bishop orders his Tomb', `The Laboratory', `The Boy and the Angel', and the first part of `Saul'. Also included are Christmas-Eve and Easter-Day and the essay on Shelley.As the Times Literary Supplement reviewer of the earlier volumes commented, `readers of a poet like this need all the help they can get; and Jack and Smith have provided it in abundance.' Each poem is fully annotated, and accompanied by a detailed introduction which provides information on the chronology of composition and on Browning's sources.

This is the first full scholarly edition of Browning's greatest and perhaps best-known collection of short poems, Men and Women. A comprehensive introduction shows how new research by Ian Jack an Robert Inglesfield has unearthed material which throws fresh light on the composition and dates of such famous pieces as 'Fra Lippo Lippi', 'Childe Roland to the Dark Tower Came', and 'One Word More: To E.B.B.'.This edition uses a critical text based on that of Browning's final collection, and has detailed introductions to the individual poems. It is the fifth volume in the highly praised Political Works of Robert Browning.

In old age, Browning always referred people to The Ring and the Book as his finest achievement. This is the second of the three volumes of the Oxford edition presenting this great Italian murder-story, including the monologues of the villain, the aristocrat Guido Franceschini, Pompilia his abused wife, and Caponsacchi, the priest who tries to rescue her from death. The commentary, at the bottom of each page, elucidates Browning's creative and sometimes challenging use of language with reference to his correspondence, his historical sources, and his own rich experience of Italy. Previously unidentified allusions are fully explained, and a newly discovered source from a seventeenth-century Italian chronicle is presented for the first time (in Appendix B), allowing further insight into Browning's engagement with history. The copy text of 1888-9 has numerous emendations to its punctuation, both those authorized by the poet in the last year of his life and those resulting from corrected compositors' errors, and these, combined with fourteen emendations to substantives, produce a text as near as possible to Browning's final intentions.

The Ring and the Book, Browning's 21,000 line epic, is widely regarded as his masterpiece. This is the third, and final, volume of the Oxford edition covering this work, comprising the monologue of Johannes-Baptista Bottinius, and then the glowing conclusion to the work as a whole: the monologues of Pope Innocent XII and of Guido in his prison-cell prior to execution, and then the witty, ironic envoi of Book XII. The commentary in this edition contains a wealth of new contextual material that illuminates Browning's work in sometimes surprising ways. The copy text of 1888-9, the final edition of Browning's lifetime, has been scrupulously examined, both in relation to compositors' errors, and Browning's own final corrections to the text: eighty-nine emendations to accidentals, and nineteen emendations to substantives, produce a text as near as possible to Browning's final intentions. Appendix A presents previously unknown source material, concerning the 'cadaver synod' of 897, from Browning's father's historical notebooks. The Afterword gives a fresh view of the real history of the Franceschini murder case, based on new research in the archives in Arezzo.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Browning's poetry and prose chosen from the whole range of his career to give the essence of his work and thinking.Browning's work ranges from the beguiling magic of 'The Pied Piper of Hamelin' to the epic book-length poem The Ring and the Book. This comprehensive selection includes over eighty of his shorter poems, amongst them his most famous and best-loved dramatic monologues, as well as the complete text of many of his longer poems (Pauline, Pippa Passes, 'Bishop Blougram's Apology'). It contains three books from The Ring and the Book and Browning's only significant piece of critical writing (the 'Essay on Shelley'). This edition also selects generously from the love letters between Browning and Elizabeth Barrett, as well as from Browning's more general correspondence - letters which cast a unique light upon the poems themselves, and poetry in general. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Robert Browning's friendship for Isabella Blagden was almost as remarkable as was his love for Elizabeth Barrett. After Elizabeth's death (June 1861), Browning went to England to educate their son, but he hoped eventually to return to Italy, principally so that he might be near his friend "Isa." He asked her to write to him once a month on the twelfth, promising to answer her letter on the nineteenth. The fulfillment of this obligation resulted in a correspondence which is remarkable from the standpoint of continuity. Most collections of letters suffer from their fragmentary form; there are no continuing threads of interest which hold them together. Not so the letters which Browning wrote to Miss Blagden. They are not in the great English letter writing tradition, being obviously written for Isa rather than for posterity, but they are filled with the most intimate and interesting sort of gossip and informal exchanges of ideas which give them a character all their own. One hundred and fifty-four letters from Browning to Isabella Blagden are known to be in existence; all of them are included in the present volume, together with copious explanatory notes and an illuminating introduction. Edward C. McAleer has approached every detail of his editorial task with thoroughness, imagination, and skill. His notes will add immeasurably to the pleasure of reading the letters, in addition to making a substantial contribution to the world's knowledge of Browning and his associates.

Robert Browning and Elizabeth Barrett Browning are without parallel in the nineteenth century: celebrated poets, they became equally famous for their marriage. Still popular more than a century after their deaths, their poetry vividly reflects the unique nature of their relationship.This collection presents the Brownings’ work in the context of their lives: the early years and their initial friendship, their courtship and marriage, the fifteen happy years they spent living in Italy until Elizabeth’s death. Whether in short poems such as Elizabeth’s “Hector in the Garden” and Robert’s “Natural Magic,” or in extracts from longer works such as Aurora Leigh and Pauline, the great themes they shared are all represented: love, marriage, illicit passion, England and Italy, childhood, religion, poetry, and nature. Elizabeth’s famous Sonnets from the Portuguese, based on their love affair, is included in its entirety. The poems are augmented with a generous selection of the marvelous letters the Brownings wrote to each other.

"With this book, M. H. Abrams has given us a remarkable study, admirably conceived and executed, a book of quite exceptional and no doubt lasting significance for a number of fields--for the history of ideas and comparative literature as well as for English literary history, criticism and aesthetics." –Harry Bergholz, Modern Language Journal

Volume III of Mark Twain's notebooks spans the years 1883 to 1891, a period during which Mark Twain's personal fortunes reached their zenith, as he emerged as one of the most successful authors and publishers in American literary history. During these years Life on the Mississippi, Adventures of Huckleberry Finn, and a Connecticut Yankee in King Arthur's Court appeared, revealing the diversity, depth, and vitality of Mark Twain's literary talents. With his speeches, his public performances, and his lecture tour of 1884/1885, he became the most recognizable of national figures. At the same time, Mark Twain's growing fame and prosperity allowed him to plunge deeply into the business world, a sphere not suited to his erratic energies. He created the subscription publish firm of Charles L. Webster & Company, Which published the most profitable book of its time, the Personal Memoirs of U.S. Grant. And he became the primary financial support for the ingenious but imperfectible Paige typesetter. Within a few years both the publishing company and the typesetter had taxed Mark Twain's patience, and pocket, beyond endurance.The near bankruptcy of the publishing firm and the debacle of the typesetter scheme finally resulted in 1891 in a drastic decision--to leave the house in Hartford, Connecticut, which had long been the symbol of Mark Twain's rising fortunes and idyllic family life, and move to Europe for an indefinite period in the hope of reducing the family's living expenses. The Clemens family would never return to the Hartford house, and the European stay would lengthen into an almost unbroken nine years of exile. Mark Twain's notebooks permit an intimate view of this turbulent period, whose triumphs were tempered by intimations of financial disaster and personal bitterness.

Mark Twain's humorous account of his six years in Nevada, San Francisco, and the Sandwich Islands is a patchwork of personal anecdotes and tall tales, many of them told in the 'vigorous new vernacular' of the West. Selling seventy five thousand copies within a year of its publication in 1872, "Roughing It" was greeted as a work of 'wild, preposterous invention and sublime exaggeration' whose satiric humor made 'pretension and false dignity ridiculous'. Meticulously restored from a variety of original sources, the text is the first to adhere to the author's wishes in thousands of details of wording, spelling, and punctuation, and includes all of the 304 first-edition illustrations. With its comprehensive and illuminating notes and supplementary materials, which include detailed maps tracing Mark Twain's western travels, this Mark Twain Library "Roughing It" must be considered the standard edition for readers and students of Mark Twain.

Volume III of Mark Twain''s notebooks spans the years 1883 to 1891, a period during which Mark Twain''s personal fortunes reached their zenith, as he emerged as one of the most successful authors and publishers in American literary history. During these years Life on the Mississippi, Adventures of Huckleberry Finn, and a Connecticut Yankee in King Arthur''s Court appeared, revealing the diversity, depth, and vitality of Mark Twain''s literary talents. With his speeches, his public performances, and his lecture tour of 1884/1885, he became the most recognizable of national figures.   At the same time, Mark Twain''s growing fame and prosperity allowed him to plunge deeply into the business world, a sphere not suited to his erratic energies. He created the subscription publish firm of Charles L. Webster & Company, Which published the most profitable book of its time, the Personal Memoirs of U.S. Grant. And he became the primary financial support for the ingenious but imperfectible Paige typesetter. Within a few years both the publishing company and the typesetter had taxed Mark Twain''s patience, and pocket, beyond endurance. The near bankruptcy of the publishing firm and the debacle of the typesetter scheme finally resulted in 1891 in a drastic decision--to leave the house in Hartford, Connecticut, which had long been the symbol of Mark Twain''s rising fortunes and idyllic family life, and move to Europe for an indefinite period in the hope of reducing the family''s living expenses. The Clemens family would never return to the Hartford house, and the European stay would lengthen into an almost unbroken nine years of exile.   Mark Twain''s notebooks permit an intimate view of this turbulent period, whose triumphs were tempered by intimations of financial disaster and personal bitterness.Volume III of Mark Twain''s notebooks spans the years 1883 to 1891, a period during which Mark Twain''s personal fortunes reached their zenith, as he emerged as one of the most successful authors and publishers in American literary history. During these yea

Mark Twain''s humorous account of his six years in Nevada, San Francisco, and the Sandwich Islands is a patchwork of personal anecdotes and tall tales, many of them told in the "vigorous new vernacular" of the West. Selling seventy five thousand copies within a year of its publication in 1872, Roughing It was greeted as a work of "wild, preposterous invention and sublime exaggeration" whose satiric humor made "pretension and false dignity ridiculous." Meticulously restored from a variety of original sources, the text is the first to adhere to the author''s wishes in thousands of details of wording, spelling, and punctuation, and includes all of the 304 first-edition illustrations. With its comprehensive and illuminating notes and supplementary materials, which include detailed maps tracing Mark Twain''s western travels, this Mark Twain Library Roughing It must be considered the standard edition for readers and students of Mark Twain.

To speakers of modern Greek the Homeric poems of the 7th century BC are not written in a foreign language. The Greek language has enjoyed a continuous tradition from earliest times until now. This book traces its history from the immediately post-classical or Hellenistic period to the present day. The aim is both to analyse the changing structure of a language stabilised by a peculiarly long and continuous literary tradition, and to show how changing historical circumstances are reflected in its development. In particular the historical roots of modern Greek's internal bilingualism are traced.

This revised edition presents the history of the Byzantine Empire from the 6th to the 15th century, not merely in terms of political events, but also through the art, literature, and thought of Byzantine society. It emphasizes the constant tension between continuity and change, between conservation of the traditions of the Roman Empire of Augustus and Trajan and the Christian Roman Empire of Constantine and his successors on the one hand, and on the other, the need to react positively to the loss of the Latin-speaking west and the successive challenges offered by the Arab conquests, the Crusades, and the inexorable expansion of the Ottoman Empire. Browning rejects the almost traditional concept of decline and fall - an empire whose decline lasted a thousand years must have had an inner strength of its own - in favour of that of a changing and developing state that at some periods was the ""superpower"" of Europe. But great power status is always fragile, and the story of the Byzantines' response to being overtaken by others is not without its lessons for today. The complex problems of relations between the Christian and Muslim worlds, and between the Catholic/Protestant western Europe and Orthodox eastern Europe (including Russia), cannot be understood without some acquaintance of Byzantine history. Addressed to the general reader as well as to students and scholars, this volume encourages readers to be wary of unconscious prejudice and to reject hasty and superficial solutions.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture.Volume II contains Browning's play, Strafford: An Historical Tragedy (1837), and the long poem, Sordello (1840). Strafford was Browning's first play, based on the tragic life of Thomas Wentworth, Earl of Strafford. The editors note that the play had only four performances, "undoubtedly due… to its esoteric subject and bad acting." Sordello is a fictionalized version of the life of Sordello da Goito, a 13th century Italian troubadour. The poem itself was famously known for being "difficult." As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture.Volume V contains: A Soul's TragedyPoemsChristmas-Eve and Easter DayEssay on ShelleyMen and Women, Vol. IAs always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

The first complete edition of the works of Robert Browning with variant readings and annotations contains: 1. The entire contents of the first editions of Browning's work; 2. All prefaces and dedications which Browning wrote for his own works and for those of Elizabeth Barrett Browning and others; 3. The two prose essays: The Essay on Chatterton and The Essay on Shelley; 4. The front matter and tables of contents of each of the collected editions (1849, 1863, 1865, 1868, 1888–1889) which Browning himself saw through the press; 5 Poems by Browning published during his lifetime but not collected by him; 9. Poems not published during Browning's lifetime which have come to light since his death; 7. John Forster's Thomas Wentworth, Earl of Strafford to which Browning contributed significantly, though to what precise extent has not been determined.The edition provides a full apparatus, including variant readings and annotations.