Steven DeLay - Böcker

This book is an introduction to French phenomenology in the post-1945 period. While many of phenomenology’s greatest thinkers—Husserl, Heidegger, Sartre and Merleau-Ponty—wrote before this period, Steven DeLay introduces and assesses the creative and important turn phenomenology took after these figures. He presents a clear and rigorous introduction to the work of relatively unfamiliar and underexplored philosophers, including Jean-Louis Chrétien, Michel Henry, Jean-Yves Lacoste, Jean-Luc Marion and others.After an introduction setting out the crucial Husserlian and Heideggerian background to French phenomenology, DeLay explores Emmanuel Levinas’s ethics as first philosophy, Henry’s material phenomenology, Marion’s phenomenology of givenness, Lacoste’s phenomenology of liturgical man, Chrétien’s phenomenology of the call, Claude Romano’s evential hermeneutics, and Emmanuel Falque’s phenomenology of the borderlands. Starting with the reception of Husserl and Heidegger in France, DeLay explains how this phenomenological thought challenges boundaries between philosophy and theology. Taking stock of its promise in light of the legacy it has transformed, DeLay concludes with a summary of the field’s relevance to theology and analytic philosophy, and indicates what the future holds for phenomenology.Phenomenology in France: A Philosophical and Theological Introduction is an excellent resource for all students and scholars of phenomenology and continental philosophy, and will also be useful to those in related disciplines such as theology, literature, and French studies.

This book is an introduction to French phenomenology in the post-1945 period. While many of phenomenology’s greatest thinkers—Husserl, Heidegger, Sartre and Merleau-Ponty—wrote before this period, Steven DeLay introduces and assesses the creative and important turn phenomenology took after these figures. He presents a clear and rigorous introduction to the work of relatively unfamiliar and underexplored philosophers, including Jean-Louis Chrétien, Michel Henry, Jean-Yves Lacoste, Jean-Luc Marion and others.After an introduction setting out the crucial Husserlian and Heideggerian background to French phenomenology, DeLay explores Emmanuel Levinas’s ethics as first philosophy, Henry’s material phenomenology, Marion’s phenomenology of givenness, Lacoste’s phenomenology of liturgical man, Chrétien’s phenomenology of the call, Claude Romano’s evential hermeneutics, and Emmanuel Falque’s phenomenology of the borderlands. Starting with the reception of Husserl and Heidegger in France, DeLay explains how this phenomenological thought challenges boundaries between philosophy and theology. Taking stock of its promise in light of the legacy it has transformed, DeLay concludes with a summary of the field’s relevance to theology and analytic philosophy, and indicates what the future holds for phenomenology.Phenomenology in France: A Philosophical and Theological Introduction is an excellent resource for all students and scholars of phenomenology and continental philosophy, and will also be useful to those in related disciplines such as theology, literature, and French studies.

The definitive philosophical exploration of the work of pioneering filmmaker Terrence Malick.Leaving a promising career in academic philosophy to embark on a career in film, American director Terrence Malick has created cinematic works of art that are also deeply philosophical. His contribution to philosophy through a half century of filmmaking has become the focus of increasing scholarly attention. Inviting the reader along a journey of reflections at the intersection of film, art, and philosophy, Life Above the Clouds brings together an international team of contributors to present the most current and definitive statement of the filmmaker's work. Accessibly written and exploring films such as Badlands, Days of Heaven, The Thin Red Line, The New World, The Tree of Life, To the Wonder, Knight of Cups, Song to Song, and A Hidden Life, the nineteen essays herein will be of interest not only to scholars and students of philosophy, theology, film studies, and aesthetics, but also to anyone with a true love of film.

The definitive philosophical exploration of the work of pioneering filmmaker Terrence Malick.Leaving a promising career in academic philosophy to embark on a career in film, American director Terrence Malick has created cinematic works of art that are also deeply philosophical. His contribution to philosophy through a half century of filmmaking has become the focus of increasing scholarly attention. Inviting the reader along a journey of reflections at the intersection of film, art, and philosophy, Life Above the Clouds brings together an international team of contributors to present the most current and definitive statement of the filmmaker's work. Accessibly written and exploring films such as Badlands, Days of Heaven, The Thin Red Line, The New World, The Tree of Life, To the Wonder, Knight of Cups, Song to Song, and A Hidden Life, the nineteen essays herein will be of interest not only to scholars and students of philosophy, theology, film studies, and aesthetics, but also to anyone with a true love of film.

Since Heidegger, it has become something of an unquestioned presupposition to analyse selfhood from the perspective of being-in-the-world. In the book, DeLay sets out a view of existence instead emphasizing humanity’s ineluctable experience before-God. Surmounting received divisions between philosophy and theology, the work’s eight chapters explore our relation to God and others, tracing a path instituted in antiquity and latent still in certain strands of contemporary phenomenology. After two introductory explorations of the ancient conception of philosophy as a way of life undermining the modern notion of philosophy as methodologically atheist, the third chapter examines our relation to others through an assessment of how, paradoxically, we are together in the world yet ever alone. The theme of being-with-others is deepened with an analysis of forgiveness in its various forms. The theme is continued in the next chapter’s discussion of peace, which is seen to prove so elusive because of the omnipresence of evil in the world, a fact which itself is explored in connection to the varieties of silence we encounter throughout our daily lives. Utilizing these results from the preceding chapters on forgiveness, peace, and silence, the final chapters inquire into perennial questions as doubt, deception, and hope. Drawing together the previous results, the conclusion underscores the view of man that has theretofore emerged: we are open to a God who in Jesus Christ calls each of us back to ourselves.

Since Heidegger, it has become something of an unquestioned presupposition to analyse selfhood from the perspective of being-in-the-world. In the book, DeLay sets out a view of existence instead emphasizing humanity’s ineluctable experience before-God. Surmounting received divisions between philosophy and theology, the work’s eight chapters explore our relation to God and others, tracing a path instituted in antiquity and latent still in certain strands of contemporary phenomenology. After two introductory explorations of the ancient conception of philosophy as a way of life undermining the modern notion of philosophy as methodologically atheist, the third chapter examines our relation to others through an assessment of how, paradoxically, we are together in the world yet ever alone. The theme of being-with-others is deepened with an analysis of forgiveness in its various forms. The theme is continued in the next chapter’s discussion of peace, which is seen to prove so elusive because of the omnipresence of evil in the world, a fact which itself is explored in connection to the varieties of silence we encounter throughout our daily lives. Utilizing these results from the preceding chapters on forgiveness, peace, and silence, the final chapters inquire into perennial questions as doubt, deception, and hope. Drawing together the previous results, the conclusion underscores the view of man that has theretofore emerged: we are open to a God who in Jesus Christ calls each of us back to ourselves.

In a series of analyses dealing with issues of basic human concern such as love, hope, joy, beauty, desire, suffering, evil, and death, Steven DeLay articulates an existence of faith in Christ. With attention to the Bible and works of art (Caravaggio, Doré, Pissarro, Poussin, Rembrandt, and Rodin), DeLay explores the depths of the human experience, offering a descriptive account of our personal encounter with God. A contribution to the longstanding tradition of edifying Christian works, In the Spirit extols the glory of being human in light of God’s word.