Sonia Saldivar-Hull – författare

In this bold contribution to contemporary feminist theory, Sonia Saldivar-Hull argues for a feminism that transcends national borders and ethnic identities. Grounding her work in an analysis of the novels and short stories of three Chicana writers - Gloria Anzaldua, Sandra Cisneros, and Helena Maria Viramontes - Saldivar-Hull examines a range of Chicana feminist writing from several disciplines, which she collects under the term 'feminism on the border'. By comparing and defining literary and national borders, she presents the voices of these and other Chicana writers in order to show their connection to feminist literature and to women of color in the United States. This book provides one of the most comprehensive accounts of Chicana feminist writing available. Saldivar-Hull draws on contemporary literary and post-colonial theory, as well as her own autobiography, or testimonio, to help her define 'feminism on the border'. Successfully uniting theory with lived social experience, she delineates many of the internal processes that must be acknowledged in order to access larger transnational and geopolitical literary movements.This book thus joins a body of scholarship within feminist theory, working at the intersection of identity politics and political praxis. Saldivar-Hull's close readings of Chicana literary texts are informed by a comparative and cross-cultural perspective that enables her to forge links to a geopolitical feminist literary movement that unites ethnic identity to global solidarity.

Although only 2 percent of Colombia’s population identifies as indigenous, that figure belies the significance of the country’s indigenous movement. More than a quarter of the Colombian national territory belongs to indigenous groups, and 80 percent of the country’s mineral resources are located in native-owned lands. In this innovative ethnography, Joanne Rappaport draws on research she has conducted in Colombia over the past decade—and particularly on her collaborations with activists—to explore the country’s multifaceted indigenous movement, which, after almost 35 years, continues to press for rights to live as indigenous people in a pluralistic society that recognizes them as citizens. Focusing on the intellectuals involved in the movement, Rappaport traces the development of a distinctly indigenous modernity in Latin America—one that defies common stereotypes of separatism or a romantic return to the past. As she reveals, this emerging form of modernity is characterized by interethnic communication and the reframing of selectively appropriated Western research methodologies within indigenous philosophical frameworks.

Intercultural Utopias centers on southwestern Colombia’s Cauca region, a culturally and linguistically heterogeneous area well known for its history of indigenous mobilization and its pluralist approach to ethnic politics. Rappaport interweaves the stories of individuals with an analysis of the history of the Regional Indigenous Council of Cauca and other indigenous organizations. She presents insights into the movement and the intercultural relationships that characterize it from the varying perspectives of regional indigenous activists, nonindigenous urban intellectuals dedicated to the fight for indigenous rights, anthropologists, local teachers, shamans, and native politicians.

A comprehensive volume on the life and work of renowned Chicana author Sandra Cisneros.Sandra Cisneros (b. 1954), author of the acclaimed novel The House on Mango Street and a recipient of the National Medal of the Arts, a MacArthur “Genius Grant” and the PEN/Nabokov Award for International Literature, was the first Chicana to be published by a major publishing house. ¡Ay TÚ! is the first book to offer a comprehensive, critical examination of her life and work as a whole. Edited by scholars Sonia SaldÍvar-Hull and Geneva M. Gano, this volume addresses themes that pervade Cisneros’s oeuvre, like romantic and erotic love, female friendship, sexual abuse and harassment, the exoticization of the racial and ethnic “other,” and the role of visual arts in the lives of everyday people. Essays draw extensively on the newly opened Cisneros Papers, housed in the Wittliff Collections at Texas State University, and the volume concludes with a new long-form interview with Cisneros by the award-winning journalist Macarena HernÁndez. As these essays reveal, Cisneros’s success in the literary field was integrally connected to the emergent Chicana feminist movement and the rapidly expanding Chicanx literary field of the late twentieth century. This collection shows that Cisneros didn’t achieve her groundbreaking successes in isolation and situates her as a vital Chicana feminist writer and artist.