Talat S. Halman – författare
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3 produkter
3 produkter
273 kr
Skickas inom 10-15 vardagar
Sait Faik may well be named "the Turkish Chekhov". In Turkey, critics and readers regard him as their finest short story writer. Since his death in 1954 at the age of forty-eight, his stature has grown on the strength of his narrative art, which is both realistic and whimsical with a poetic touch. Suha Oguzertem, a premier authority on Turkish fiction, writes in his introduction to Sleeping in the Forest that "As an anti-bourgeois writer and fierce democrat, Sait Faik has always sided with the underdog" and that no characters remain " 'common' or 'ordinary' once they enter Sait Faik's stories; his piercing gaze and thoughtful vision transform them lovingly into unique beings." Sait Faik's fiction ranges from the realistic to the surrealistic, from the romantic to the modern, from the cynical to the compassionate. With virtuosic skill, he captures the spirit and the spleen of the city of Istanbul and its environs. In evoking the mystery of that great metropolis through such ordinary characters as Armenian fishermen, Greek Orthodox priests, and the disillusioned and disfranchised, he creates for us a marvelous microcosm of tragicomedy. Few writers, in Turkey or elsewhere, command Sait Faik's mastery of the ironic. Sleeping in the Forest features twenty-two stories, an excerpt from a novella, and fifteen poems rendered into English by some of the best-known translators of Turkish literature. Sait Faik's chiaroscuro world is brought into focus by an introductory essay on utopian poetics and lyrical stylistics of this great Turkish writer. The book is a stimulating exploration into Turkish mood and milieu.
210 kr
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The earliest Turkish verses, dating from the sixth century A.D., were love lyrics. Since the love has dominated the Turks' poetic modes and moods - pre-Islamic, Ottoman classic, folk, modern. In style, form and sensibility, this collection offers a broad spectrum: virtual all types and varieties are represented here. The English versions are loyal to the originals and strive to be authentic poems in English. Here are lyrics from pre-Islamic Central Asia, passages from epics, mystical ecstasies of such thirteenth-century figures as Rumi and Yunus Emre, classical poems of the Ottoman Empire (including Suleyman the Magnificent and women courtly poets), lilting folk poems and the work of the legendary communist Nazim Hikmet (who is arguably Turkey's most famous poet internationally) and the greatest living Turkish poet, Fazil Husnu Daglarca. The verses in this collection are true to the Turkish spirit as well as universal in the appeal. They show how Turks praise and satirize love, how they see it as a poetic experience Poetry was for many centuries the premier Turkish genre and love its predominant them Some of the best expressions of that happy coalescence can be found in this volume.
133 kr
Skickas inom 11-20 vardagar
From Orhon inscriptions to Orhan Pamuk, the story of Turkish literature from the eighth century A.D. to the present day is rich and complex, full of firm traditions and daring transformations. Spanning a geographic range from Outer Mongolia and the environs of China through Inner Asia, the Caucasus, the Middle East and North Africa, the Balkans and Europe all the way to North America, the history of Turkish literature encompasses an amalgam of cultural and literary orientations that embraced such traditions and influences as Chinese, Indian, Turkic, Mongolian, Uyghur, Russian, Arabo-Persian, Islamic, Sufi, Judaeo-Christian, Greek, Mesopotamian, Roman, Byzantine, European, Scandinavian, North American, and Latin American. Always receptive to the nurturing values, aesthetic tastes, and literary penchants from diverse civilizations, Turkish culture succeeded in evolving a sui generis personality. It clung onto its own established traits; yet, it was flexible enough to welcome innovations—or even revolutionary change. A Millennium of Turkish Literature tells the story of how literature evolved and grew in stature on the Turkish mainland in the course of a thousand years. The book features numerous poems and extracts, most in fluid translations by Talat S. Halman. This volume provides a concise, but captivating, introduction to Turkish literature and, with selections from its extensive ""Further Reading"" section, serves as an invaluable guide to Turkish literature for course adoption.