Sarah Rutherford – författare

Corporate diversity programs often fail because of resistance in workplace culture. The author sets out an approach to real change by analysing the role of organisational cultures in marginalising women workers. Based on academic research, case studies and interviews, the author presents a new model for changing organisational culture

Corporate diversity programs often fail because of resistance in workplace culture. The author sets out an approach to real change by analysing the role of organisational cultures in marginalising women workers. Based on academic research, case studies and interviews, the author presents a new model for changing organisational culture

Dreaded and reviled by many, these nineteenth-century buildings provide a unique window on how the Victorians housed and treated the mentally ill. Despite initially good intentions, they became warehouses for society's outcasts at a time when cures were rare. Isolated, hidden in the countryside and surrounded by high walls, most have been closed since the 1980s, their original use largely forgotten. In "The Victorian Asylum", Sarah Rutherford gives an insight into their history, their often imposing architecture and their later decline and brings to life these haunting buildings, some of which still survive today.

Planned with the same passion as a landscape garden, filled with monuments that represented the start of the art of craftsmanship in stone, and equipped with expensively constructed and fashionably designed gatehouses and chapels of rest, the Victorian cemetery was a matter of real civic pride. It was also the ultimate expression of the 'cult of the dead' that gripped every Victorian. This beautifully illustrated study of the Victorian cemetery tells the fascinating story of this historical and architectural phenomenon, which provided Britain's towns and cities with some of their most extraordinary, and charming, reminders of the sensibilities of an age long gone.

Did Hermitages really house hermits? What was the point of a sham castle or Gothic ruin?Though Georgian garden buildings often seem monuments to rich men's folly and whimsy, in fact they always had a purpose, whether functional or ornamental, and today are valued for their social meaning and their place in the history of architecture and landscape design, as well as often for their sheer beauty or quirkiness.This overview of Georgian garden buildings examines their place in architectural and landscape history, and explains the purpose and form of individual types in the context of the English landscape garden. It looks at more than twenty types, from arches to towers via columns, grottoes and rotundas.

A brief illustrated history of the Arts and Crafts Garden.Though most famous for its architecture, furniture and ornamental work, the Arts and Crafts movement's values of simplicity, craftsmanship and beauty also produced influential gardens all over Britain.This classic Shire Library guide explores:- A rich history: chart the rise of Arts and Crafts gardens as they became a worldwide phenomenon between the 1890s and the 1930s, in response to Victorian and Edwardian industrialisation- Iconic designers: Examine the work of legendary figures like Gertrude Jekyll and Sir Edwin Lutyens, who skilfully blended manor-house formalism with the naive charm of the cottage garden.- Masterful design: Uncover the secrets behind these romantic and engaging landscapes, from formally clipped topiary to rugged, wild borders where every detail was meticulously plannedThis essential guide also contains a list of places to visit, directing you to the locations of these magnificent gardens across Britain to experience these beautiful works of art first hand.

Garden Cities: the phrase is redolent of Arts and Crafts values and nineteenth-century utopianism.But despite being the culmination of a range of influential movements, and their own influence, in fact there were only ever two true garden cities in England – far more numerous were garden suburbs and villages.Crystallised in England by social visionary Ebenezer Howard and designed in many cases by Barry Parker and Raymond Unwin, the concept arose from industrial settlements like Port Sunlight, and also from the American City Beautiful movement. Designed to promote healthy and comfortable individual and community life, as well as commerce and industry, they remain instantly recognisable. This book is a beautifully illustrated guide to the movement and to the communities which are its legacy.

The Arts and Crafts Movement espoused values of simplicity, craftsmanship and beauty quite counter to Victorian and Edwardian industrialism. Though most famous for its architecture, furniture and ornamental work, between the 1890s and the 1930s the movement also produced gardens all over Britain whose designs, redolent of a lost golden era, had worldwide influence. These designs, by luminaries such as Gertrude Jekyll and Sir Edwin Lutyens, were engaging and romantic combinations of manor-house garden formalism and the naive charms of the cottage garden – but from formally clipped topiary to rugged wild borders, nothing was left to chance. Sarah Rutherford here explores the winding paths and meticulously shaped hedges, the gazebos and gateways, the formal terraces and the billowing border plantings that characterised the Arts and Crafts garden, and directs readers and gardeners to where they can visit and be inspired by these beautiful works of art.

The Arts and Crafts Movement espoused values of simplicity, craftsmanship and beauty quite counter to Victorian and Edwardian industrialism. Though most famous for its architecture, furniture and ornamental work, between the 1890s and the 1930s the movement also produced gardens all over Britain whose designs, redolent of a lost golden era, had worldwide influence. These designs, by luminaries such as Gertrude Jekyll and Sir Edwin Lutyens, were engaging and romantic combinations of manor-house garden formalism and the naive charms of the cottage garden – but from formally clipped topiary to rugged wild borders, nothing was left to chance. Sarah Rutherford here explores the winding paths and meticulously shaped hedges, the gazebos and gateways, the formal terraces and the billowing border plantings that characterised the Arts and Crafts garden, and directs readers and gardeners to where they can visit and be inspired by these beautiful works of art.

Across the world hundreds of botanic gardens combine scientific research, conservation and beauty with public access, with Kew Gardens alone attracting around one million visitors a year.For centuries they have variously focused on cultivating medicinal and exotic plants, introducing lucrative crops such as tea and rubber to new countries, preserving international plant collections, scientific classification and research – or have combined all these things.Sarah Rutherford here tells their story from the sixteenth century up to their long heyday in the last two hundred years. She explains the gardens’ design and architecture, the personalities and institutions associated with them, their important role in research and conservation, and their appeal to millions of visitors.

Garden Cities: the phrase is redolent of Arts and Crafts values and nineteenth-century utopianism. But despite being the culmination of a range of influential movements, and having global influence themselves, in fact there were only ever two true, self-contained Garden Cities in England far more numerous were Garden Suburbs and Villages. Crystallised in England by social visionary Ebenezer Howard and executed in many cases by planners and architects Barry Parker and Raymond Unwin, the concept arose from nineteenth-century industrial settlements like Port Sunlight (and, earlier, Saltaire and Akroyden), and also from the City Beautiful movement in the US. The settlements were designed to promote healthy and comfortable individual and community life, as well as supporting commerce and industry, and were and are instantly and attractively recognisable. This book is a beautifully illustrated guide to the movement as a whole, from its earliest influences through practical difficulties in implementation to the continuing vitality of the communities which are its legacy.

Garden Cities: the phrase is redolent of Arts and Crafts values and nineteenth-century utopianism. But despite being the culmination of a range of influential movements, and having global influence themselves, in fact there were only ever two true, self-contained Garden Cities in England far more numerous were Garden Suburbs and Villages. Crystallised in England by social visionary Ebenezer Howard and executed in many cases by planners and architects Barry Parker and Raymond Unwin, the concept arose from nineteenth-century industrial settlements like Port Sunlight (and, earlier, Saltaire and Akroyden), and also from the City Beautiful movement in the US. The settlements were designed to promote healthy and comfortable individual and community life, as well as supporting commerce and industry, and were and are instantly and attractively recognisable. This book is a beautifully illustrated guide to the movement as a whole, from its earliest influences through practical difficulties in implementation to the continuing vitality of the communities which are its legacy.

Corporate diversity programs often fail because of resistance in workplace culture. The author sets out an approach to real change by analysing the role of organisational cultures in marginalising women workers. Based on academic research, case studies and interviews, the author presents a new model for changing organisational culture

'I keep trying to find something a bit exotic in my family tree. Best I could do was a great-grandma who looks a bit tanned in the old photos.'US election night 2008. A smart inner-London 'village'. For white ex-lawyer Natasha, adoptive mother to two Ethiopian children, tonight is the ideal opportunity to get to know the small handful of other 'mothers of children of colour' at their smart private school. But as the Obamatinis start to flow, the middle-class veneer begins to crack and Natasha's carefully planned social occasion quickly unravels. Lifting the lid on a stew of racial tensions and social embarrassments, this is a hilarious, provocative and brilliantly insightful look at the new 'Beige Britain'.

'I keep trying to find something a bit exotic in my family tree. Best I could do was a great-grandma who looks a bit tanned in the old photos.'US election night 2008. A smart inner-London 'village'. For white ex-lawyer Natasha, adoptive mother to two Ethiopian children, tonight is the ideal opportunity to get to know the small handful of other 'mothers of children of colour' at their smart private school. But as the Obamatinis start to flow, the middle-class veneer begins to crack and Natasha's carefully planned social occasion quickly unravels. Lifting the lid on a stew of racial tensions and social embarrassments, this is a hilarious, provocative and brilliantly insightful look at the new 'Beige Britain'.

Across the world hundreds of botanic gardens combine scientific research, conservation and beauty with public access, with Kew Gardens alone attracting around one million visitors a year. For centuries they have variously focused on cultivating medicinal and exotic plants, introducing lucrative crops such as tea and rubber to new countries, preserving international plant collections, scientific classification and research – or have combined all these things. Sarah Rutherford here tells their story from the sixteenth-century up to their long heyday in the last two hundred years. She explains the gardens'' design and architecture, the personalities and institutions associated with them, their important role in research and conservation, and their appeal to millions of visitors.

Across the world hundreds of botanic gardens combine scientific research, conservation and beauty with public access, with Kew Gardens alone attracting around one million visitors a year. For centuries they have variously focused on cultivating medicinal and exotic plants, introducing lucrative crops such as tea and rubber to new countries, preserving international plant collections, scientific classification and research – or have combined all these things. Sarah Rutherford here tells their story from the sixteenth-century up to their long heyday in the last two hundred years. She explains the gardens'' design and architecture, the personalities and institutions associated with them, their important role in research and conservation, and their appeal to millions of visitors.

Sam’s dead at fifteen. It’s a social media thing. Maybe.When bereaved mother and chaplain Thea sets off on a mission tofollow her daughter somehow, she’s joined on her journey by bickeringteen twins Billie and Lenny, plus Gil — a lost soul whose life collideswith theirs in a way that can only ever get messy.

Sam''s dead at fifteen. It''s a social media thing. Maybe.When bereaved mother and chaplain Thea sets off on a mission tofollow her daughter somehow, she''s joined on her journey by bickeringteen twins Billie and Lenny, plus Gil - a lost soul whose life collideswith theirs in a way that can only ever get messy.

One of the most remarkable men of the 18th century, Lancelot ‘Capability’ Brown was known to many as ‘The Omnipotent Magician’ who could transform unpromising countryside into beautiful parks that seemed to be only the work of nature.His list of clients included half the House of Lords, six Prime Ministers and even royalty. Although his fame has dimmed, we still enjoy many of his works today at National Trust properties such as Croome Park, Petworth, Berrington, Stowe, Wimpole, Blenheim Palace, Highclere Castle (location of the ITV series Downton Abbey) and many more.In Capability Brown, author and garden historian Sarah Rutherford tells his triumphant story, uncovers his aims and reveals why he was so successful. Illustrated throughout with colour photographs of contemporary sites, historical paintings and garden plans, this is an accessible book for anyone who wants to know more about the man who changed the face of the nation and created a landscape style which for many of us defines the English countryside.