Thomas Gaiton Marullo - Böcker

Fyodor Dostoevsky's first novel, Netochka Nezvanova, written in 1849, remains the least studied and understood of the writer's long fiction, but it was a seedbed for many topics and themes that became hallmarks of his major works. Specifically, Netochka Nezvanova was the first in Dostoevsky's corpus to focus on the psychology of children and the first to feature a woman in a leading and narrative role. It was also the first work in Russian literature to deal with problems of the family.In Heroine Abuse, Thomas Marullo contends that Netochka Nezvanova also provides a striking example of what psychologists today call codependency: the ways—often deviant and destructive—in which individuals bond with people, places, and things, as well as with images and ideas, to cope with the vicissitudes of life. Marullo shows how, at age twenty-eight, Dostoevsky intuited and illustrated the workings of "relationship addiction" almost a century and a half before it became the scholarly focus of practitioners of mental health. The moral monsters, "infernal" women, children-adults, and adult-children who populate Netochka Nezvanova seek codependence in people, places, and things, and in images, ideas, and ideals to satiate cravings for love, dominance, and control, as well as to indulge in narcissism, sexual perversion, and other aberrant or alternative behaviors. (Indeed, in no other work would Dostoevsky examine such phenomena as pedophilia and lesbianism with such abandon.) Racing from tie to tie, bond to bond, and caught in a debilitating loop that they claim to detest, but sadomasochistically enjoy, the characters in Netochka Nezvanova wreak havoc on themselves and the world. They do so, moreover, with impunity, their addictions moving them from momentary exultation as self-styled extraordinary men and women, through prolonged darkness and despair, and once again, to old and new addictions for physical and emotional release.Readers of Heroine Abuse will see Netochka Nezvanova as a timeless model in depicting codependency in the world of the twenty-first century as it did in St. Petersburg in 1849. Marullo's original work will appeal to scholars and students of Russian and comparative fiction; to doctors, psychologists, and therapists; to laymen and women interested in relationship addiction; and, finally, to codependents and relationship addicts of all types.

More than a century after his death in 1881, Fyodor Dostoevsky continues to fascinate readers and reviewers. Countless studies of his writing have been published—more than a dozen in the past few years alone. In this important new work, Thomas Marullo provides a diary-portrait of Dostoevsky's early years drawn from the letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. Marullo's exhaustive search of published materials on Dostoevsky sheds light on many unexplored corners of Dostoevsky's childhood, adolescence, and youth. Speakers of excerpts are given maximum freedom: Anything they said about the writer—the good and the bad, the truth and the lies—are included, with extensive footnotes providing correctives, counter-arguments, and other pertinent information.The first part of this volume, "All in the Family," focuses on Dostoevsky's early formation and schooling, i.e., his time in city and country, and his ties to his family, particularly his parents. The second section, "To Petersburg!," features Dostoevsky's early days in Russia's imperial city, his years at the Main Engineering Academy, and the death of his father. The third part, "Darkness before Dawn," deals with the writer's youthful struggles and strivings, culminating in the success of his work, Poor Folk. This clear and comprehensive portrait of one of the world's greatest writers will appeal to students, teachers, and scholars of Dostoevsky's early life, as well as general readers interested in Dostoevsky, literature, and history.

This second book in a three-volume work on the young Fyodor Dostoevsky is a diary-portrait of his early years drawn from letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. The result of an exhaustive search of published materials on Dostoevsky, this volume sheds crucial light on the many unexplored corners of Dostoevsky's life in the time between the success of his first novel, Poor Folk, and the failure of his next four works. Thomas Gaiton Marullo lets the original writers speak for themselves—the good and the bad, the truth and the lies—and adds extensive notes with correctives, counterarguments, and other pertinent information.Marullo looks closely at Dostoevsky's increasingly tense ties with Vissarion Belinsky, Nikolai Nekrasov, Ivan Turgenev, and other figures of the Russian literary world. He then turns to the individuals who afforded Dostoevsky security and peace amid the often negative reception from fellow writers and readers of his early fiction. Finally, Marullo shows us Dostoevsky's break with the Belinsky circle; his struggle to stay afloat emotionally and financially; and his determination to succeed as a writer while staying true to his vision, most notably, his insights into human psychology that would become a hallmark of his later fiction. This clear and comprehensive portrait of one of the world's greatest writers provides a window into his younger years in a way no other biography has to date.

More than a century after his death in 1881, Fyodor Dostoevsky continues to fascinate readers and reviewers. Countless studies of his writing have been published—more than a dozen in the past few years alone. In this important new work, Thomas Marullo provides a diary-portrait of Dostoevsky's early years drawn from the letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. Marullo's exhaustive search of published materials on Dostoevsky sheds light on many unexplored corners of Dostoevsky's childhood, adolescence, and youth. Speakers of excerpts are given maximum freedom: Anything they said about the writer—the good and the bad, the truth and the lies—are included, with extensive footnotes providing correctives, counter-arguments, and other pertinent information.The first part of this volume, "All in the Family," focuses on Dostoevsky's early formation and schooling, i.e., his time in city and country, and his ties to his family, particularly his parents. The second section, "To Petersburg!," features Dostoevsky's early days in Russia's imperial city, his years at the Main Engineering Academy, and the death of his father. The third part, "Darkness before Dawn," deals with the writer's youthful struggles and strivings, culminating in the success of his work, Poor Folk. This clear and comprehensive portrait of one of the world's greatest writers will appeal to students, teachers, and scholars of Dostoevsky's early life, as well as general readers interested in Dostoevsky, literature, and history.

This second book in a three-volume work on the young Fyodor Dostoevsky is a diary-portrait of his early years drawn from letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. The result of an exhaustive search of published materials on Dostoevsky, this volume sheds crucial light on the many unexplored corners of Dostoevsky's life in the time between the success of his first novel, Poor Folk, and the failure of his next four works. Thomas Gaiton Marullo lets the original writers speak for themselves—the good and the bad, the truth and the lies—and adds extensive notes with correctives, counterarguments, and other pertinent information.Marullo looks closely at Dostoevsky's increasingly tense ties with Vissarion Belinsky, Nikolai Nekrasov, Ivan Turgenev, and other figures of the Russian literary world. He then turns to the individuals who afforded Dostoevsky security and peace amid the often negative reception from fellow writers and readers of his early fiction. Finally, Marullo shows us Dostoevsky's break with the Belinsky circle; his struggle to stay afloat emotionally and financially; and his determination to succeed as a writer while staying true to his vision, most notably, his insights into human psychology that would become a hallmark of his later fiction. This clear and comprehensive portrait of one of the world's greatest writers provides a window into his younger years in a way no other biography has to date.

In this edited translation of famed writer Ivan Bunin's Recollections translator Thomas Gaiton Marullo provides an intimate look at leading political, social, cultural, and literary figures from late imperial Russia, through the First World War and the revolutions of 1905 and 1917 to the birth of the Russian diaspora and the rise of the Soviet state. Through engaging, colorful, and often idiosyncratic vignettes, Bunin (1870–1953) details his admiration for Leo Tolstoy, Anton Chekhov, Sergei Rachmaninov, and Fyodor Chaliapin. He shares his love-hate relationships with Maxim Gorky, Alexei Tolstoy, and Alexander Kuprin. In addition, Marullo's translation reveals Bunin's hatred of avant-gardists, particularly Vladimir Mayakovsky, as well as his thoughts and experiences on war, revolution, and exile. Bunin's work led, in the end, to his bittersweet reception of the Nobel Prize in Literature (1933) in Stockholm, making him the first Russian and the first writer in exile ever to receive this award. Recollections reveals the author's feelings toward this unprecedented event. Bunin's Recollections stands not only as a stark summa of his passage through literature and life but also as an equally bold apologia as to his place in both.

In this edited translation of famed writer Ivan Bunin's Recollections translator Thomas Gaiton Marullo provides an intimate look at leading political, social, cultural, and literary figures from late imperial Russia, through the First World War and the revolutions of 1905 and 1917 to the birth of the Russian diaspora and the rise of the Soviet state. Through engaging, colorful, and often idiosyncratic vignettes, Bunin (1870–1953) details his admiration for Leo Tolstoy, Anton Chekhov, Sergei Rachmaninov, and Fyodor Chaliapin. He shares his love-hate relationships with Maxim Gorky, Alexei Tolstoy, and Alexander Kuprin. In addition, Marullo's translation reveals Bunin's hatred of avant-gardists, particularly Vladimir Mayakovsky, as well as his thoughts and experiences on war, revolution, and exile. Bunin's work led, in the end, to his bittersweet reception of the Nobel Prize in Literature (1933) in Stockholm, making him the first Russian and the first writer in exile ever to receive this award. Recollections reveals the author's feelings toward this unprecedented event. Bunin's Recollections stands not only as a stark summa of his passage through literature and life but also as an equally bold apologia as to his place in both.

Fyodor Dostoevsky—Darkness and Dawn (1848–1849), the third and final volume on the writer's childhood, adolescence, and youth, seeks to disclose, in a detailed and intimate way, Dostoevsky's last two years before his exile to Siberia. Together with the first two volumes, it attempts to present for the first time a complete and congruent picture of the writer's first twenty-eight years. Thomas Gaiton Marullo first examines diverse responses of the Russian church, state, and citizens to the French socialists, in particular, Charles Fourier, and to the revolutions of 1848 before he moves to lively debates on Dostoevsky's socialism and new attacks on his writings. He then considers the dynamics of the Petrashevsky and Durov circles; fresh assaults on Dostoevsky's works; and the increasing desperation of the writer himself, particularly with Andrei Kraevsky. In the final sections of the book, Marullo sheds light on Dostoevsky's readings of Belinsky's letter to Gogol, the arrests of Petrashevsky and company, including Dostoevsky and his brothers, Andrei and Mikhail, as well as his responses to members of the Investigative Commission for the Petrashevsky Affair, his eight months in prison in the Peter-Paul Fortress, his mock execution on the Semyonovsky Parade Ground, and his departure to exile in Siberia.This volume will be of interest to scholars, students, and devotees not only of Dostoevsky, but also of Russian and European history, culture, and civilization.