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264 kr
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How Tammy Wynette channeled the conflicts of her life into her music and performance.With hits such as “Stand By Your Man” and “Golden Ring,” Tammy Wynette was an icon of American domesticity and femininity. But there were other sides to the first lady of country. Steacy Easton places the complications of Wynette’s music and her biography in sharp-edged relief, exploring how she made her sometimes-tumultuous life into her work, a transformation that was itself art. Wynette created a persona of high femininity to match the themes she sang about-fawning devotion, redemption in heterosexual romance, the heartbreak of loneliness. Behind the scenes, her life was marked by persistent class anxieties; despite wealth and fame, she kept her beautician’s license. Easton argues that the struggle to meet expectations of southernness, womanhood, and southern womanhood, finds subtle expression in Wynette’s performance of “Apartment #9”-and it’s because of these vocal subtleties that it came to be called the saddest song ever written. Wynette similarly took on elements of camp and political critique in her artistry, demonstrating an underappreciated genius. Why Tammy Wynette Matters reveals a musician who doubled back on herself, her faÇade of earnestness cracked by a melodrama that weaponized femininity and upended feminist expectations, while scoring twenty number-one hits.
111 kr
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A discussion of White Limozeen, from Dolly’s self-fashioning to a rigorous critique of her genre.White Limozeen (1989) was a commercial recovery after Dolly Parton's first major failure two years previously with the release of Rainbow. This book is a case study in how an album is sold and a persona constructed. The album had a complex relationship to the country music genre at a time when the genre was in the middle of major sonic and cultural shifts, and it represents how country music saw itself. This question of identity was especially relevant since White Limozeen was produced by Ricky Skaggs, the bluegrass prodigy who was in the middle of his own genre-widening experiments. The album reflects dense and complex production, shredding ideas of purity, studio craft, slickness, and authenticity. In it, Dolly seems to be imagining the limits of her own personae - the country girl, the blonde burlesque, the pop legend, the gospel singer.To study this album is to investigate Dolly’s calculated role in fashioning her image into the icon she is today.
163 kr
Skickas inom 5-8 vardagar
Cowboy erotica meets Kathy Acker in this smart, raunchy look at a queer sexual awakeningSteacy Easton grew up Mormon, queer, and Autistic in the West. This book traces the people and spaces that made them who they are: the Mormon church, an Anglican boys’ boarding school where they were sent to be ‘reformed’ and where they were abused by a teacher, and then, later on, rodeos and bathhouses and mall bathrooms. The world Easton describes is one in which desire is complicated, where men – ‘daddies’ – can be loving and they can be abusive, and there isn’t always a clear distinction.Easton explores the essential texts of their sexuality, from Eve Kosofsky Sedgwick to Neil LaBute, Kip Moore to Lorelei James, and delves into their own encounters as they came of age. These daddy lessons are blunt about the pleasures of disobedience, slippery and difficult, revelling in the funk of memory and desire."In dangerous times, Daddy Lessons dares to complicate the question of what children desire, including things that they probably shouldn’t, and that adults must not exploit or manipulate. Except they do. Steacy Easton's meditations follow how such desires and disasters secrete an aesthetic and a self, and how something vivacious can spring from that muck, something like this book itself, smutty and shining and garlanded in jonquils." – Carl Wilson, author of Let's Talk About Love: A Journey to the End of Taste"Steacy writes about the queer pleasure-seeking body in ways both fresh and eminently familiar." – Jordan Tannahill, author of The Listeners"Daddy Lessons is a cocky and tender reclamation of childhood and teenage wanting." – Vivek Shraya, author of I’m Afraid of Men and People Change