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1 255 kr
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This volume offers a new account of the relationship between literary and secularist scenes of writing in interwar Britain. Organized secularism has sometimes been seen as a phenomenon that lived and died with the nineteenth century. But associations such as the National Secular Society and the Rationalist Press Association survived into the twentieth and found new purpose in the promotion and publishing of serious literature. This book assembles a group of literary figures whose work was recommended as being of particular interest to the unbelieving readership targeted by these organisations. Some, including Vernon Lee, H.G. Wells, Naomi Mitchison, and K.S. Bhat, were members or friends of the R.P.A.; others, such as Mary Butts, were sceptical but nonetheless registered its importance in their work; a third group, including D.H. Lawrence and George Moore, wrote in ways seen as sympathetic to the Rationalist cause. All of these writers produced fiction that was experimental in form and, though few of them could be described as modernist, they shared with modernist writers a will to innovate. This book explores how Rationalist ideas were adapted and transformed by these experiments, focusing in particular on the modifications required to accommodate the strong mode of unbelief associated with British secularism to the notional mode of belief usually solicited by fiction. Whereas modernism is often understood as the literature for a secular age, Unbelief in Interwar Literary Culture looks elsewhere to find a literature that draws more directly on secularism for its aesthetics and its ethics.
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New Readings of Elizabeth von Arnim: The Unexpected Modernist consolidates the growing field of Elizabeth von Arnim studies and points to new trajectories for further research. Bringing together recognised and emerging scholarly voices and featuring previously unseen archival materials, this volume introduces key contexts for reading von Arnim’s work at an important point in her re-appraisal as a writer. Its eleven chapters highlight critical debates related to modernism, feminism and the middlebrow and explore new contexts such as fashion and material culture, medical humanities, ageing studies, music and the visual arts. By focusing on neglected novels from von Arnim’s oeuvre and examining better-known work from new perspectives, the volume paves the way for the next decade of von Arnim studies and beyond.
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Presents authoritative analyses of the religious terrain of the modernist periodPresents authoritative scholarly analyses of the religious terrain of the modernist periodIncludes 30 + specially commissioned chapters on modernist myth, religion and alternative spirituality representing the breadth and freshness of research in this areaForegrounds early-career scholars as well as internationally recognized researchers who have illuminated the field of modernist discourse around religion and mythResponds to and builds upon a renewed scholarly fascination with modernist experiment, religious history, and theology a field of interest which has energized the humanities, especially in literary and cultural studiesHighlights the interconnections between spirituality, aesthetics, and politics in this periodUntil fairly recently, the 'Authorised Version' of cultural modernism stated that the secularising trends of liberal modernity and the resultant emphasis on irony, parody and dissolution in modernist artforms had pushed religion to the edges of early twentieth-century culture. This Companion complicates this understanding by furnishing students and academic researchers with more nuanced and probing assessments of the intersections and tensions between religion, myth and creativity during this half century of geopolitical ferment. It addresses the variety and specificity of modernist spiritualities as well as the intricately textured and shifting standpoints that modernist figures have occupied in relation to theological traditions, practices, creeds and institutions. What emerges is a multi-textured account of modernism's deep-rooted concern with the historical and established forms of religion, as well as new engagements with 'occulture' and indigenous traditions. In short, the Companion supplies a lively and original exploration of the aesthetic, publishing, technological and philosophical trends that shape debates about spirituality, community and self from the 1890s to the 1940s and beyond.