Stephanie Norgate - Böcker

In The Conversation, Stephanie Norgate explores relationships between nature and the city, the past and present, and character and writer. Shaped through both speech and storytelling, these visual, sensuous and imaginative poems celebrate friendship, even in grief, closeness in times of isolation and lockdown, and the longing to bridge gaps and find cures. Miracles are found in the everyday, in a child’s sleep or a lit-up house. Textiles transform into remembrancers, landscape into emotion. A contemporary Daedalus views his life from a hang-glider. A scrap of handwriting, cafe talk, an exploding car, an earthquake, the naming of fields or a line of walkers ignite conversations about place, time and the tender paradoxes of mortality.Stephanie Norgate’s first collection Hidden River (2008) was shortlisted for both the Forward Prize for Best First Collection and the Jerwood Aldeburgh First Collection Prize and was followed by The Blue Den (2012). The Conversation is her third collection. Her poetry has been praised for the ‘depth of its lyricism’ (Jackie Wills, Warwick Review), and for being ‘energetic and generous, and displaying a ‘feeling for place, for the roots of things’ and for being ‘searching, memorable and disconcerting … She has the ear for the music of a line and the shape and strength of an image.’ (R.V. Bailey, Artemis).

Stephanie Norgate’s compelling poems celebrate our sensuous contact with each other and with nature. With subjects ranging from a child’s first enjoyment of speech to a lover’s lost dialect, they make invisible experiences tangible through vivid and intense imagery. Lovers in a mud bath are transformed into a new vision of creation. The private rituals of birth, love and loss imprint themselves on the landscape, with ‘a strong magical sense of rawness and eroticism’ (Gerry Stewart), in poems ‘all about skin – that thin, protective coating, the point of contact between inner and outer worlds’ (Jenny Swann).Hidden River is Stephanie Norgate’s first book-length collection, and follows a prize-winning pamphlet, Fireclay, praised by John Walsh in the Independent as the work of ‘a marvellous new poet’. Her poems share a passionate concern for survival, for the authentic life of the body, and for all the elements but especially water – its touch and surface, its buoyancy and nourishment, the flowing rhythms that enter us. They ‘begin to explore nothing less than human invention’ (Jo Shapcott) as they chart strong currents between the dispossessed and the natural world.Hidden River was shortlisted for the Forward Prize for Best First Collection and for the Jerwood Aldeburgh First Collection Prize.