Thomas L. Riis - Böcker

Perhaps best remembered as the writer and composer of the ever-popular Guys and Dolls and the Pulitzer Prize–winning How to Succeed in Business Without Really Trying, Frank Loesser was one of the great songwriters of the twentieth century. Lyricist of over 700 songs—among them such cherished favorites as “Baby, It’s Cold Outside,” “Once in Love with Amy,” and “I Believe in You”—his work has received both Tony and Academy Awards. Here Thomas L. Riis, in a deeply informed and lively discussion of Loesser’s life and musical career, presents a critical look at one of the most important—though often overshadowed—Broadway composers. Immensely prolific and a personally magnetic man, Loesser was a major figure during the Broadway golden age that included Rodgers and Hammerstein, Lerner and Loewe, and Bernstein. Riis traces Loesser’s early career as a Hollywood songwriter and a noted contributor to the war effort. He discusses in depth each of Loesser’s musicals and provides a look at the legacy of a man admired as a mentor who inspired dozens of assistants, protégés, young songwriters, novice singer-actors, and aspiring producers. This book offers a concise look at Loesser’s life along with an engaging examination of the totality of his works.

Brings to light many once famous but now overlooked figures of Black musical theater history from the late nineteenth and early twentieth centuries.Black Voices on Stage collects ten diverse case studies of nineteenth-century and early twentieth-century African American singers and actors—names that have been largely left out of our general musical history books—whose lives and performances address questions of race, identity, musical expression, and audience reception. Rediscovering, remembering, and celebrating the public careers of Black entertainers who worked in a period dominated by pernicious stereotypes of blackface minstrelsy illustrates how their achievements still deserve our attention. Although most of the book is devoted to relatively obscure figures who worked outside of minstrelsy, such as Tom Wiggins, Sissieretta Jones, Bob Cole, Will Marion Cook, and others, a final chapter examines how even the career of Paul Robeson (1898–1976)—arguably the most prominent Black voice on stage in the twentieth century—has fallen under a partial shadow. Riis offers new insights into these pioneering performers, restoring their lives and achievements to the rich tapestry of American music.