Sarah Vandegrift Eldridge – författare

Composite Selves contributes to studies of the novel rooted in but continuing beyond the eighteenth century by reflecting on the ways in which a broad corpus of German-language novels reveals the self as composite. It uses detailed literary analysis to trace the changing and contingent models of selfhood presented in three clusters of novels: courtly novels from the 1720s and 30s; adventure novels from the 1750s; and sentimental novels of interiority from the 1770s and 80s. Drawing on insights from critical whiteness studies and historical analysis, it illuminates how literary selfhood changes over the century and how even the supposedly 'natural' interior selves of the late eighteenth-century novel are constituted by their encounters with an exterior literary world. Responding to debates over aesthetic education and literary universality that run through humanism, deconstruction, and cognitive literary studies, this project insists on recognizing the socially-turned qualities of novelistic 'selves' and on asking how these qualities relate to groups historically excluded from full selfhood and the social and cultural access that selfhood affords. This book is thus also a story about the construction of literary whiteness in the eighteenth-century novel--a story that fills a notable gap in German literary studies and thus uncovers a missing facet of narratives of the European novel from its earliest phases.

Composite Selves contributes to studies of the novel rooted in but continuing beyond the eighteenth century by reflecting on the ways in which a broad corpus of German-language novels reveals the self as composite. It uses detailed literary analysis to trace the changing and contingent models of selfhood presented in three clusters of novels: courtly novels from the 1720s and 30s; adventure novels from the 1750s; and sentimental novels of interiority from the 1770s and 80s. Drawing on insights from critical whiteness studies and historical analysis, it illuminates how literary selfhood changes over the century and how even the supposedly 'natural' interior selves of the late eighteenth-century novel are constituted by their encounters with an exterior literary world. Responding to debates over aesthetic education and literary universality that run through humanism, deconstruction, and cognitive literary studies, this project insists on recognizing the socially-turned qualities of novelistic 'selves' and on asking how these qualities relate to groups historically excluded from full selfhood and the social and cultural access that selfhood affords. This book is thus also a story about the construction of literary whiteness in the eighteenth-century novel--a story that fills a notable gap in German literary studies and thus uncovers a missing facet of narratives of the European novel from its earliest phases.

Composite Selves contributes to studies of the novel rooted in but continuing beyond the eighteenth century by reflecting on the ways in which a broad corpus of German-language novels reveals the self as composite. It uses detailed literary analysis to trace the changing and contingent models of selfhood presented in three clusters of novels: courtly novels from the 1720s and 30s; adventure novels from the 1750s; and sentimental novels of interiority from the 1770s and 80s. Drawing on insights from critical whiteness studies and historical analysis, it illuminates how literary selfhood changes over the century and how even the supposedly 'natural' interior selves of the late eighteenth-century novel are constituted by their encounters with an exterior literary world. Responding to debates over aesthetic education and literary universality that run through humanism, deconstruction, and cognitive literary studies, this project insists on recognizing the socially-turned qualities of novelistic 'selves' and on asking how these qualities relate to groups historically excluded from full selfhood and the social and cultural access that selfhood affords. This book is thus also a story about the construction of literary whiteness in the eighteenth-century novel--a story that fills a notable gap in German literary studies and thus uncovers a missing facet of narratives of the European novel from its earliest phases.

Challenges traditional novel scholarship that emphasizes the individual and the Bildungsroman, broadening the focus to the family and both canonical and non-canonical novels, reading them together with biological, legal and pedagogical texts.The novel, according to standard scholarly narratives, depicts an individual's path to maturity. Scholarship on the rise of the novel in Germany and in Europe more broadly, from Watt to Moretti, has essentially collapsed the genreinto the individualist Bildungsroman, exemplified by a narrow canon. This study challenges and nuances these narratives, first by expanding the focus from the individual to the family, second by broadening the field of novels treated to include not only canonical works but also so-called trivial literature, and third, by reading novels alongside contemporary biological, legal, and pedagogical texts. This perspective reveals that the novel and the family around 1800 were mutually constitutive and that the two together were instrumental in the development of conceptions of individuality, kinship, and society that are still relevant today. Sarah Vandegrift Eldridge reads novels by Goethe, Wolzogen, Engel, Karoline Fischer, August Lafontaine, and Brentano, showing that they exhibit varying degrees of "imaginative didacticism": suggestions not of what to think and feel, but that thinking and feeling in reaction to literature are central to cultural practices of self-reflection and development. The family is a crucial locus for this practice, and reading novels together with nonliterary texts illuminates how they experiment productively with the infinite possibilities presented by the relationships they portray.Sarah Vandegrift Eldridge is Associate Professor of German at the University of Tennessee, Knoxville.

This year's volume features a special forum on imperialism and race as well as articles and book reviews concerning Goethe and other writers of his age.This year's volume features a special forum section that stems from the discussions of the Goethe Society's virtual reading group on "Race and Imperialism in 18th-and 19th-Century Literature and Philosophy." Individual members of the reading group contribute essays that combine scholarship with personal reflections on their engagement with issues of race and imperialism over the course of their academic careers.The volume also presents several more traditionally scholarly articles that offer new approaches to and interpretations of texts by Goethe and other writers and thinkers of the period. Elizabeth Powers reads Goethe's methods of reworking text and life in autobiography, drama, and poetry. Alberto Merzari examines Goethe's and Hegel's differing engagements with the Persian poet Ǧalāl al-Dīn Rūmī as a way of exploring the differences in their philosophical thought. Malte Meyer takes up Jochen Berg's drama Im Taurerland as a rewriting of Goethe that engages with questions of cultural imperialism, female agency, and sexuality. And Brian Tucker reads the acoustic dimensions of Eichendorff's poetry to develop a more complex understanding of the poet's relationship to Romanticism. These articles highlight the breadth of scholarship on the Age of Goethe and how differing approaches-detailed close readings, comparative studies, and more-explore its continued relevance. The volume concludes with book reviews reflecting the diversity of recent scholarship in eighteenth- and early nineteenth-century German studies.Edited by Sarah Vandegrift Eldridge and Eleanor Ter Horst. Contributors: Frederick Amrine, Claire Baldwin, Matthew Childs, Sally Hatch Gray, Joseph A. Haydt, Peter Höyng, Steven R. Huff, Waltraud Maierhofer, Catriona MacLeod, Alberto Merzari, Jennifer Mensch, Malte Meyer, Carl Niekerk, Michael Olson, Saurabh Pal, Elizabeth Powers, Daniel Purdy, Michael Saman, Patricia Anne Simpson, Margaret Strair, Michael Swellander, Brian Tucker, Christian P. Weber, David E. Wellbery.