Sheila McManus – författare

Nations are made and unmade at their borders, and the forty-ninth parallel separating Montana and Alberta in the late nineteenth century was a pivotal Western site for both the United States and Canada. Blackfoot country was a key site of Canadian and American efforts to shape their nations and national identities. The region's landscape, aboriginal people, newcomers, railroads, and ongoing cross-border ties all challenged the governments' efforts to create, colonize, and nationalize the Alberta-Montana borderlands. The Line Which Separates makes an important and useful comparison between American and Canadian government policies and attitudes regarding race, gender, and homesteading. Federal visions of the West in general and the borderlands in particular rested on overlapping sets of assumptions about space, race, and gender; those same assumptions would be used to craft the policies that were supposed to turn national visions into local realities. The growth of a white female population in the region, which should have "whitened" and "easternized" the region, merely served to complicate emerging categories. Both governments worked hard to enforce the lines that were supposed to separate "good" land from "bad," whites from aboriginals, different groups of newcomers from each other, and women's roles from men's roles. The lines and categories they depended on were used to distinguish each West, and thus each nation, from the other. Drawing on a range of sources, from government maps and reports to oral testimony and personal papers, The Line Which Separates explores the uneven way in which the borderlands were superimposed on Blackfoot country in order to divide a previously cohesive region in the late nineteenth century.

This eclectic and carefully organized range of essays-from women's history and settler societies to colonialism and borderlands studies-is the first collection of comparative and transnational work on women in the Canadian and U.S. Wests. It explores, expands, and advances the aspects of women's history that cross national borders. Out of the talks presented at the 2002 "Unsettled Pasts: Reconceiving the West through Women's History," Elizabeth Jameson and Sheila McManus have edited a foundational text for pioneering scholars of this emergent, interdisciplinary field.

How do borderlands work? How do they maintain their distinctive features in the face of concerted efforts on the part of nation-states to make each of their borderlines into a harsh demarcation? According to most contemporary political discourse and popular perceptions, the two borders of the United States West have little in common but understanding their borderlands’ similarities can help us understand some of the most powerful forces shaping human history and the world around us; understanding their historiographies gives us insight into borderlands historians’ unique methodology.Both Sides Now: Writing the Edges of the North American West brings together leading scholarship in a focused, synthetic survey of five themes in the history of the northern and southern borderlands: the borderlands as aboriginal homelands and the persistence of Indigenous territories and ways of being; imperial and national efforts to create binary notions of territory and identity; regulatory efforts aimed at stopping or limiting the movement of certain people across their borders; the weakening of those efforts by cross-border movement of capital, goods, and people, usually aided by state power, and the complex, binary-refusing identities that persist in borderlands communities.Historian Sheila McManus uses these themes to highlight the commonalities between the two borderlands’ histories and provides an overview and a starting point for experts and newcomers in the field of North American borderlands history to address new questions. By conceptualizing both borders together and focusing particular attention on race and gender as well as empire and nation, Both Sides Now provides a unique methodology in North American scholarship that emphasizes the connections between these borderlands and others around the world.