Sohrab Ahmari - Böcker

In an election season, all political parties claim to champion freedom, which highlights the very different ways people think about what it means to be free. This issue of Plough Quarterly explores many dimensions of freedom: not only what people need to be freed from, but what we are set free to do. Contributors look at freedom in light of addiction, disability, asylum, religious liberty, modern slavery, dictatorship, conversion, workers’ rights, theology, the fine arts, and more.On this theme: Sohrab Ahmari reminds Christians of their long tradition of defending workers’ rights.Robert Donnelly reports on the welcome asylum seekers receive on the US southern border.Rosemarie Garland-Thomson considers the terrible freedom of choice a pregnant woman faces.John Barclay looks at freedom and slavery, metaphorical and literal, in the writings to Paul.Daniel J. Sims uncovers his own complicity and compromise in the global aid industry.Santiago Ramos realizes people living under dictatorship value books more than free people doJordan Castro recalls how he sought freedom in fiction and heroin, but found it elsewhere.Joonas Sildre shows how Arvo Pärt remained true to his art under Soviet rule.Pan Yongguang recounts how his church community escaped China together.Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

'A serious - and seriously readable - book about the deep issues that our shallow age has foolishly tried to dodge' - Douglas Murray'A crystal-clear analysis of the multiple failures of "me-first" contemporary liberalism' - Giles FraserFor millennia, philosophical, ethical and theological reflection was commonplace among the intellectually curious. But the wisdom that some of the greatest minds across the centuries continue to offer us remains routinely ignored in our modern pursuit of self-fulfilment, economic growth and technological advancement. Sohrab Ahmari, the influential Op-Ed editor at the New York Post, offers a brilliant examination of our postmodern Western culture, and an analysis of the paradox at its heart: that the 'freedoms' we enjoy - to be or do whatever we want, subject only to consent, with everything morally neutral or relative - are at odds with the true freedom that comes from the pursuit of the collective good. Rather than the insatiable drive to satisfy our individual appetites, this collective good involves self-sacrifice and self-control. It requires us to diminish so that others may grow. What responsibility do we have to our parents? Should we think for ourselves? Are sexual ethics purely a private matter? How do we justify our lives? These, and other questions - explored in the company of a surprising range of ancient and contemporary thinkers - reveal how some of the most ancient moral problems are as fresh and relevant to our age as they were to our ancestors.By plumbing the depths of each question, the book underscores the poverty of our contemporary narratives around race, gender, privilege (and much else), exposing them as symptoms of a deep cultural crisis in which we claim a false superiority over the past, and helps us work our way back to tradition, to grasp at the thin, bare threads in our hands, while we still can.

'A serious - and seriously readable - book about the deep issues that our shallow age has foolishly tried to dodge' - Douglas Murray'A crystal-clear analysis of the multiple failures of "me-first" contemporary liberalism' - Giles FraserFor millennia, philosophical, ethical and theological reflection was commonplace among the intellectually curious. But the wisdom that some of the greatest minds across the centuries continue to offer us remains routinely ignored in our modern pursuit of self-fulfilment, economic growth and technological advancement.Sohrab Ahmari, the influential Op-Ed editor at the New York Post, offers a brilliant examination of our postmodern Western culture, and an analysis of the paradox at its heart: that the 'freedoms' we enjoy - to be or do whatever we want, subject only to consent, with everything morally neutral or relative - are at odds with the true freedom that comes from the pursuit of the collective good.Rather than the insatiable drive to satisfy our individual appetites, this collective good involves self-sacrifice and self-control. It requires us to diminish so that others may grow. What responsibility do we have to our parents? Should we think for ourselves? Are sexual ethics purely a private matter? How do we justify our lives? These, and other questions - explored in the company of a surprising range of ancient and contemporary thinkers - reveal how some of the most ancient moral problems are as fresh and relevant to our age as they were to our ancestors.By plumbing the depths of each question, the book underscores the poverty of our contemporary narratives around race, gender, privilege (and much else), exposing them as symptoms of a deep cultural crisis in which we claim a false superiority over the past, and helps us work our way back to tradition, to grasp at the thin, bare threads in our hands, while we still can.

"Sohrab Ahmari is emerging as one of the finest minds and writers of his generation, and the story of his conversion recounted here will stay with the reader for a very long time." --Archbishop Charles J. Chaput, from the ForewordRaised under the shadow of Iran's ayatollahs, Sohrab Ahmari rejected God as a teenager. Nearly twenty years later, he was received into the Roman Catholic Church while working as a journalist in London.In From Fire, by Water, Ahmari tells the dramatic story of that transformation - from a restless youth shaped by Marxism and atheism on both sides of the Atlantic to a moral and spiritual awakening sparked by the beauty and discipline of the Mass. Both an intellectually rigorous memoir and a cultural reckoning, the book traces a life formed by the defining ideas and upheavals of our time and presents a powerful and compelling Catholic voice.This new edition features a fresh preface by the author, in which Ahmari reflects on the profound cultural shifts since his conversion in 2016, revisits the convictions that first drew him to the Church, and considers the demands of faith in an age of moral and political uncertainty.

Contemporary art is obsessed with the politics of identity. Visit any contemporary gallery, museum or theatre, and chances are the art on offer will be principally concerned with race, gender, sexuality, power and privilege.The quest for truth, freedom and the sacred has been thrust aside to make room for identity politics. Mystery, individuality and beauty are out; radical feminism, racial grievance and queer theory are in. The result is a drearily predictable culture and the narrowing of the space for creative self-expression and honest criticism.Sohrab Ahmari's book is a passionate cri de coeur against this state of affairs. The New Philistines takes readers deep inside a cultural scene where all manner of ugly, inept art is celebrated so long as it toes the ideological line, and where the artistic glories of the Western world are revised and disfigured to fit the rigid doctrines of identity politics.The degree of politicisation means that art no longer performs its historical function, as a mirror and repository of the human spirit - something that should alarm not just art lovers but anyone who cares about the future of liberal civilisation.