Famously described by the author as “a heroine whom no one but myself will much like,” Emma Woodhouse is wealthy and charming, and she delights in interfering with the romantic relationships within her community—though she herself has no desire to marry. As her meddling begins to bear consequences, however, Emma must come to terms with her responsibility and decide on her place in the world. With inimitable wit and incisive social commentary, Austen evokes a complex prism of relational connection and a richness of ordinary life that unfolds from the small world of her most extraordinary heroine.

The Norton Library edition of Sense and Sensibility features the complete text of the second edition (1813). A lively introduction by Stephanie Insley Hershinow highlights the novel’s playful critique of the sentimental tradition and sharp attention, for which Austen would become renowned, to the rigid and often-conflicting expectations placed on the behavior and inner lives of “eligible” young women.The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime.Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence.Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed.An affordable price (most editions are $10 or less) encourages students to buy the book and to come to class with the assigned edition.

The early novel was not the coming-of-age story we know today—eighteenth-century adolescent protagonists remained in a constant state of arrested development, never truly maturing.Between the emergence of the realist novel in the early eighteenth century and the novel's subsequent alignment with self-improvement a century later lies a significant moment when novelistic characters were unlikely to mature in any meaningful way. That adolescent protagonists poised on the cusp of adulthood resisted a headlong tumble into maturity through the workings of plot reveals a curious literary and philosophical counter-tradition in the history of the novel. Stephanie Insley Hershinow's Born Yesterday shows how the archetype of the early realist novice reveals literary character tout court. Through new readings of canonical novels by Samuel Richardson, Henry Fielding, Horace Walpole, Ann Radcliffe, Frances Burney, and Jane Austen, Hershinow severs the too-easy tie between novelistic form and character formation, a conflation, she argues, of Bild with Bildung. A pop-culture-infused epilogue illustrates the influence of the eighteenth-century novice, as embodied by Austen's Emma, in the 1995 film Clueless, as well as in dystopian YA works like The Hunger Games. Drawing on bold close readings, Born Yesterday alters the landscape of literary historical eighteenth-century studies and challenges some of novel theory's most well-worn assumptions.

Famously described by the author as “a heroine whom no one but myself will much like,” Emma Woodhouse is wealthy and charming, and she delights in interfering with the romantic relationships within her community—though she herself has no desire to marry. As her meddling begins to bear consequences, however, Emma must come to terms with her responsibility and decide on her place in the world. With inimitable wit and incisive social commentary, Austen evokes a complex prism of relational connection and a richness of ordinary life that unfolds from the small world of her most extraordinary heroine.

The Norton Library edition of Sense and Sensibility features the complete text of the second edition (1813). A lively introduction by Stephanie Insley Hershinow highlights the novel’s playful critique of the sentimental tradition and sharp attention, for which Austen would become renowned, to the rigid and often-conflicting expectations placed on the behavior and inner lives of “eligible” young women.The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime.Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence.Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed.An affordable price (most editions are $10 or less) encourages students to buy the book and to come to class with the assigned edition.

The early novel was not the coming-of-age story we know today—eighteenth-century adolescent protagonists remained in a constant state of arrested development, never truly maturing.Between the emergence of the realist novel in the early eighteenth century and the novel's subsequent alignment with self-improvement a century later lies a significant moment when novelistic characters were unlikely to mature in any meaningful way. That adolescent protagonists poised on the cusp of adulthood resisted a headlong tumble into maturity through the workings of plot reveals a curious literary and philosophical counter-tradition in the history of the novel. Stephanie Insley Hershinow's Born Yesterday shows how the archetype of the early realist novice reveals literary character tout court. Through new readings of canonical novels by Samuel Richardson, Henry Fielding, Horace Walpole, Ann Radcliffe, Frances Burney, and Jane Austen, Hershinow severs the too-easy tie between novelistic form and character formation, a conflation, she argues, of Bild with Bildung. A pop-culture-infused epilogue illustrates the influence of the eighteenth-century novice, as embodied by Austen's Emma, in the 1995 film Clueless, as well as in dystopian YA works like The Hunger Games. Drawing on bold close readings, Born Yesterday alters the landscape of literary historical eighteenth-century studies and challenges some of novel theory's most well-worn assumptions.