Teresa Shawcross – författare

The Chronicle of Morea, one of the most important and controversial historical narratives written in the late Middle Ages, tells the story of the formation and government by the Villehardouin dynasty of a remarkably successful Crusader State following the conquest by western invaders of the capital - Constantinople - and the provinces of the Byzantine Empire. By examining all the Chronicle''s surviving Greek, French, Spanish and Italian versions, this study, the first of its kind, explores in depth the literary and ideological contexts in which the work was composed, transmitted and re-written. The result is a fascinating analysis of cultural exchange in a rich and vibrant eastern Mediterranean world where different ethnicities were obliged to live alongside each other, and outside political interests frequently intruded in dramatic fashion. Translations into English have been provided of all the material discussed.

The Chronicle of Morea, one of the most important and controversial historical narratives written in the late Middle Ages, tells the story of the formation and government by the Villehardouin dynasty of a remarkably successful Crusader State following the conquest by western invaders of the capital - Constantinople - and the provinces of the Byzantine Empire. By examining all the Chronicle's surviving Greek, French, Spanish and Italian versions, this study, the first of its kind, explores in depth the literary and ideological contexts in which the work was composed, transmitted and re-written. The result is a fascinating analysis of cultural exchange in a rich and vibrant eastern Mediterranean world where different ethnicities were obliged to live alongside each other, and outside political interests frequently intruded in dramatic fashion. Translations into English have been provided of all the material discussed.

Offering a comprehensive introduction to the history of books, readers and reading in the Byzantine Empire and its sphere of influence, this volume addresses a paradox. Advanced literacy was rare among imperial citizens, being restricted by gender and class. Yet the state's economic, religious and political institutions insisted on the fundamental importance of the written record. Starting from the materiality of codices, documents and inscriptions, the volume's contributors draw attention to the evidence for a range of interactions with texts. They examine the role of authors, compilers and scribes. They look at practices such as the close perusal of texts in order to produce excerpts, notes, commentaries and editions. But they also analyse the social implications of the constant intersection of writing with both image and speech. Showcasing current methodological approaches, this collection of essays aims to place a discussion of Byzantium within the mainstream of medieval textual studies.

Offering a comprehensive introduction to the history of books, readers and reading in the Byzantine Empire and its sphere of influence, this volume addresses a paradox. Advanced literacy was rare among imperial citizens, being restricted by gender and class. Yet the state's economic, religious and political institutions insisted on the fundamental importance of the written record. Starting from the materiality of codices, documents and inscriptions, the volume's contributors draw attention to the evidence for a range of interactions with texts. They examine the role of authors, compilers and scribes. They look at practices such as the close perusal of texts in order to produce excerpts, notes, commentaries and editions. But they also analyse the social implications of the constant intersection of writing with both image and speech. Showcasing current methodological approaches, this collection of essays aims to place a discussion of Byzantium within the mainstream of medieval textual studies.

Taking as its starting point an investigation into the physical topography and symbolism of the two cities of Athens and Jerusalem, this book offers a cultural history of the rival superpowers—the Byzantine Empire and Fatimid Caliphate—that between them dominated the Mediterranean world during the Central Middle Ages. It shows that the destruction of the Church of the Holy Sepulchre in Jerusalem on the orders of al-Hakim punctuated a century of heightened interaction resulting from changing patterns of warfare, trade and pilgrimage. Resettlement of both Christians and Muslims from Syria-Palestine in Asia Minor and the Balkans introduced these migrants’ host culture to new forms of religious and artistic expression. In Hellas, a flurry of building projects reinvented Athens as a New Jerusalem and the Parthenon as a New Temple. The Acropolis became famous for its miraculous lamp and elaborate liturgy. The clergy who performed the sacred mysteries justified them with reference to concepts of hierarchy, illumination and divinisation. These concepts were derived from a philosophical tradition over whose ownership the two superpowers competed. The resulting political theology was the creation of male intellectuals, but female patrons and worshippers also had an impact.Awarded the ‘Lykourgeio Prize’ by the Academy of Athens for greatly advancing the study of the history and geography of our Mediterranean Sea, as well as the knowledge of the philosophy, theology, and manners of those dwelling around it.