Stephen Schloesser – författare

Following the Great War’s devastation, innovative movements in France offered competing visions of a revitalized national body and a new world order. One of these was the postwar Catholic revival or renouveau catholique. Since the church had historically been the dominant religious force in France, its turn of the century separation from the state was especially bitter. For many Catholics, the 1914–18 sacrifices made on the Republic’s behalf necessitated its postwar ‘re-Christianization.’ However, in their attempt to reconcile Catholicism with culture, revivalists needed to abandon old oppositions and adapt religion’s rigging to the prevailing winds of modernity.Stephen Schloesser’s Jazz Age Catholicism shows how a postwar generation of Catholics refashioned traditional notions of sacramentalism in modern language and imagery. Jacques Maritain’s philosophy, Georges Rouault’s visual art, Georges Bernanos’s fiction, and Charles Tournemire’s music all reclothed ancient tropes in new fashions. By the late 1920s, the renouveau catholique had successfully positioned Catholic intellectual and cultural discourse at the very centre of elite French life. Its synthesis of Catholicism and culture would define the religiosity of many throughout Western Europe and the Americas into the 1960s.

Informed study of composer Olivier Messiaen in light of recent research French composer Olivier Messiaen (1908–1992) is probably best known for his Quartet for the End of Time, premiered in a German prisoner-of-war camp in 1941. However, Messiaen was a remarkably complex, intelligent person with a sometimes tragic domestic life who composed a wide range of music. This book explores the enormous web of influences in the early part of Messiaen's long life. The first section of the book provides an intellectual biography of Messiaen's early life in order to make his (difficult) music more accessible to the general listener. The second section offers an analysis of and thematic commentaries on Messiaen's pivotal work for two pianos, Visions of Amen, composed in 1943. Schloesser's analysis includes timing indications corresponding to a downloadable performance of the work by accomplished pianists Stéphane Lemelin and Hyesook Kim.

For 40 years a battle has been waged over Vatican II between conservatives and liberals, between those who want to go "back to the sources" and those who champion "the spirit of the council." Benedict XVI is clearly one of those who started out as a liberal only to end up in the conservative camp. "Vatican II: Did Anything Happen?" is clearly on the side of those who think something unprecedented happened, that a genie was let out of the bottle that will never be stuffed back.Comprised mainly of a collection of articles, mostly but not all from Theological Studies, that are without qualification some of the best analysis of the council ever written, this book is a long overdue look at one of the most controversial and revolutionary chapters in the history of the Catholic Church.