Steven Trout – författare
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12 produkter
12 produkter
Inbunden, Engelska, 2020
1 143 kr
Skickas inom 10-15 vardagar
A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American's sacrifice - but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22, 1968, and of the Westphall family's subsequent struggle to create and maintain a one-of-a-kind memorial chapel dedicated to the memory of all Americans lost in the Vietnam War and to the cause of world peace.Focused primarily on a life lost amid our nation's most controversial conflict and on the Westphalls' desperate battle to keep their chapel open between 1971 and 1982, the book's brisk and moving narrative traces the memorial's evolution from a personal act of family remembrance to its emergence as an iconic pilgrimage destination for thousands of Vietnam veterans. Documenting the chapel's shifting messages over time, which include a momentary (and controversial) recognition of the dead on both sides of the war, The Vietnam Veterans Memorial at Angel Fire spotlights one American soldier's tragic story and the monument to hope and peace that it inspired.
Häftad, Engelska, 2020
277 kr
Skickas inom 10-15 vardagar
A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American's sacrifice - but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22, 1968, and of the Westphall family's subsequent struggle to create and maintain a one-of-a-kind memorial chapel dedicated to the memory of all Americans lost in the Vietnam War and to the cause of world peace.Focused primarily on a life lost amid our nation's most controversial conflict and on the Westphalls' desperate battle to keep their chapel open between 1971 and 1982, the book's brisk and moving narrative traces the memorial's evolution from a personal act of family remembrance to its emergence as an iconic pilgrimage destination for thousands of Vietnam veterans. Documenting the chapel's shifting messages over time, which include a momentary (and controversial) recognition of the dead on both sides of the war, The Vietnam Veterans Memorial at Angel Fire spotlights one American soldier's tragic story and the monument to hope and peace that it inspired.
201 kr
Läs direkt efter köp
A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American’s sacrifice—but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22, 1968, and of the Westphall family’s subsequent struggle to create and maintain a one-of-a-kind memorial chapel dedicated to the memory of all Americans lost in the Vietnam War and to the cause of world peace.Focused primarily on a life lost amid our nation’s most controversial conflict and on the Westphalls’ desperate battle to keep their chapel open between 1971 and 1982, the book’s brisk and moving narrative traces the memorial’s evolution from a personal act of family remembrance to its emergence as an iconic pilgrimage destination for thousands of Vietnam veterans. Documenting the chapel’s shifting messages over time, which include a momentary (and controversial) recognition of the dead on both sides of the war, The Vietnam Veterans Memorial at Angel Fire spotlights one American soldier’s tragic story and the monument to hope and peace that it inspired.
Inbunden, Engelska, 2023
527 kr
Skickas inom 5-8 vardagar
Serpents of War, the memoir of Pennsylvanian Major Harry Dravo Parkin, is a rare account of World War I as seen from the perspective of a battalion commander. As a mid-level officer responsible for the lives and welfare of over a thousand men, Parkin conveys the stress of command at a time when one innocent blunder could cost an officer his combat assignment, brings the inferno of the Meuse-Argonne Offensive to life in terrifying, gory detail, and recounts being taken prisoner by the Imperial German Army—a rare experience among American soldiers in 1918. In addition, Parkin provides a detailed account of the 79th Division’s attack on Mountfaucon, a military action that remains controversial to this day. This is a book by a brave soldier, a recipient of the Distinguished Service Cross for his heroism on the battlefield, and a gifted writer.Serpents of War is an abridged edition of a nearly 200,000-word World War I memoir that resides in Gettysburg College’s Musselman Library, enhanced by the contributions of two scholars of World War I and memory. Written in an unassuming but eloquent style, Parkin’s narrative seldom strains for effect. It possesses a strong sense of setting, a knack for capturing the chaos and strange exhilaration of battle, and a sharp eye for the interpersonal, social dynamics of military life—the personality clashes and simmering feuds, as well as the moments of comradeship and accord. Serpents of War is an absorbing memoir that holds the reader’s attention from beginning to end.
207 kr
Läs direkt efter köp
Serpents of War, the memoir of Pennsylvanian Major Harry Dravo Parkin, is a rare account of World War I as seen from the perspective of a battalion commander. As a mid-level officer responsible for the lives and welfare of over a thousand men, Parkin conveys the stress of command at a time when one innocent blunder could cost an officer his combat assignment, brings the inferno of the Meuse-Argonne Offensive to life in terrifying, gory detail, and recounts being taken prisoner by the Imperial German Army—a rare experience among American soldiers in 1918. In addition, Parkin provides a detailed account of the 79th Division’s attack on Mountfaucon, a military action that remains controversial to this day. This is a book by a brave soldier, a recipient of the Distinguished Service Cross for his heroism on the battlefield, and a gifted writer.
Serpents of War is an abridged edition of a nearly 200,000-word World War I memoir that resides in Gettysburg College’s Musselman Library, enhanced by the contributions of two scholars of World War I and memory. Written in an unassuming but eloquent style, Parkin’s narrative seldom strains for effect. It possesses a strong sense of setting, a knack for capturing the chaos and strange exhilaration of battle, and a sharp eye for the interpersonal, social dynamics of military life—the personality clashes and simmering feuds, as well as the moments of comradeship and accord. Serpents of War is an absorbing memoir that holds the reader’s attention from beginning to end.
Inbunden, Engelska, 2020
735 kr
Skickas inom 5-8 vardagar
Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict. Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public's appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public's understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume's overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.
Häftad, Engelska, 2012
430 kr
Skickas inom 5-8 vardagar
Provides a detailed study of how Americans in the 1920s and 1930s interpreted and remembered the First World War. Steven Trout asserts that from the beginning American memory of the war was fractured and unsettled, more a matter of competing sets of collective memories - each set with its own spokespeople - than a unified body of myth.
Häftad, Engelska, 2018
242 kr
Skickas inom 5-8 vardagar
A masterwork of World War I short stories portraying the experiences of Marines in battle.Points of Honor: Short Stories of the Great War by a US Combat Marine is based on author Thomas Alexander Boyd’s personal experiences as an enlisted Marine. First published in 1925 and long out of print, this edition rescues from obscurity a vivid, kaleidoscopic vision of American soldiers, US Marines mostly, serving in a global conflict a century ago. It is a true forgotten masterpiece of World War I literature.The stories in Points of Honor deal almost entirely with Marines in the midst of battle—or faced with the consequences of military violence. The eleven stories in this collection offer a panoramic view of war experience and its aftermath, what Boyd described as “a mass of more human happenings.” The themes are often antiheroic: dehumanization, pettiness, betrayal by loved ones at home, and the cruelty of military justice. But Boyd’s vision also accommodates courage and loyalty. Like all great works of war literature, this collection underscores the central paradox of armed conflict—its ability to bring out both the best and worst in human beings.This reissue of Points of Honor is edited, annotated, and introduced by Steven Trout. Trout provides an overview of Thomas Boyd’s war experience and writing career and situates the stories within the broader context of World War I American literature.Points of Honor received strong reviews at the time of its initial publication and remains an overwhelming reading experience today. While each of the stories is a freestanding work of art, when read together they carry the force of a novel.
E-bok
Engelska, 2010714 kr
Läs direkt efter köp
This work is a detailed study of how Americans in the 1920s and 1930s interpreted and remembered the First World War. Steven Trout asserts that from the beginning American memory of the war was fractured and unsettled, more a matter of competing sets of collective memories—each set with its own spokespeople— than a unified body of myth. The members of the American Legion remembered the war as a time of assimilation and national harmony. However, African Americans and radicalized whites recalled a very different war. And so did many of the nation’s writers, filmmakers, and painters.
Trout studies a wide range of cultural products for their implications concerning the legacy of the war: John Dos Passos’s novels Three Soldiers and 1919, Willa Cather’s One of Ours, William March’s Company K, and Laurence Stallings’s Plumes; paintings by Harvey Dunn, Horace Pippin, and John Steuart Curry; portrayals of the war in The American Legion Weekly and The American Legion Monthly; war memorials and public monuments like the Tomb of the Unknown Soldier; and commemorative products such as the twelve-inch tall Spirit of the American Doughboy statue.
Trout argues that American memory of World War I was not only confused and contradictory during the ‘20s and ‘30s, but confused and contradictory in ways that accommodated affirmative interpretations of modern warfare and military service. Somewhat in the face of conventional wisdom, Trout shows that World War I did not destroy the glamour of war for all, or even most, Americans and enhanced it for many.
E-bok
Engelska, 2018307 kr
Läs direkt efter köp
A masterwork of World War I short stories portraying the experiences of Marines in battle. Points of Honor: Short Stories of the Great War by a US Combat Marine is based on author Thomas Alexander Boyd’s personal experiences as an enlisted Marine. First published in 1925 and long out of print, this edition rescues from obscurity a vivid, kaleidoscopic vision of American soldiers, US Marines mostly, serving in a global conflict a century ago. It is a true forgotten masterpiece of World War I literature. The stories in Points of Honor deal almost entirely with Marines in the midst of battle—or faced with the consequences of military violence. The eleven stories in this collection offer a panoramic view of war experience and its aftermath, what Boyd described as “a mass of more human happenings.” The themes are often antiheroic: dehumanization, pettiness, betrayal by loved ones at home, and the cruelty of military justice. But Boyd’s vision also accommodates courage and loyalty. Like all great works of war literature, this collection underscores the central paradox of armed conflict—its ability to bring out both the best and worst in human beings. This reissue of Points of Honor is edited, annotated, and introduced by Steven Trout. Trout provides an overview of Thomas Boyd’s war experience and writing career and situates the stories within the broader context of World War I American literature. Points of Honor received strong reviews at the time of its initial publication and remains an overwhelming reading experience today. While each of the stories is a freestanding work of art, when read together they carry the force of a novel.
E-bok
Engelska, 20201 188 kr
Läs direkt efter köp
Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public’s understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume’s overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.
Inbunden, Engelska, 2026
326 kr
Kommande
Remember the Tuscania plunges readers into the night of February 5, 1918, when a German U-boat's torpedo found a crowded US troopship in the North Atlantic—and into the century of argument, propaganda, and remembrance that followed. At its heart are the Baraboo Twenty-One, citizen-soldiers from a Wisconsin town who survived the sinking that became the deadliest U-boat attack on Americans in the First World War and the nation's first mass-casualty event of the conflict. Steven Trout braids military history and cultural history with a dramatic pulse. He reconstructs the voyage and catastrophe in detail. Then he follows the aftershocks across newspapers, posters, cartoons, poems, and sheet music as the home front seizes on a new rallying cry – "Remember the Tuscania!" – and turns the dead into usable symbols. Trout also exposes a War Department fiasco over casualty lists that helped force reforms to identification practices (serial numbers on dog tags; rosters kept at hand aboard transports).Remember the Tuscania draws attention to how people memorialize dramatic wartime events: the isle of Islay's windswept "American Monument," improvised funerals beneath a hastily sewn Stars and Stripes, the formation of the National Tuscania Survivors Association, and a twenty-first-century resurrection of the story back in Baraboo. Trout shows how myth overtook messy reality and how private grief often resisted public pageantry. Trout's narrative is a riveting, deeply researched investigation that showcases the meaning for Americans of a nearly forgotten disaster and the unbreakable ties of transatlantic remembrance that it left behind.