This guide is an excellent beginning for the study of a little-recognized genre and will be needed by all academic libraries. ChoiceDuring the 1970s many distinguished writers began experimenting with the short story cycle, a literary form that achieved prominence in the early decades of the century through such works as James Joyce's Dubliners and Sherwood Anderson's Winesburg, Ohio. Despite the growing interest of both writers and readers, no theoretical work has been done on this genre in the past ten years. The Short Story Cycle provides a wide-ranging survey of the subject, offering detailed analyses of nine classic short story cycles and an annotated listing of over 120 others, many by contemporary authors. In addition, the introduction includes a history of the genre and its related forms as well as a discussion of conventions associated with the cycle.Short story cycles by Joyce, Anderson, Hemingway, Steinbeck, Faulkner, Welty, O'Connor, and Updike are described in individual chapters. These works illustrate the genre's diversity and vitality, ranging from cycles that are explicitly related through chronology, plot, and character to collections that reveal subtler, implicit unities. The author looks at the ways different writers use repeated or developed characters, themes, myth, imagery, setting, point of view, and plot or chronology to create the sense of a larger whole. Chapter bibliographies supply information on relevant critical writings as well as biographical and autobiographical materials. The volume concludes with an annotated listing of important twentieth-century short-story cycles by American, British, European, Canadian, Australian, Polish, Soviet, and Latin American writers.

These translations of eighteen classical Chinese texts from the mid-ninth century (Tang dynasty) through the late nineteenth century (Qing dynasty) offer a comprehensive collection of primary sources focusing on gender issues in medieval and late imperial China. The book's title reflects the sometimes ironic relationship between Confucian viewpoints and women's visibility in Chinese historical documents. The texts, written by both men and women, show that Confucian values and scholarly practices produced a rich documentary record of women's lives. It includes a brief guide for use by students and teachers.

The history of China in the nineteenth century usually features men as the dominant figures in a chronicle of warfare, rebellion, and dynastic decline. This book challenges that model and provides a different account of the era, history as seen through the eyes of women. Basing her remarkable study on the poetry and memoirs of three generations of literary women of the Zhang family - Tang Yaoqing, her eldest daughter, and her eldest granddaughter - Susan Mann illuminates a China that has been largely invisible. Drawing on a stunning array of primary materials - published poetry, gazetteer articles, memorabilia - as well as a variety of other historical documents, Mann reconstructs these women's intimate relationships, personal aspirations, values, ideas, and political consciousness. She transforms our understanding of gender relations and what it meant to be an educated woman during China's transition from empire to nation and offers a new view of the history of late imperial women.

During the First World War Clare Gass spent four years as a lieutenant and nursing sister in the medical corps of the Canadian Expeditionary Force. The War Diary of Clare Gass documents her daily experiences, from the beginning of her military training in 1915 to her return from Europe in 1918. Gass records the sights and sounds and smells of war as well as quoting the then-unknown "In Flanders'' Fields," written by her colleague Dr John McCrae. Well aware that her work was an exceptional experience for a woman, she made the most of her time, whether nursing, exploring the countryside around the hospital, or taking photographs. Her lively personality and passion for her work shine through the diary and offer a unique perspective on the Canadian contribution to the war effort. The diary reveals a woman who took it for granted that she should do everything possible to aid the war effort and details her care of the sick and wounded at No. 3 Canadian General Hospital (McGill), forty miles behind the trenches, as well as at No. 2 Canadian Casualty Clearing Station, where she was within range of the shells. Combined with Susan Mann''s sensitive and thoughtful introduction, the Gass diary provides a fresh look at Canadian participation in the First World War. It will appeal to a wide range of readers with an interest in military history, women''s history, medical history, gender and war, diaries, and the history of nursing.

Essential reading for an understanding of contemporary Quebec, The Dream of Nation traces the changing nature of various "dreams of nation," from the imperial dream of New France to the separatist dream of the 1980 referendum. Susan Mann demonstrates that these dreams, fashioned by elites in response to the recurring question of how to be French in North America, proposed an ever-elusive unanimity. She discusses how social, economic, and political pressures, as well as changing populations, invariably thwarted one dream and provided the makings of another. A work of pioneering scholarship and remarkable synthesis, The Dream of Nation weaves together two of the dominant ideologies of the twentieth century: nationalism and feminism. A new preface contextualizes the 1982 edition and outlines the different contours of Quebec''s latest thoughts on sovereignty.

During an era of separate spheres for men and women, Margaret Macdonald used her nurse''s training to gain access to the military and a life of work, travel, and adventure. In 1906, she was one of the first two nurses to receive a permanent appointment to the Canadian Army Medical Corps. She became matron-in-chief of Canada''s overseas nursing service during World War I with the rank of major - the first such appointment for a woman in the British Empire. Macdonald also served as a nurse in the military during the Spanish-American and Boer Wars and in Panama during the construction of the canal. Margaret Macdonald traces the life and work of this extraordinary woman from rural Nova Scotia whose sense of duty and ambition found an outlet in the imperialism of Great Britain and the US. Susan Mann weaves the threads of character, ideology, and opportunity into a vivid portrait of Macdonald and her impact on the professionalization of military nursing.

This first book-length study of gender relations in the Lower Yangzi region during the High Qing era (c. 1683-1839) challenges enduring late-nineteenth-century perspectives that emphasized the oppression and subjugation of Chinese women. Placing women at the center of the High Qing era shows how gender relations shaped the economic, political, social, and cultural changes of the age, and gives us a sense of what women felt and believed, and what they actually did, during this period.Most analyses of gender in High Qing times have focused on literature and on the writings of the elite; this book broadens the scope of inquiry to include women's work in the farm household, courtesan entertainment, and women's participation in ritual observances and religion. In dealing with literature, it shows how women's poetry can serve the historian as well as the literary critic, drawing on one of the first anthologies of women's writing compiled by a woman to examine not only literary sensibilities and intimate emotions, but also political judgments, moral values, and social relations.After an introductory chapter that evaluates the historiography of Chinese women, the book surveys High Qing history, charts the female life course, and discusses women's place in writing and learning, in entertainment, at work, and in religious practice. The concluding chapter returns to broad historiographic questions about where women figure in space and time and why we can no longer write histories that ignore them.

This first book-length study of gender relations in the Lower Yangzi region during the High Qing era (c. 1683-1839) challenges enduring late-nineteenth-century perspectives that emphasized the oppression and subjugation of Chinese women. Placing women at the center of the High Qing era shows how gender relations shaped the economic, political, social, and cultural changes of the age, and gives us a sense of what women felt and believed, and what they actually did, during this period.Most analyses of gender in High Qing times have focused on literature and on the writings of the elite; this book broadens the scope of inquiry to include women's work in the farm household, courtesan entertainment, and women's participation in ritual observances and religion. In dealing with literature, it shows how women's poetry can serve the historian as well as the literary critic, drawing on one of the first anthologies of women's writing compiled by a woman to examine not only literary sensibilities and intimate emotions, but also political judgments, moral values, and social relations.After an introductory chapter that evaluates the historiography of Chinese women, the book surveys High Qing history, charts the female life course, and discusses women's place in writing and learning, in entertainment, at work, and in religious practice. The concluding chapter returns to broad historiographic questions about where women figure in space and time and why we can no longer write histories that ignore them.

First published in 1932, Pan Chao is perhaps the earliest work by an American scholar on a Chinese woman intellectual. Alongside the story of Pan’s life, Nancy Lee Swann sketches the Eastern Han period when Pan lived and wrote, her family background, and the literary milieu of which she was a part. In addition, Swann provides translations of writings definitively identified with Pan that survive from the years when she was active (ca. 89–105 a.d.). While Pan is well known for her contribution to the great Han-shu, of special interest is her treatise on the moral training of women, in which she makes a plea for girls to be given the same education as boys and points to principles that led young women to success in ancient China. Swann also includes memorials, short poems, and an essay, all of which demonstrate Pan's rhetorical skills and her concerns at the Han court. A considerable work of scholarship, Pan Chao is grounded in Swann’s detailed knowledge of the history and literature of the late Han. Swann includes the Chinese text for shorter works and a comprehensive list of primary sources on this important early scholar.

A mystery loving librarian gets her very own romantic adventure with a British spy in this humorous romantic suspense.   Shelve under: Libraries, Spies, Falling in Love, London.   Adventure-hungry Quinn Ellington solves mundane mysteries for library patrons while indulging her taste for intrigue with her favorite spy novels. But her latest research project entangles her in a mission to decode the whereabouts of a weapons cache from a priceless work of art before arms dealers beat her to it. Her adventure is filled with fast cars, stolen treasures, international intrigue, and a budding romance with suave, handsome “insurance” agent James Lockwood. Daring rescues and intense covert flirting ensue.

910.4                    TRAVEL, adventurous 306.7                    ROMANCE, secret 341.5                    HOSTAGES, saving     A CIA librarian and her handsome spy boyfriend find themselves in the middle of an international incident when the Indian ambassador is kidnapped from a Library of Congress event.       Agent-in-training Quinn Ellington and James “Bond” Anderson travel to India, where the key to saving the ambassador is tangled up with a long-lost sacred library, a desecrated temple, and some very modern machinations. At least their cover as blissful newlyweds isn’t too hard to pull off . . .   1. Spies—sexy. 2. India—intrigue. 3. Terrorism—foiling.  4. Best friends—weddings of. 5. Series—The Librarian and the Spy. I. Ellington, Quinn.

Shelve under: Spies, Russian, Librarian Spies, Conspiracies. Librarian and rookie CIA covert operative Quinn Ellington revises her honeymoon plans when she and her brand-new spy husband uncover a drug trafficking ring stretching from the Caribbean to St. Petersburg. Turquoise waters, white sand, and intra-agency relations provide a lush backdrop for raiding enemy strongholds, tailing movie stars, and dodging more than a few bullets. Meanwhile, Quinn’s unique skills prove indispensable in luring a dangerous villain into the proper trap.

The most important things are hardest to find words for, her father once said. That's why people make music.When Ana returns to the ramshackle cottage of her youth in the seaside village of Noordhoek, near Cape Town, she does so with the intention of sorting out her father's affairs. It soon becomes clear that more is at stake. After a decade in London, where she has failed to find work as a musician, her return to South Africa puts further distance into an already strained marriage, not only because she is out of reach, but because Michael, her husband, has lost faith in the country.Quick to welcome her is her neighbour, Franz van der Veer, an architect searching for redemption. This is further complicated by the arrival of his eccentric brother, Daniel. Against a tangle of childhood memories, scarred histories and renewed hope, Ana finally starts to confront the death of Sam, her Irish luthier father, and with it, questions of guilt and belonging. Lyrical and beautifully told, Quarter Tones is a story about music and love and loss.

This guide is an excellent beginning for the study of a little-recognized genre and will be needed by all academic libraries. ChoiceDuring the 1970s many distinguished writers began experimenting with the short story cycle, a literary form that achieved prominence in the early decades of the century through such works as James Joyce's Dubliners and Sherwood Anderson's Winesburg, Ohio. Despite the growing interest of both writers and readers, no theoretical work has been done on this genre in the past ten years. The Short Story Cycle provides a wide-ranging survey of the subject, offering detailed analyses of nine classic short story cycles and an annotated listing of over 120 others, many by contemporary authors. In addition, the introduction includes a history of the genre and its related forms as well as a discussion of conventions associated with the cycle.Short story cycles by Joyce, Anderson, Hemingway, Steinbeck, Faulkner, Welty, O'Connor, and Updike are described in individual chapters. These works illustrate the genre's diversity and vitality, ranging from cycles that are explicitly related through chronology, plot, and character to collections that reveal subtler, implicit unities. The author looks at the ways different writers use repeated or developed characters, themes, myth, imagery, setting, point of view, and plot or chronology to create the sense of a larger whole. Chapter bibliographies supply information on relevant critical writings as well as biographical and autobiographical materials. The volume concludes with an annotated listing of important twentieth-century short-story cycles by American, British, European, Canadian, Australian, Polish, Soviet, and Latin American writers.

These translations of eighteen classical Chinese texts from the mid-ninth century (Tang dynasty) through the late nineteenth century (Qing dynasty) offer a comprehensive collection of primary sources focusing on gender issues in medieval and late imperial China. The book's title reflects the sometimes ironic relationship between Confucian viewpoints and women's visibility in Chinese historical documents. The texts, written by both men and women, show that Confucian values and scholarly practices produced a rich documentary record of women's lives. It includes a brief guide for use by students and teachers.

The history of China in the nineteenth century usually features men as the dominant figures in a chronicle of warfare, rebellion, and dynastic decline. This book challenges that model and provides a different account of the era, history as seen through the eyes of women. Basing her remarkable study on the poetry and memoirs of three generations of literary women of the Zhang family - Tang Yaoqing, her eldest daughter, and her eldest granddaughter - Susan Mann illuminates a China that has been largely invisible. Drawing on a stunning array of primary materials - published poetry, gazetteer articles, memorabilia - as well as a variety of other historical documents, Mann reconstructs these women's intimate relationships, personal aspirations, values, ideas, and political consciousness. She transforms our understanding of gender relations and what it meant to be an educated woman during China's transition from empire to nation and offers a new view of the history of late imperial women.

During the First World War Clare Gass spent four years as a lieutenant and nursing sister in the medical corps of the Canadian Expeditionary Force. The War Diary of Clare Gass documents her daily experiences, from the beginning of her military training in 1915 to her return from Europe in 1918. Gass records the sights and sounds and smells of war as well as quoting the then-unknown "In Flanders'' Fields," written by her colleague Dr John McCrae. Well aware that her work was an exceptional experience for a woman, she made the most of her time, whether nursing, exploring the countryside around the hospital, or taking photographs. Her lively personality and passion for her work shine through the diary and offer a unique perspective on the Canadian contribution to the war effort. The diary reveals a woman who took it for granted that she should do everything possible to aid the war effort and details her care of the sick and wounded at No. 3 Canadian General Hospital (McGill), forty miles behind the trenches, as well as at No. 2 Canadian Casualty Clearing Station, where she was within range of the shells. Combined with Susan Mann''s sensitive and thoughtful introduction, the Gass diary provides a fresh look at Canadian participation in the First World War. It will appeal to a wide range of readers with an interest in military history, women''s history, medical history, gender and war, diaries, and the history of nursing.

Essential reading for an understanding of contemporary Quebec, The Dream of Nation traces the changing nature of various "dreams of nation," from the imperial dream of New France to the separatist dream of the 1980 referendum. Susan Mann demonstrates that these dreams, fashioned by elites in response to the recurring question of how to be French in North America, proposed an ever-elusive unanimity. She discusses how social, economic, and political pressures, as well as changing populations, invariably thwarted one dream and provided the makings of another. A work of pioneering scholarship and remarkable synthesis, The Dream of Nation weaves together two of the dominant ideologies of the twentieth century: nationalism and feminism. A new preface contextualizes the 1982 edition and outlines the different contours of Quebec''s latest thoughts on sovereignty.

During an era of separate spheres for men and women, Margaret Macdonald used her nurse''s training to gain access to the military and a life of work, travel, and adventure. In 1906, she was one of the first two nurses to receive a permanent appointment to the Canadian Army Medical Corps. She became matron-in-chief of Canada''s overseas nursing service during World War I with the rank of major - the first such appointment for a woman in the British Empire. Macdonald also served as a nurse in the military during the Spanish-American and Boer Wars and in Panama during the construction of the canal. Margaret Macdonald traces the life and work of this extraordinary woman from rural Nova Scotia whose sense of duty and ambition found an outlet in the imperialism of Great Britain and the US. Susan Mann weaves the threads of character, ideology, and opportunity into a vivid portrait of Macdonald and her impact on the professionalization of military nursing.

This first book-length study of gender relations in the Lower Yangzi region during the High Qing era (c. 1683-1839) challenges enduring late-nineteenth-century perspectives that emphasized the oppression and subjugation of Chinese women. Placing women at the center of the High Qing era shows how gender relations shaped the economic, political, social, and cultural changes of the age, and gives us a sense of what women felt and believed, and what they actually did, during this period.Most analyses of gender in High Qing times have focused on literature and on the writings of the elite; this book broadens the scope of inquiry to include women's work in the farm household, courtesan entertainment, and women's participation in ritual observances and religion. In dealing with literature, it shows how women's poetry can serve the historian as well as the literary critic, drawing on one of the first anthologies of women's writing compiled by a woman to examine not only literary sensibilities and intimate emotions, but also political judgments, moral values, and social relations.After an introductory chapter that evaluates the historiography of Chinese women, the book surveys High Qing history, charts the female life course, and discusses women's place in writing and learning, in entertainment, at work, and in religious practice. The concluding chapter returns to broad historiographic questions about where women figure in space and time and why we can no longer write histories that ignore them.

This first book-length study of gender relations in the Lower Yangzi region during the High Qing era (c. 1683-1839) challenges enduring late-nineteenth-century perspectives that emphasized the oppression and subjugation of Chinese women. Placing women at the center of the High Qing era shows how gender relations shaped the economic, political, social, and cultural changes of the age, and gives us a sense of what women felt and believed, and what they actually did, during this period.Most analyses of gender in High Qing times have focused on literature and on the writings of the elite; this book broadens the scope of inquiry to include women's work in the farm household, courtesan entertainment, and women's participation in ritual observances and religion. In dealing with literature, it shows how women's poetry can serve the historian as well as the literary critic, drawing on one of the first anthologies of women's writing compiled by a woman to examine not only literary sensibilities and intimate emotions, but also political judgments, moral values, and social relations.After an introductory chapter that evaluates the historiography of Chinese women, the book surveys High Qing history, charts the female life course, and discusses women's place in writing and learning, in entertainment, at work, and in religious practice. The concluding chapter returns to broad historiographic questions about where women figure in space and time and why we can no longer write histories that ignore them.

First published in 1932, Pan Chao is perhaps the earliest work by an American scholar on a Chinese woman intellectual. Alongside the story of Pan’s life, Nancy Lee Swann sketches the Eastern Han period when Pan lived and wrote, her family background, and the literary milieu of which she was a part. In addition, Swann provides translations of writings definitively identified with Pan that survive from the years when she was active (ca. 89–105 a.d.). While Pan is well known for her contribution to the great Han-shu, of special interest is her treatise on the moral training of women, in which she makes a plea for girls to be given the same education as boys and points to principles that led young women to success in ancient China. Swann also includes memorials, short poems, and an essay, all of which demonstrate Pan's rhetorical skills and her concerns at the Han court. A considerable work of scholarship, Pan Chao is grounded in Swann’s detailed knowledge of the history and literature of the late Han. Swann includes the Chinese text for shorter works and a comprehensive list of primary sources on this important early scholar.

A mystery loving librarian gets her very own romantic adventure with a British spy in this humorous romantic suspense.   Shelve under: Libraries, Spies, Falling in Love, London.   Adventure-hungry Quinn Ellington solves mundane mysteries for library patrons while indulging her taste for intrigue with her favorite spy novels. But her latest research project entangles her in a mission to decode the whereabouts of a weapons cache from a priceless work of art before arms dealers beat her to it. Her adventure is filled with fast cars, stolen treasures, international intrigue, and a budding romance with suave, handsome “insurance” agent James Lockwood. Daring rescues and intense covert flirting ensue.

910.4                    TRAVEL, adventurous 306.7                    ROMANCE, secret 341.5                    HOSTAGES, saving     A CIA librarian and her handsome spy boyfriend find themselves in the middle of an international incident when the Indian ambassador is kidnapped from a Library of Congress event.       Agent-in-training Quinn Ellington and James “Bond” Anderson travel to India, where the key to saving the ambassador is tangled up with a long-lost sacred library, a desecrated temple, and some very modern machinations. At least their cover as blissful newlyweds isn’t too hard to pull off . . .   1. Spies—sexy. 2. India—intrigue. 3. Terrorism—foiling.  4. Best friends—weddings of. 5. Series—The Librarian and the Spy. I. Ellington, Quinn.

Shelve under: Spies, Russian, Librarian Spies, Conspiracies. Librarian and rookie CIA covert operative Quinn Ellington revises her honeymoon plans when she and her brand-new spy husband uncover a drug trafficking ring stretching from the Caribbean to St. Petersburg. Turquoise waters, white sand, and intra-agency relations provide a lush backdrop for raiding enemy strongholds, tailing movie stars, and dodging more than a few bullets. Meanwhile, Quinn’s unique skills prove indispensable in luring a dangerous villain into the proper trap.

The most important things are hardest to find words for, her father once said. That's why people make music.When Ana returns to the ramshackle cottage of her youth in the seaside village of Noordhoek, near Cape Town, she does so with the intention of sorting out her father's affairs. It soon becomes clear that more is at stake. After a decade in London, where she has failed to find work as a musician, her return to South Africa puts further distance into an already strained marriage, not only because she is out of reach, but because Michael, her husband, has lost faith in the country.Quick to welcome her is her neighbour, Franz van der Veer, an architect searching for redemption. This is further complicated by the arrival of his eccentric brother, Daniel. Against a tangle of childhood memories, scarred histories and renewed hope, Ana finally starts to confront the death of Sam, her Irish luthier father, and with it, questions of guilt and belonging. Lyrical and beautifully told, Quarter Tones is a story about music and love and loss.