Stephen Bates – författare

The story behind the 1940s Commission on Freedom of the Press—groundbreaking then, timelier than ever now"A well-constructed, timely study, clearly relevant to current debates."—Kirkus, starred reviewIn 1943, Time Inc. editor-in-chief Henry R. Luce sponsored the greatest collaboration of intellectuals in the twentieth century. He and University of Chicago president Robert Maynard Hutchins summoned the theologian Reinhold Niebuhr, the Pulitzer-winning poet Archibald MacLeish, and ten other preeminent thinkers to join the Commission on Freedom of the Press. They spent three years wrestling with subjects that are as pertinent as ever: partisan media and distorted news, activists who silence rather than rebut their opponents, conspiracy theories spread by shadowy groups, and the survivability of American democracy in a post-truth age. The report that emerged, A Free and Responsible Press, is a classic, but many of the commission''s sharpest insights never made it into print. Journalist and First Amendment scholar Stephen Bates reveals how these towering intellects debated some of the most vital questions of their time—and reached conclusions urgently relevant today.

Right-wing evangelical Christianity has come to dominate American political and social life in recent years, dividing the country and sparking cultural and moral battles. High politics and low tactics frame a fierce debate which goes much further back in the country''s history than the accession of George W. Bush in 2001. It''s a battle that sears America''s soul and affects the world. In this book Stephen Bates explains why what happens in the Bible Belt matters to us and how there are those who hope to export the battle to Britain. American fundamentalist religion has the potential to impact on crucial and acutely dangerous areas of the world. Its priorities are often arcane and sometimes weird. But it is already affecting American government policy at home and abroad: not least in Israel and the Middle East. How is religion affecting the current presidential elections and where will America''s battle for its soul take the world next?

A set of antique photographic plates is the key to uncovering hidden truths of the Civil War, Great Depression, and 9/11 eras in this "unflinching" novel (Publishers Weekly).A teenage boy and his grandfather travel across America to attend that last great reunion of Civil War veterans at Gettysburg in 1938, where secrets and lies are revealed about the old man''s past. Perhaps he was not the hero his grandson thought, but he still has a valuable treasure to reveal, which will shed intriguing light on the war and his part in it.Interweaving three periods of crisis in American history—the Civil War, the Depression, and 9/11—The Photographer''s Boy explores the power of photography and journalism to inform or mislead; raises questions about love; and offers "an unflinching but sympathetic, often touching, look at the comforting fictions people wrap themselves in to protect themselves from the cold of reality" (Publishers Weekly).

Britain in 1846 was a nation in the grip of dramatic change. As the Industrial Revolution reached its height, people were flooding from countryside to city; the railways were spreading; starvation and destitution existed alongside immense wealth and power, generating profound social tensions. And seismic change was afoot in the world of politics. Parliament''s repeal of the protectionist Corn Laws eroded the powers of the landowners and ushered in an age of free trade that would form the basis of Britain''s future wealth and industiral prosperity. Stephen Bates paints a kaleidoscopic portrait of a pivotal year in British history – and of a society on the cusp of modernity.

1815 was the year of Waterloo, the British victory that ended Napoleon''s European ambitions and ushered in a century largely of peace for Britain. But what sort of country were Wellington''s troops fighting for? And what kind of society did they return to? Stephen Bates paints a vivid portrait of every aspect of Britain in 1815. Overseas, the bounds of Empire were expanding; while at home the population endured the chill of economic recession. As Jane Austen busied herself with the writing of Emma, John Nash designed Regent Street, Humphrey Davy patented his safety lamp for miners and Lord''s cricket ground held its first match in St John''s Wood, and a nervous government infiltrated dissident political movements and resorted to repressive legislation to curb free speech. The Year In series gets to the heart of social and cultural life in the UK at key points in its history.

SHORTLISTED FOR THE ALCS GOLD DAGGER FOR NON-FICTION'METICULOUSLY RESEARCHED ... A GLORIOUSLY ENGAGING ROMP' JANICE HALLETT, THE SUNDAY TIMES'IMMERSIVE AND COMPELLING' DAVID KYNASTON'A PAGE-TURNER' ROBERT LACEYA brilliant narrative investigation into the 1920s case that inspired Agatha Christie, Dorothy Sayers and Margery Allingham.On a bleak Tuesday morning in February 1921, 48-year-old Katharine Armstrong died in her bedroom on the first floor of an imposing Edwardian villa overlooking the rolling hills of the isolated borderlands between Wales and England.Within fifteen months of such a sad domestic tragedy, her husband, Herbert Rowse Armstrong, would be arrested, tried and hanged for poisoning her with arsenic, the only solicitor ever to be executed in England.Armstrong's story was retold again and again, decade after decade, in a thousand newspaper articles across the world, and may have also inspired the new breed of popular detective writers seeking to create a cunning criminal at the centre of their thrillers.With all the ingredients of a classic murder mystery, the case is a near-perfect whodunnit. But who, in fact, did it? Was Armstrong really a murderer?One hundred years after the execution, Agatha-Award shortlisted Stephen Bates examines and retells the story of the case, evoking the period and atmosphere of the early 1920s, and questioning the fatal judgement.'CAREFUL AND COMPELLING' KATE MORGAN'YOU WILL READ IT IN ONE SITTING' MARC MULHOLLAND'A REAL-LIFE GOLDEN-AGE CRIME NOVEL' SEAN O'CONNOR

Paying for a peerage - an illegal practice - feels like a very modern form of corruption, one that both the Labour and Conservative parties have been accused of indulging in at times during the early twenty-first century. Except, of course, it was happening almost a century ago.Meet Maundy Gregory, actor, journalist, publishing proprietor, conman, embezzler, MI5 spy - and the man you went to see if you had the money to pay for a peerage in the post-First World War years.Cutting a dash across high society of the 1920s - he was in attendance at the wedding of the future George VI - the immaculately oiled and overdressed Gregory would happily pocket thousands for playing Mr Fixit for wannabe knights and lords, and swell the coffers of Lloyd George's Liberal Party to millions of pounds.Business was brisk, and business was brazen. Visitors to his lavish office on Parliament Street, with a direct line to 'Number 10', would be wined and dined and, after paying up, leave satisfied that they would be next on the list for a knighthood or barony. Nothing could be guaranteed, of course, and it was a strictly no refunds business.But Gregory was also suspected of being something else, to add to his impressive list of accomplishments: a murderer. As the political winds changed, the debts mounted up and the walls closed in around him, he somehow managed to inherit his mistress's not inconsiderable savings when she scribbled a new will on the back of a menu and was suddenly taken ill ...In The Man Who Sold Honours, Stephen Bates lifts the lid on the truth about this long-forgotten character who remains the only person ever to be prosecuted under the sale of honours act of 1925. A powerful preview of the scandals to come in Britain in recent years, this is the story of the original honours tout - a riches-to-rags tale of greed, corruption and murder in the interwar years.

Dr William Palmer, the Prince of Poisoners, was nineteenth-century Britain's most notorious, cold-blooded murderer, whose Old Bailey trial in 1855 was avidly followed by newspaper readers from New York to Ballarat. Charles Dickens was fascinated by the case and Queen Victoria herself read the reports. Palmer was a new kind of killer for the industrial age; outwardly charming and respectable, a middle class provincial doctor. That is what made his crimes so shocking to Victorians.This gripping account of his life and crimes reveals insights into Palmer's life and psyche and explores the dark and seamy side of Victorian morality. Using Palmer's hidden letters to his mistress and other original documents, this is a fascinating reconstruction of the character of a killer in one of the crimes of the century.

The Anglican Communion is in turmoil. One of the great historic pillars of Christianity, embraced by 70 million people in 164 countries, faces the real and immediate possibility of dismberment, as the spectre of schism looms ever closer. Yet why is gay sexuality the tinderbox that could rip the Anglican Communion apart, and put an end to a century-old and hugely-prized international unity, when such contentious issues as the ordination of women, or unity discussions with other churches, failed to cause a split? In answering this question, Stephen Bates will show that unity has been coveted by some above integrity, and has been the cause of vicious infighting and internal politics. In the run-up to publication of A Church At War the author will be in the front line, as he files regular reports on the twists and turns of battle. His eagerly awaited book will be the only one to assess the current state and historical context of the row, the strengths and weaknesses of the protagonists' positions, and the tactics that they are employing to win the day.A Church At War promises compelling insights into a power struggle between factions seemingly united only by their mutual antipathy, and conducted, paradoxically, in the name of true communion.'

Asquith's administration laid the foundation of Britain's welfare state, but he was plunged into a major power struggle with the House of Lords. The budget of 1909 was vetoed by the hereditary upper chamber, and in 1910 Asquith called and won two elections on this constitutional issue. The Lords eventually passed the 1911 Parliament Act, ending their veto of financial legislation. Asquith was Prime Minister on the outbreak of World War I, but his government fell in 1916 as a result of the 'Shells Scandal'.

This book investigates a particular kind of architecture that thrived in the 1950s in Cadaqués, a small Spanish fishing village on the Costa Brava. It explores a number of holiday houses built between the mid-1950s and 1960s by a group of architects who shared bonds of friendship and architectural affinities, as well as connections with the international Modern movement (including José Antonio Coderch, Lluís Clotet, Federico Correa, Alfonso Milá, Oscar Tusquets, Manuel Valls). Observations on the common threads that link eight case studies are enriched by a photographic essay by David Grandorge and by detailed architectural drawings on a number of significant projects of the time. An interview with the authors Stephen Bates (Sergison Bates architects, London) and Fernando Villavecchia (Liebman Villavecchia Arquitectos, Barcelona) provides a background to their shared fascination with Cadaqués. A timeline contextualises the projects against the backdrop of historical events and the milestone in the lives of the clients and architects who made the village a unique locus in the history of architecture.Text in English and Spanish (Spanish in an inserted booklet).

Tent poles in the ground is a collection of twenty-one texts by Stephen Bates. Like Papers (2001), Papers 2 (2007) and Papers 3 (2016), which were written in collaboration with Jonathan Sergison, co-founder of Sergison Bates architects, 'Tent Poles' testifies to the importance of writing as part of a form of practice that includes building and teaching.The reflections included are part of the process of developing and testing ideas in Sergison Bates’s London studio and in Stephen Bates’s teaching studio at the Chair of Urbanism and Housing, TU München. Covering a range of themes, from domesticity to the city, landscape and the design process, they record both the fundamental principles that inform his approach to architecture and the shifts in thinking that have come about in 30 years of practice.While these are personal reflections on buildings and spaces, they were inspired by discussions across the table in the London studio, with teaching colleagues and students in Munich, and meetings with interesting people from different creative disciplines. Like the making of buildings, thinking and writing about them, too, is always the result of a process of collaboration.

In November 2026, the new Kanal museum of modern and contemporary art, architecture, and landscape architecture will open in Brussels. Operated in partnership with the Centre Pompidou, it will be one of Europe’s largest cultural venues, with space for up to ten exhibitions at a time over 49,000 m2 of floor space. The building itself is one of Kanal’s main attractions: the converted former headquarters of French car manufacturer Citroën’s Belgian branch with its landmark showroom—a 21-m-high cathedral of the automobile made of concrete, steel, and glass.Kanal #1: Thinking is the first part of a three-part journal by Atelier Kanal, the consortium formed by architecture firms EM2N (Zurich), noAarchitecten (Brussels), and Sergison Bates Architects (London and Zurich) that won the commission to convert the Citroën garage, built in the 1930s, into an arts and culture centre for the 21st century. It explores a collaborative working method in which boundaries of individual authorship were blurred and co-authorship became the norm. A polyphonic concert of images, texts, voices, and perspectives, this attractive book highlights the spirit of exchange and collaboration that shapes this novel cultural venue.

Kanal #2: Making is part two of a three-part journal by Atelier Kanal, a consortium formed by architecture firms EM2N (Zurich), noAarchitecten (Brussels), and Sergison Bates Architects (London and Zurich). It is dedicated entirely to the actual building for the Kanal arts and culture centre in Brussels—and the challenges that the architects, engineers, construction firms, and their client were facing during the construction process. The project is exemplary due to its scope and scale: repurposing, restoration, and partial demolition and rebuilding of the entire former Citroën garage with a floor space of 49,000 m2, including an iconic 21-m-high showroom.The Kanal project is significant within contemporary architecture discourse because it touches on closely intertwined key topics: the task of transforming a notable existing building, the demand to minimise demolition and waste while the entire vast structure is repurposed completely, the revaluation of comfort standards in relation to public spaces and uses, and the newly constructed interventions required by the intended new purpose.Kanal #2: Making explores these questions through texts and a wealth of visual material that played a core role in Atelier Kanal’s collaborative process. The book explains strategic considerations and investigates the challenges and risks inherent to such an undertaking, as well as the inspiring insights that working with an existing structure of this scale entails.Also available is Kanal #1: Thinking ISBN 9783038605096.

SHORTLISTED FOR THE ALCS GOLD DAGGER FOR NON-FICTION'METICULOUSLY RESEARCHED ... A GLORIOUSLY ENGAGING ROMP' JANICE HALLETT, THE SUNDAY TIMES'IMMERSIVE AND COMPELLING' DAVID KYNASTON'A PAGE-TURNER' ROBERT LACEY'CAREFUL AND COMPELLING' KATE MORGAN'YOU WILL READ IT IN ONE SITTING' MARC MULHOLLAND'A REAL-LIFE GOLDEN-AGE CRIME NOVEL' SEAN O'CONNORA brilliant narrative investigation into the 1920s case that inspired Agatha Christie, Dorothy Sayers and Margery Allingham.On a bleak Tuesday morning in February 1921, 48-year-old Katharine Armstrong died in her bedroom on the first floor of an imposing Edwardian villa overlooking the rolling hills of the isolated borderlands between Wales and England.Within fifteen months of such a sad domestic tragedy, her husband, Herbert Rowse Armstrong, would be arrested, tried and hanged for poisoning her with arsenic, the only solicitor ever to be executed in England.Armstrong's story was retold again and again, decade after decade, in a thousand newspaper articles across the world, and may have also inspired the new breed of popular detective writers seeking to create a cunning criminal at the centre of their thrillers.With all the ingredients of a classic murder mystery, the case is a near-perfect whodunnit. But who, in fact, did it? Was Armstrong really a murderer?One hundred years after the execution, Agatha-Award shortlisted Stephen Bates examines and retells the story of the case, evoking the period and atmosphere of the early 1920s, and questioning the fatal judgement.

Following Papers and Papers 2, the third volume in the series contains papers written by Jonathan Sergison and Stephen Bates between 2008 and 2014. Illustrated with photographs and drawings, the papers focus on some of the themes that are at the heart of the work of Sergison Bates architects and their approach to architectural practice, such as domesticity, typology and density. Text in German.

This book investigates a particular kind of architecture that thrived in the 1950s in Cadaqués, a small Spanish fishing village on the Costa Brava. It explores a number of holiday houses built between the mid-1950s and 1960s by a group of architects who shared bonds of friendship and architectural affinities, as well as connections with the international Modern movement (includingJosé Antonio Coderch, Lluís Clotet, Federico Correa, Alfonso Milá, Oscar Tusquets, and Manuel Valls). Observations on the common threads that link eight case studies are enriched by a photographic essay by David Grandorge and by detailed architectural drawings on a number of significant projects of the time. An interview with the authors Stephen Bates (Sergison Bates architects, London) and Fernando Villavecchia (Liebman Villavecchia Arquitectos, Barcelona) provides a background to their shared fascination with Cadaqués. A timeline contextualises the projects against the backdrop of historical events and the milestone in the lives of the clients and architects who made the village a unique locus in the history of architecture.Text in English and German (German in an inserted booklet).