Sarah Trott – författare
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4 produkter
4 produkter
Inbunden, Engelska, 2016
827 kr
Skickas inom 5-8 vardagar
The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler's work.Based on Chandler's experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler's work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature.The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.
E-bok
Engelska, 2016444 kr
Läs direkt efter köp
The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler’s work. Based on Chandler’s experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler’s work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature. The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.
E-bok
PDF, Engelska, 2016444 kr
Läs direkt efter köp
The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler’s work. Based on Chandler’s experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler’s work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature. The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.
Inbunden, Engelska, 2026
1 224 kr
Skickas inom 10-15 vardagar
From Martha Washington to Jill Biden, Mars Attacks! to Scandal, and the Ladies’ Home Journal to Vogue this diverse collection examines how the nation’s First Lady has become an important cultural icon within an underestimated yet symbolic position in US social politics and culture.Academic work on the First Lady has tended to be historical or biographical in approach, but The First Lady in Contemporary Popular Culture takes the field in a new direction by focusing instead on representations of the First Lady. It explores how real and imaginary American First Ladies have been represented, reconsidered, and re-imagined by different writers, filmmakers, and fashion designers. Despite her apparent marginal position at the periphery of US politics, as this collection shows, representations of the First Lady have become increasingly significant on the cultural stage in the 21st century.Using a range of feminist, cultural, media, postmodern, race, and communication-based perspectives, the contributors suggest new ways of understanding the First Lady and the complexities of her office. The authors explore campaign autobiographies, Curtis Sittenfeld’s speculative fiction, James Patterson’s on-the-run thrillers, as well as atypical representations of the First Lady, such as in Roland Emmerich’s box office hit Independence Day (1996), gossip magazines, and historical fashion plates.Removed from the patriarchal hierarchy of White House politics and expectations, the First Lady emerges as a cultural force of her own and this collection demonstrates how she subtly carves out cultural agency and gender identity despite her perceived (in)visibility in the public eye.