Stephen Baker – författare

Urban expert John Rossant and business journalist Stephen Baker look beyond the false promises of the past to examine the real future of transportation and the repercussions for the world’s cities, the global economy, the environment, and our individual lives.Human mobility, dominated for a century by cars and trucks, is facing a dramatic transformation. Over the next decade, new networked devices, from electric bikes to fleets of autonomous cars, will change the way we move. They will also disrupt major industries, from energy to cars, give birth to new mobility giants, and lead to a redesign of our cities. For Rossant and Baker, this represents the advance of the Information Revolution into the physical world. This will raise troubling questions about surveillance, privacy, the dangers from hackers and the loss of jobs. But it also promises startling efficiencies, which could turn our cities green and, perhaps, save our planet.

In an engaging, deeply reported book, the authors travel to mobility hotspots, from Helsinki to Shanghai, to scout out this future. And they visit the companies putting it together. One, Divergent3d, is devising a system to manufacture cars with robots and 3D printers. PonyAI, a Chinese-Silicon Valley startup, builds autonomous software that perceives potholes, oncoming trucks, and wayward pedestrians, and guides the vehicle around them. Voom, an Airbus subsidiary, is racing with dozens of others to operate fleets of air taxis that fly by themselves.

Hop, Skip, Go is about us: billions of people on the move. Underlying each stage of mobility, from foot to horse to cars and jets, are the mathematics of three fundamental variables: time, space and money. We measure each trip we take, whether to Kuala Lumpur or the corner drugstore. As the authors make clear, the coming mobility revolution will be no different. As they unveil the future, the authors explore how these changes might revamp our conception of global geography, the hours in our days, and where in the world we might be able to go.

A full-color, step-by-step atlas of rhinoplasty surgical techniques

Part of the McGraw-Hill Plastic Surgery Atlas series, Rhinoplasty is an unmatched visual guide to learning how to successfully perform this challenging procedure. Featuring 180 full-color illustrations, this is the perfect primer for surgeons to begin and sharpen their understanding of rhinoplasty.

Rhinoplasty addresses the relevant anatomy, operative setup, surgical steps, and postoperative care to optimize patient outcomes. The book is organized by anatomic location and covers in detail the numerous maneuvers that are frequently used to shape the various parts of the nose. Designed to provide the most relevant information in the clearest manner possible, Rhinoplasty features an easy-to-apply presentation consisting of bulleted text on the left- hand page and high-quality illustrations on the right.

Opening chapters include coverage of nasal anatomy, cartilaginous support, arterial support, innervations and muscles of the nose, treatment planning, operative setup, and basic approaches. The book then goes on to cover actual corrections, including:

Also included is an appendix illustrating key surgical instruments.

Ralf is a software prodigy. He works in the US government office that updates the software in the population''s boosts—networked supercomputers contained in a chip implanted within the brains of 99 percent of the world''s population. Invented by Chinese researchers in 2032, the boost is credited with leading humanity to its most significant cognitive leap since the discovery of fire. Days before a national upgrade, Ralf notices that the update includes an open surveillance gate—meaning that Americans, who had negotiated high levels of privacy with the Chinese manufacturers, will now be subjected to the invasive Chinese standard. Ralf attempts to hack the boost, but is caught by agents working for Washington''s preeminent lobbyist. His boost is ripped from his head, and Ralf barely escapes with his life.Pursued by the lobbyist''s mercenary cadre, Ralf flees to the US–Mexico border, where there are others like him—"wild" humans on the fringes of society, unenhanced by technology. It''s a frightening and backward world controlled by powerful drug lords. Ralf''s only hope is to somehow work with these wild bosses of the analog world—in hopes of winning back freedom in the digital one. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

On Bloody Sunday, January 30, 1972, British paratroopers killed thirteen innocent men in Derry. It was one of the most controversial events in the history of the Northern Ireland conflict and also one of the most mediated. The horror was recorded in newspapers and photographs, on TV news and current affairs and in film and TV drama. In a cross media analysis that spans a period of almost forty years up to the publication of the Saville Report in 2010, The British Media and Bloody Sunday identifies two countervailing impulses in media coverage of Bloody Sunday and its legacy: an urge in the press to rescue the image and reputation of the British Army versus a troubled conscience in TV current affairs and drama about what was done in Britain’s name. In so doing, it suggests a much more complex set of representations than a straightforward propaganda analysis might allow for – one that says less about the conflict in Ireland than it does about Britain, with its loss of empire and its crisis of national identity.

On Bloody Sunday, January 30, 1972, British paratroopers killed thirteen innocent men in Derry. It was one of the most controversial events in the history of the Northern Ireland conflict and also one of the most mediated. The horror was recorded in newspapers and photographs, on TV news and current affairs and in film and TV drama. In a cross media analysis that spans a period of almost forty years up to the publication of the Saville Report in 2010, The British Media and Bloody Sunday identifies two countervailing impulses in media coverage of Bloody Sunday and its legacy: an urge in the press to rescue the image and reputation of the British Army versus a troubled conscience in TV current affairs and drama about what was done in Britain’s name. In so doing, it suggests a much more complex set of representations than a straightforward propaganda analysis might allow for – one that says less about the conflict in Ireland than it does about Britain, with its loss of empire and its crisis of national identity.

When political opponents Ian Paisley and Martin McGuiness were confirmed as First Minister and Deputy First Minister of a new Northern Ireland executive in May 2007, a chapter was closed on Northern Ireland’s troubled past. A dramatic realignment of politics had brought these irreconcilable enemies together – and the media played a significant role in persuading the public to accept this startling change. The Propaganda of Peace places their role in a wider cultural context and examines a broad range of factual and fictional representations, from journalism and public museum exhibitions to film, television drama and situation comedy. The authors propose a radically different theoretical and methodological approach to the media’s role in reporting and representing. They ask whether the ‘propaganda of peace’ actually promotes the abandonment of a politically engaged public sphere at the very moment when public debate about neo-liberalism, financial meltdown and social and economic inequality make it most necessary.