Svetlana Alexievich – författare

Haunting stories from the Soviet-Afghan War from the winner of the Nobel Prize in Literature - A new translation of Zinky Boys based on the revised text - From 1979 to 1989 Soviet troops engaged in a devastating war in Afghanistan that claimed thousands of casualties on both sides. While the Soviet Union talked about a 'peace-keeping' mission, the dead were shipped back in sealed zinc coffins. Boys in Zinc presents the honest testimonies of soldiers, doctors and nurses, mothers, wives and siblings who describe the lasting effects of war. Weaving together their stories, Svetlana Alexievich shows us the truth of the Soviet-Afghan conflict: the killing and the beauty of small everyday moments, the shame of returned veterans, the worries of all those left behind. When it was first published in the USSR in 1991, Boys in Zinc sparked huge controversy for its unflinching, harrowing insight into the realities of war.

Selected as a Book of the Year 2019 by The Times and Telegraph'Astonishing. . . Like the great Russian novels, these testimonials ring with emotional truth' - Caroline Moorehead, GuardianExtraordinary stories about what it was like to be a Soviet child during the upheaval and horror of the Second World War, from Nobel Laureate Svetlana AlexievichWhat did it mean to grow up in the Soviet Union during the Second World War? In the late 1970s, Svetlana Alexievich started interviewing people who had experienced war as children, the generation that survived and had to live with the trauma that would forever change the course of the Russian nation. With remarkable care and empathy, Alexievich gives voice to those whose stories are lost in the official narratives, uncovering a powerful, hidden history of one of the most important events of the twentieth century.Published to great acclaim in the USSR in 1985 and now available in English for the first time, this masterpiece offers a kaleidoscopic portrait of the human consequences of the war - and an extraordinary chronicle of the Russian soul.

In Second-hand Time, her masterpiece, 2015 Nobel Prize in Literature laureate Svetlana Alexievich brings together the voices of dozens of witnesses to the collapse of the USSR in a formidable attempt to chart the disappearance of a culture and to surmise what new kind of man may emerge from the rubble. Fashioning a singular, polyphonic literary form by combining extended individual monologues with a collage of voices, Alexievich creates a magnificent requiem to a civilization in ruins, a brilliant, poignant and unique portrait of post-Soviet society out of the stories of ordinary women and men.

A long-awaited English translation of the groundbreaking oral history of women in World War II across Europe and Russia—from the winner of the Nobel Prize in LiteratureNAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • The Guardian • NPR • The Economist • Milwaukee Journal Sentinel • Kirkus ReviewsFor more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten. Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories. Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. THE WINNER OF THE NOBEL PRIZE IN LITERATURE “for her polyphonic writings, a monument to suffering and courage in our time.” “A landmark.”—Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century “An astonishing book, harrowing and life-affirming . . . It deserves the widest possible readership.”—Paula Hawkins, author of The Girl on the Train “Alexievich has gained probably the world’s deepest, most eloquent understanding of the post-Soviet condition. . . . [She] has consistently chronicled that which has been intentionally forgotten.”—Masha Gessen, National Book Award–winning author of The Future Is History

'A must read' - Margaret Atwood'It would be hard to find a book that feels more important or original' - Viv Groskop, ObserverExtraordinary stories from Soviet women who fought in the Second World War - from the winner of the Nobel Prize in Literature"Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? A whole world is hidden from us. Their war remains unknown... I want to write the history of that war. A women's history."In the late 1970s, Svetlana Alexievich set out to write her first book, The Unwomanly Face of War, when she realized that she grew up surrounded by women who had fought in the Second World War but whose stories were absent from official narratives. Travelling thousands of miles, she spent years interviewing hundreds of Soviet women - captains, tank drivers, snipers, pilots, nurses and doctors - who had experienced the war on the front lines, on the home front and in occupied territories. As it brings to light their most harrowing memories, this symphony of voices reveals a different side of war, a new range of feelings, smells and colours.After completing the manuscript in 1983, Alexievich was not allowed to publish it because it went against the state-sanctioned history of the war. With the dawn of Perestroika, a heavily censored edition came out in 1985 and it became a huge bestseller in the Soviet Union - the first in five books that have established her as the conscience of the twentieth century.

The long-awaited translation of the classic oral history of Soviet women's experiences in the Second World War - from the winner of the Nobel Prize in LiteratureBringing together dozens of voices in her distinctive style, The Unwomanly Face of War is Svetlana Alexievich's collection of stories from Soviet women who lived through the Second World War: on the front lines, on the home front, and in occupied territories. As Alexievich gives voice to women who are absent from official narratives - captains, sergeants, nurses, snipers, pilots - she shows us a new version of the war we're so familiar with, creating an extraordinary alternative history from their private stories.Published in 1985 in Russia and now available in English for the first time, The Unwomanly Face of War was Alexievich's first book and a huge bestseller in the Soviet Union, establishing her as a brilliantly revolutionary writer.

Selected as a Book of the Year 2019 by The Times and Telegraph'Astonishing. . . Like the great Russian novels, these testimonials ring with emotional truth' - Caroline Moorehead, GuardianExtraordinary stories about what it was like to be a Soviet child during the upheaval and horror of the Second World War, from Nobel Laureate Svetlana AlexievichWhat did it mean to grow up in the Soviet Union during the Second World War? In the late 1970s, Svetlana Alexievich started interviewing people who had experienced war as children, the generation that survived and had to live with the trauma that would forever change the course of the Russian nation. With remarkable care and empathy, Alexievich gives voice to those whose stories are lost in the official narratives, uncovering a powerful, hidden history of one of the most important events of the twentieth century.Published to great acclaim in the USSR in 1985 and now available in English for the first time, this masterpiece offers a kaleidoscopic portrait of the human consequences of the war - and an extraordinary chronicle of the Russian soul.

The haunting history of the Soviet-Afghan War from the winner of the Nobel Prize in Literature 2015- A new translation based on the updated text - From 1979 to 1989 Soviet troops engaged in a devastating war in Afghanistan that claimed thousands of casualties on both sides. While the Soviet Union talked about a 'peace-keeping' mission, the dead were shipped back in sealed zinc coffins. Boys in Zinc presents the honest testimonies of soldiers, doctors and nurses, mothers, wives and siblings who describe the lasting effects of war. Weaving together their stories, Svetlana Alexievich shows us the truth of the Soviet-Afghan conflict: the killing and the beauty of small everyday moments, the shame of returned veterans, the worries of all those left behind. When it was first published in the USSR in 1991, Boys in Zinc sparked huge controversy for its unflinching, harrowing insight into the realities of war.

Winner of the Nobel Prize in Literature'Desperately important and impossible to put down. It is timeless. . . what shines clear from the testimonies is love - love which can make you do the most spectacular things ' Sheena Patel, Observer'- A new translation of Voices from Chernobyl based on the revised version -In April 1986 a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love. A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget.'Beautifully written. . . heart-breaking' - Arundhati Roy, Elle 'One of the most humane and terrifying books I've ever read' - Helen Simpson, Observer

A long-awaited English translation of the classic oral history of women in World War II across Europe and Russia—from Nobel Prize winner Svetlana Alexievich Bringing together dozens of voices in her distinctive style, Svetlana Alexievich shares stories of women’s experiences in World War II—on the front lines, on the home front, and in occupied territories. The Unwomanly Face of War is a powerful history of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.From the Hardcover edition.

NEW YORK TIMES BESTSELLER • The magnum opus and latest work from Svetlana Alexievich, the 2015 winner of the Nobel Prize in Literature—a symphonic oral history about the disintegration of the Soviet Union and the emergence of a new RussiaNAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND PUBLISHERS WEEKLY • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TIME When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions—a history of the soul.” Alexievich’s distinctive documentary style, combining extended individual monologues with a collage of voices, records the stories of ordinary women and men who are rarely given the opportunity to speak, whose experiences are often lost in the official histories of the nation. In Secondhand Time, Alexievich chronicles the demise of communism. Everyday Russian citizens recount the past thirty years, showing us what life was like during the fall of the Soviet Union and what it’s like to live in the new Russia left in its wake. Through interviews spanning 1991 to 2012, Alexievich takes us behind the propaganda and contrived media accounts, giving us a panoramic portrait of contemporary Russia and Russians who still carry memories of oppression, terror, famine, massacres—but also of pride in their country, hope for the future, and a belief that everyone was working and fighting together to bring about a utopia. Here is an account of life in the aftermath of an idea so powerful it once dominated a third of the world. A magnificent tapestry of the sorrows and triumphs of the human spirit woven by a master, Secondhand Time tells the stories that together make up the true history of a nation. “Through the voices of those who confided in her,” The Nation writes, “Alexievich tells us about human nature, about our dreams, our choices, about good and evil—in a word, about ourselves.”Praise for Svetlana Alexievich and Secondhand Time“There are many worthwhile books on the post-Soviet period and Putin’s ascent. . . . But the nonfiction volume that has done the most to deepen the emotional understanding of Russia during and after the collapse of the Soviet Union of late is Svetlana Alexievich’s oral history Secondhand Time.”—David Remnick, The New Yorker “Like the greatest works of fiction, Secondhand Time is a comprehensive and unflinching exploration of the human condition. . . . In its scope and wisdom, Secondhand Time is comparable to War and Peace.”—The Wall Street Journal “Already hailed as a masterpiece across Europe, Secondhand Time is an intimate portrait of a country yearning for meaning after the sudden lurch from Communism to capitalism in the 1990s plunged it into existential crisis.”—The New York Times “There’s been nothing in Russian literature as great or personal or troubling as Secondhand Timesince Aleksandr Solzhenitsyn’s The Gulag Archipelago, nothing as necessary and overdue. . . . This is the kind of history, otherwise almost unacknowledged by today’s dictatorships, that matters.”—The Christian Science Monitor “In this spellbinding book, Svetlana Alexievich orchestrates a rich symphony of Russian voices telling their stories of love and death, joy and sorrow, as they try to make sense of the twentieth century.”—J. M. Coetzee

When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize, it cited her for inventing "a new kind of literary genre," describing her work as "a history of emotions--a history of the soul." Alexievich's distinctive documentary style, combining extended individual monologues with a collage of voices, records the stories of ordinary women and men who are rarely given the opportunity to speak, whose experiences are often lost in the official histories of the nation. In Secondhand Time, Alexievich chronicles the demise of communism. Everyday Russian citizens recount the past thirty years, showing us what life was like during the fall of the Soviet Union and what it's like to live in the new Russia left in its wake. Through interviews spanning 1991 to 2012, Alexievich takes us behind the propaganda and contrived media accounts, giving us a panoramic portrait of contemporary Russia and Russians who still carry memories of oppression, terror, famine, massacres--but also of pride in their country, hope for the future, and a belief that everyone was working and fighting together to bring about a utopia. Here is an account of life in the aftermath of an idea so powerful it once dominated a third of the world. A magnificent tapestry of the sorrows and triumphs of the human spirit woven by a master, Secondhand Time tells the stories that together make up the true history of a nation.

"I love life in its living form, life that's found on the street, in human conversations, shouts, and moans." So begins this speech delivered in Russian at Cornell University by Svetlana Alexievich, winner of the 2015 Nobel Prize in Literature. In poetic language, Alexievich traces the origins of her deeply affecting blend of journalism, oral history, and creative writing.Cornell Global Perspectives is an imprint of Cornell University's Mario Einaudi Center for International Studies. The works examine critical global challenges, often from an interdisciplinary perspective, and are intended for a non-specialist audience. The Distinguished Speaker Series presents edited transcripts of talks delivered at Cornell, both in the original language and in translation.

In her book, Zinc Boys, Svetlana Alexievich documented the Soviet intervention in Afghanistan between 1979 and 1985. In it, she collected interviews with soldiers returning from the war, or with mothers and wives of soldiers who were killed there, and whose bodies were returned in coffins made of zinc. The result of the war was thousands of dead, disabled and missing people, which prompted Svetlana to raise sensitive questions about the war: Who are we? Why did we do that? Why did this happen to us? Why did we believe all that? Svetlana was put on trial for publishing this book, and part of the documents related to the trial were added in Arabic translation.

Thousands of wars took place, short and long. We knew the details of some of them, while other details were absent among the bodies of the victims. Many wrote, but men always wrote about men. Everything we knew about war, we knew through "the man''s voice." We are all prisoners of "men''s" perceptions and feelings about war, prisoners of "men''s" words. As for women, they have always been silent. In World War II, approximately one million Soviet women participated in fighting on all fronts and in various tasks. Svetlana raises important questions about the role of women in the war: Why did women, who defended their land and took their place in an exclusive male world, not defend their history? Where are their words and where are their feelings? There is a whole hidden world. Their war remained unknown... In her book "War Has No Female Face," Svetlana writes the history of this war; Women''s war.

Much has been written about the heroism and exploits of war, and about the extent to which it is needed as a means of achieving goals that may be considered noble. But the constant question remains: Is there a justification for peace, our happiness, and even eternal harmony, if one small tear of an innocent child is shed for it? In World War II, more than one hundred million people were killed, wounded, and displaced in the bloodiest war - so far - in our human history. Much has been written about the tragedies and consequences of this dark phase of our history. But how did the last living witnesses see her? Children of this war? More than thirty years after the end of that war, Svetlana, in her book The Last Witnesses, brings the remaining heroes of that period back to their childhood that lived through the war, to tell in their words the last words... about a time that would end with them...