Sarah Knott – författare

''Timely and fascinating'' Amanda Foreman, bestselling author of Georgiana, Duchess of DevonshireWhat was mothering like in the past? When acclaimed historian Sarah Knott became pregnant, she asked herself this question. But accounts of motherhood are hard to find. For centuries, historians have concerned themselves with wars, politics and revolutions, not the everyday details of carrying and caring for a baby. These details matter: they shape our feelings and give structure to our hours. But they leave little historical trace. Much to do with becoming a mother, past or present, is lost or forgotten.Using the arc of her own experience, from miscarriage to the birth and early babyhood of her two children, Sarah Knott explores the ever-changing habits and experiences of motherhood across the ages. Drawing on a disparate collection of fascinating material - interrupted letters, hastily written diary entries, a line from a court record or a figure in a painting - Mother vividly brings to life the lost stories of ordinary women.From the labour pains felt by a South Carolina field slave to the triumphant smile of a royal mistress pregnant with a king''s first son; from a 1950s suburban housewife to a working-class East Ender taking her baby to the factory; from a pioneer with eight children to a 1970s feminist debating whether to have any; these remarkable tales of mothering create a moving depiction of an endlessly various human experience.''A stunning book. It is riveting from beginning to end'' Diane Atkinson, author of Rise Up Women!: The Remarkable Lives of the Suffragettes''A remarkable history - exploratory, pointillist, and intensely personal - of what it is, and has been, to be a mother.'' Helen Castor, BBC presenter and author of She-Wolves: The Women Who Ruled England Before Elizabeth''Mother is a moving and enlightening meditation on the most elemental, yet ceaselessly varied, of all human bonds.'' Fara Dabhoiwala, author of The Origins of Sex

Welcome to a work of history unlike any other.Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity—the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How?In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her book brings the past and the present viscerally alive. It is at once intimate and expansive, lyrical and precise.As a history, Mother Is a Verb draws on the terrain of Britain and North America from the seventeenth century to the close of the twentieth. Knott searches among a range of past societies, from those of Cree and Ojibwe women to tenant farmers in Appalachia; from enslaved people on South Carolina rice plantations to tenement dwellers in New York City and London’s East End. She pores over diaries, letters, court records, medical manuals, items of clothing. And she explores and documents her own experiences.As a memoir, Mother Is a Verb becomes a method of asking new questions and probing lost pasts in order to historicize the smallest, even the most mundane of human experiences. Is there a history to interruption, to the sound of an infant’s cry, to sleeplessness? Knott finds answers not through the telling of grand narratives, but through the painstaking accumulation of a trellis of anecdotes. And all the while, we can feel the child on her hip.

Welcome to a work of history unlike any other.Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity—the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How?In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her audiobook brings the past and the present viscerally alive. It is at once intimate and expansive, lyrical and precise.As a history, Mother Is a Verb draws on the terrain of Britain and North America from the seventeenth century to the close of the twentieth. Knott searches among a range of past societies, from those of Cree and Ojibwe women to tenant farmers in Appalachia; from enslaved people on South Carolina rice plantations to tenement dwellers in New York City and London’s East End. She pores over diaries, letters, court records, medical manuals, items of clothing. And she explores and documents her own experiences.As a memoir, Mother Is a Verb becomes a method of asking new questions and probing lost pasts in order to historicize the smallest, even the most mundane of human experiences. Is there a history to interruption, to the sound of an infant’s cry, to sleeplessness? Knott finds answers not through the telling of grand narratives, but through the painstaking accumulation of a trellis of anecdotes. And all the while, we can feel the child on her hip.