Thomas W. Cutrer – författare

“[A] well-written, comprehensively researched biography.” — Publishers Weekly“Will both edify the scholar while captivating and entertaining the general reader. . . . Cutrer’s research is impeccable, his prose vigorous, and his life of McCulloch likely to remain the standard for many years.” — Civil War“A well-crafted work that makes an important contribution to understanding the frontier military tradition and the early stages of the Civil War in the West.” — Civil War History“A penetrating study of a man who was one of the last citizen soldiers to wear a general’s stars.” — Blue and Gray“A brisk narrative filled with colorful quotations by and about the central figure. . . . Will become the standard biography of Ben McCulloch.” — Journal of Southern History“A fast-paced, clearly written narrative that does full justice to its heroically oversized subject.” — American Historical Review

One of the Confederacy's most loyal adherents and articulate advocates was Lieutenant Grant James Longstreet's aide-de-camp, Thomas Jewett Goree. Present at Longstreet's headquarters and party to the counsels of Robert E. Lee and his lieutenants, Goree wrote incisively on matters of strategy and politics and drew revealing portraits of Longstreet, Jefferson Davis, P.G.T. Beauregard, John Bell Hood, J.E.B. Stuart, and others of Lee's inner circle. His letters are some of the richest and most perceptive from the Civil War period.Thomas Cutrer has collected all of Goree's wartime correspondence to his family, as well as his travel diary from June-August 1865. With its wide scope and rich detail, Longstreet's Aide represents an invaluable addition to the Civil War letter collections published in recent years. While Goree's letters will fascinate Civil War buffs, they also provide a unique opportunity for scholars of social and military history to witness from inside the workings of both an extended Southern family and the forces of the Confederacy.

One of the Confederacy's most loyal adherents and articulate advocates was Lieutenant Grant James Longstreet's aide-de-camp, Thomas Jewett Goree. Present at Longstreet's headquarters and party to the counsels of Robert E. Lee and his lieutenants, Goree wrote incisively on matters of strategy and politics and drew revealing portraits of Longstreet, Jefferson Davis, P.G.T. Beauregard, John Bell Hood, J.E.B. Stuart, and others of Lee's inner circle. His letters are some of the richest and most perceptive from the Civil War period. Thomas Cutrer has collected all of Goree's wartime correspondence to his family, as well as his travel diary from June-August 1865. With its wide scope and rich detail, Longstreet's Aide represents an invaluable addition to the Civil War letter collections published in recent years. While Goree's letters will fascinate Civil War buffs, they also provide a unique opportunity for scholars of social and military history to witness from inside the workings of both an extended Southern family and the forces of the Confederacy.

Most surviving correspondence of the Civil War period was written by members of a literate, elite class; few collections exist in which the woman's letters to her soldier husband have been preserved. Here, in the exchange between William and Emily Moxley, a working-class farm couple from Coffee County, Alabama, we see vividly an often-neglected aspect of the Civil War experience: the hardships of civilian life on the home front.Emily's moving letters to her husband, startling in their immediacy and detail, chronicle such difficulties as a desperate lack of food and clothing for her family, the frustration of depending on others in the community, and her growing terror at facing childbirth without her husband, at the mercy of a doctor with questionable skills. Major Moxley's letters to his wife reveal a decidedly unromantic side of the war, describing his frequent encounters with starvation, disease, and bloody slaughter.To supplement this revealing correspondence, the editor has provided ample documentation and research; a genealogical chart of the Moxley family; detailed maps of Alabama and Florida that allow the reader to trace the progress of Major Moxley's division; and thorough footnotes to document and elucidate events and people mentioned in the letters. Readers interested in the Civil War and Alabama history will find these letters immensely appealing while scholars of 19th-century domestic life will find much of value in Emily Moxley's rare descriptions of her homefront experiences.

[A] well-written, comprehensively researched biography.--Publishers Weekly ""Will both edify the scholar while captivating and entertaining the general reader. . . . Cutrer's research is impeccable, his prose vigorous, and his life of McCulloch likely to remain the standard for many years.""--Civil War ""A well-crafted work that makes an important contribution to understanding the frontier military tradition and the early stages of the Civil War in the West.""--Civil War History ""A penetrating study of a man who was one of the last citizen soldiers to wear a general's stars.""--Blue and Gray ""A brisk narrative filled with colorful quotations by and about the central figure. . . . Will become the standard biography of Ben McCulloch.""--Journal of Southern History ""A fast-paced, clearly written narrative that does full justice to its heroically oversized subject.""--American Historical Review

Though its most famous battles were waged in the East at Antietam, Gettysburg, and throughout Virginia, the Civil War was clearly a conflict that raged across a continent. From cotton-rich Texas and the fields of Kansas through Indian Territory and into the high desert of New Mexico, the trans-Mississippi theater was site of major clashes from the war’s earliest days through the surrenders of Confederate generals Edmund Kirby Smith and Stand Waite in June 1865. In this comprehensive military history of the war west of the Mississippi River, Thomas W. Cutrer shows that the theater’s distance from events in the East does not diminish its importance to the unfolding of the larger struggle.Theater of a Separate War details the battles between North and South in these far-flung regions, assessing the complex political and military strategies on both sides. While providing the definitive history of the rise and fall of the South’s armies in the far West, Cutrer shows, even if the region’s influence on the Confederacy’s cause waned, its role persisted well beyond the fall of Richmond and Lee’s surrender to Grant. In this masterful study, Cutrer offers a fresh perspective on an often overlooked aspect of Civil War history.

Though its most famous battles were waged in the East at Antietam, Gettysburg, and throughout Virginia, the Civil War was clearly a conflict that raged across a continent. From cotton-rich Texas and the fields of Kansas through Indian Territory and into the high desert of New Mexico, the trans-Mississippi theater was site of major clashes from the war''s earliest days through the surrenders of Confederate generals Edmund Kirby Smith and Stand Waite in June 1865. In this comprehensive military history of the war west of the Mississippi River, Thomas W. Cutrer shows that the theater''s distance from events in the East does not diminish its importance to the unfolding of the larger struggle.Theater of a Separate War details the battles between North and South in these far-flung regions, assessing the complex political and military strategies on both sides. While providing the definitive history of the rise and fall of the South''s armies in the far West, Cutrer shows, even if the region''s influence on the Confederacy''s cause waned, its role persisted well beyond the fall of Richmond and Lee''s surrender to Grant. In this masterful study, Cutrer offers a fresh perspective on an often overlooked aspect of Civil War history.

Though its most famous battles were waged in the East at Antietam, Gettysburg, and throughout Virginia, the Civil War was clearly a conflict that raged across a continent. From cotton-rich Texas and the fields of Kansas through Indian Territory and into the high desert of New Mexico, the Trans-Mississippi Theater was site of major clashes from the war's earliest days through the surrenders of Confederate generals Edmund Kirby Smith and Stand Waite in June 1865. In this comprehensive military history of the war west of the Mississippi River, Thomas W. Cutrer shows that the theater's distance from events in the East does not diminish its importance to the unfolding of the larger struggle.

Though its most famous battles were waged in the East at Antietam, Gettysburg, and throughout Virginia, the Civil War was clearly a conflict that raged across a continent. From cotton-rich Texas and the fields of Kansas through Indian Territory and into the high desert of New Mexico, the Trans-Mississippi Theater was site of major clashes from the war’s earliest days through the surrenders of Confederate generals Edmund Kirby Smith and Stand Waite in June 1865. In this comprehensive military history of the war west of the Mississippi River, Thomas W. Cutrer shows that the theater’s distance from events in the East does not diminish its importance to the unfolding of the larger struggle.

With a closeness perhaps unique to siblings orphaned young, Orlando and Artimisia “Missie” Palmer exchanged intimate letters throughout their lives. These letters (interspersed with additional letters from Oliver Kennedy, the Palmers’ first cousin) offer a clear and entertaining window into the life and times of a junior Confederate officer serving in the Western Theater of the Civil War.Though he initially felt Americans would see “the folly and the madness” of going to war, Orlando enlisted as a private in what would become Company H of the First (later Fifteenth) Arkansas Infantry, informing his sister that he had volunteered “not for position, not for a name, but from patriotic motivation.” However, he was ambitious enough to secure an appointment as Maj. Gen. William Joseph Hardee’s personal secretary; he then rose to become his regiment’s sergeant major, his company’s first lieutenant, and later captain and brigade adjutant. Soldier letters typically report only what can be observed at the company level, but Palmer’s high-ranking position offers a unique view of strategic rather than tactical operations.Palmer’s letters are not all related to his military experience, though, and the narrative is enhanced by his nuanced reflections on courtship customs and personal relationships. For instance, Palmer frequently attempts to entertain Missie with witticisms and tales of his active romantic life: “We have so much to do,” he quips, “that we have no time to do anything save to visit the women. I am in love with several dozen of them and am having a huge time generally.”The Folly and the Madness adds depth to the genre of Civil War correspondence and provides a window into the lives of ordinary southerners at an extraordinary time.

Rachel Moores and her husband David operated a cotton plantation in the bottoms of the Sulphur River in North East Texas. From that vantage point, they viewed the changing fortunes of Texas as the American Civil War opened their privileged lifestyle. David went to war while the task of operating this large farming enterprise fell to Rachel. More than 2000 acres and dozens of enslaved people fell to her to manage.  This diary chronicles her struggles and provides a priceless voice of a woman having to adapt and overcome the adversities of that violent age. Female perspectives often get overlooked when discussing the American Civil War and the effects of distant events often had catastrophic implications on the folks back home. Rachel’s Moores diary provides a priceless window into the changing realities of Texans who once bet their futures on the value of cotton.   This diary and journal will be an important addition to the scholarship about elite white women and their lives in the antebellum south.  This manuscript is unique in that is is an extensive and detailed look into the life of a woman of the slave-owning class in frontier Texas, offering not only her vivid view of the slave system but of the daily life of a plantation mistress and of an invalid seeking a cure for her disease from New Orleans to New York.

Empire of Sand is the story of the Southern attempt, in 1862, to open a path to California, thus securing a port on the Pacific Ocean. The port would enable them to gain access to the gold fields of Colorado and California and expand the practice of slavery into the Southwest.This quixotic undertaking was attempted by a few regiments of Texas cavalry, known as “the Army of the Southwest,” commanded by the ambitious but ultimately incompetent Brig. Gen. Henry H. Sibley.Marching out of San Antonio and across the forbidding deserts of West Texas, the Sibley Brigade achieved initial success in winning a significant victory over the Union forces of Col. E. R. S. Canby at the battle of Valverde. They then traveled up the Rio Grande to capture Albuquerque and Santa Fe and to threaten Union possession of Colorado territory. A Federal force consisting of US regulars and Colorado volunteers, however, fought the Texans to a standstill at the battle of Glorieta Pass and decisively checked the Rebels when the notorious Col. John Chivington led a daring raid behind their lines.

Though its most famous battles were waged in the East at Antietam, Gettysburg, and throughout Virginia, the Civil War was clearly a conflict that raged across a continent. From cotton-rich Texas and the fields of Kansas through Indian Territory and into the high desert of New Mexico, the Trans-Mississippi Theater was site of major clashes from the war’s earliest days through the surrenders of Confederate generals Edmund Kirby Smith and Stand Waite in June 1865. In this comprehensive military history of the war west of the Mississippi River, Thomas W. Cutrer shows that the theater’s distance from events in the East does not diminish its importance to the unfolding of the larger struggle.

Though its most famous battles were waged in the East at Antietam, Gettysburg, and throughout Virginia, the Civil War was clearly a conflict that raged across a continent. From cotton-rich Texas and the fields of Kansas through Indian Territory and into the high desert of New Mexico, the Trans-Mississippi Theater was site of major clashes from the war’s earliest days through the surrenders of Confederate generals Edmund Kirby Smith and Stand Waite in June 1865. In this comprehensive military history of the war west of the Mississippi River, Thomas W. Cutrer shows that the theater’s distance from events in the East does not diminish its importance to the unfolding of the larger struggle.