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6 produkter
6 produkter
190 kr
Skickas inom 11-20 vardagar
337 kr
Skickas inom 3-6 vardagar
189 kr
Skickas inom 11-20 vardagar
This stunning picture-book imagining of artist Agnes Martin’s childhood gives readers a glimpse into the life and work of one of the most esteemed abstract painters of the twentieth century.Agnes Martin was born on the Canadian prairies in the early twentieth century. In this imagining of her childhood from acclaimed author Tessa McWatt, Agnes spends her days surrounded by wheat fields, where her grandfather encourages her to draw what she sees and feels around her: the straight horizon, the feeling of the sun, the movement of birds’ wings and the shapes she sees in the wheat.One day, Agnes’s family moves to a house in a big city. The straight horizon and wheat fields are gone, but Agnes continues to draw what she sees and feels around her. No one except her grandfather understands what she is trying to capture — not her mother, who asks, “Where are you, Agnes?” when she sees her daughter engrossed in her drawing; nor her siblings, who think her art is ugly. Still, Agnes keeps trying to capture what she sees inside her mind.Agnes Martin grew up to become a famous abstract expressionist artist. Tessa McWatt has written a beautiful story of Agnes’s childhood and how it might have shaped her adult work. Zuzanna Celej’s watercolors adeptly capture Agnes’s world, including hints of the grid paintings that she was later known for, against the backdrop of prairie and city landscapes.Includes an author’s note with more information about Agnes Martin’s life and the inspiration behind this story.Key Text Featuresauthor's noteart historyCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.2.7Use information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot.
120 kr
Skickas
Four strangers from around the world arrive in India for a wedding. Together, they climb a mountain — but will they see the same thing from the top?Londoner Reema, who left India before she could speak, is searching for a sign that will help her make a life-changing decision. In pensioner Jackson’s suitcase is something he must let go of, but is he strong enough?Together with two unlikely companions, they take a road trip up a mountain deep in the Himalayas, heading for the snow line, where the ice begins. But even standing in the same place, surrounded by magnificent views, they see things differently.As they ascend higher and higher, they must learn to cross the lines that divide them.
114 kr
Skickas
NON-FICTION WINNER OF THE OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE AND A FINALIST FOR THE HILARY WESTON WRITERS’ TRUST PRIZE FOR NON-FICTIONWhat does it mean to belong?All her life, Tessa McWatt has been asked, ‘What are you?’ Born in Guyana to a family with Scottish, African, French, Chinese, Indian, Portuguese, and Native American heritage, she grew up in a white suburb, out of place, longing to fit in. As an adult, she moved to the UK, still pursued by questions about her identity. In this deeply personal reckoning with race and belonging, Tessa interweaves her own experiences as a mixed-race woman with a stark and unvarnished history of slavery and indenture, as well as observations on literature and popular culture. This powerful memoir of being mixed race in a predominantly white society is a necessary exploration of who and what we truly are.
178 kr
Skickas
Winner of the 2025 OCM Bocas Prize for NonfictionEvery day, we hear about and experience griefs, large and small, in our families, friendships, communities, and worldwide. The grief of a loved one passing. The grief of a way of life ceasing to exist. The grief of global pandemic, war, climate collapse.In The Snag, the acclaimed author of Shame On Me, Tessa McWatt, takes on personal and collective grief, and climate change, in her much-anticipated second nonfiction book.As her mother’s dementia advances and it becomes apparent that she can no longer live independently, Tessa considers griefs personal and political, and finds solace in trees. She asks: How do we grieve? And: What can we learn from nature and those whose communities are rooted in nature about how to grieve — and how to live?From the newest seedling, to the oldest snag in the forest, there is meaning to be found in every stage of a tree’s life, all of which contribute to a thriving forest community; it is in this metaphor that Tessa begins to find answers to her questions about how to live (for each other), how to grieve (radically), and how to die (with love and connection).The Snag is an essential book about living and dancing and singing and praying, even in the face of unimaginable sadness, and in this way, growing together and supporting one another, like the trees in the forest.