Timothy S. Miller – författare

Leprosy has afflicted humans for thousands of years. It wasn't until the twelfth century, however, that the dreaded disease entered the collective psyche of Western society, thanks to a frightening epidemic that ravaged Catholic Europe. The Church responded by constructing charitable institutions called leprosariums to treat the rapidly expanding number of victims. As important as these events were, Timothy Miller and John Nesbitt remind us that the history of leprosy in the West is incomplete without also considering the Byzantine Empire, which confronted leprosy and its effects well before the Latin West. In Walking Corpses, they offer the first account of medieval leprosy that integrates the history of East and West. In their informative and engaging account, Miller and Nesbitt challenge a number of misperceptions and myths about medieval attitudes toward leprosy (known today as Hansen's disease). They argue that ethical writings from the Byzantine world and from Catholic Europe never branded leprosy as punishment for sin; rather, theologians and moralists saw the disease as a mark of God's favor on those chosen for heaven. The stimulus to ban lepers from society and ultimately to persecute them came not from Christian influence but from Germanic customary law. Leprosariums were not prisons to punish lepers but were centers of care to offer them support; some even provided both male and female residents the opportunity to govern their own communities under a form of written constitution. Informed by recent bioarchaeological research that has vastly expanded knowledge of the disease and its treatment by medieval society, Walking Corpses also includes three key Greek texts regarding leprosy (one of which has never been translated into English before).

Medical historians have traditionally claimed that modern hospitals emerged during the latter half of the nineteenth century. Premodern hospitals, according to many scholars, existed mainly as refuges for the desperately poor and sick, providing patients with little or no medical care. Challenging this view in a compelling survey of hospitals in the East Roman Empire, Timothy Miller traces the birth and development of Byzantine xenones, or hospitals, from their emergence in the fourth century to their decline in the fifteenth century, just prior to the Turkish conquest of Constantinople. These sophisticated medical facilities, he concludes, are the true ancestors of modern hospitals. In a new introduction to this paperback edition, Miller describes the growing scholarship on this subject in recent years.

In Walking Corpses, Timothy S. Miller and John W. Nesbitt contextualize reactions to leprosy in medieval Western Europe by tracing its history in Late Antique Byzantium, which had been confronting leprosy and its effects for centuries. Integrating developments in both the Latin West and the Greek East, Walking Corpses challenges a number of misperceptions about attitudes toward the disease, including that theologians branded leprosy as punishment for sin (rather, it was seen as a mark of God's favor); that Christian teaching encouraged bans on the afflicted from society (in actuality, it was Germanic customary law); or that leprosariums were prisons (instead, they were centers of care, many of them self-governing). Informed by extensive archival research and recent bioarchaeology, Walking Corpses also includes new translations of three Greek texts regarding leprosy, while a new preface to the paperback edition updates the historiography on medieval perceptions and treatments of leprosy.

Written not so long after "Tolkien mania" first gripped the United States in the 1960s, Ursula K. Le Guin's novel A Wizard of Earthsea (1968) has long been recognized as a classic of the fantasy genre, and the series of Earthsea books that followed on it over the next several decades earned its author both considerable sales and critical accolades. This new introduction to the text will closely contextualize the original novel in relation to its heady decade of composition and publication — a momentous time for genre publishing — and also survey the half century and more of scholarship on Earthsea, which has shifted in direction and emphasis many times over the decades, just as surely as Le Guin frequently adjusted her own sails when composing later works set in the fantasy world. Above all, this book positions A Wizard of Earthsea as perhaps an "old text" that nevertheless belongs in a "new canon," a key novel in the author's career and the genre in which it participates, and one that at once looks back to Tolkien and his own antecedents in masculinist early fantasy; looks forward to Le Guin's own continuing feminist and progressive education; and anticipates and indeed helped to shape young adult literature in its contemporary form.

Written not so long after "Tolkien mania" first gripped the United States in the 1960s, Ursula K. Le Guin''s novel A Wizard of Earthsea (1968) has long been recognized as a classic of the fantasy genre, and the series of Earthsea books that followed on it over the next several decades earned its author both considerable sales and critical accolades. This new introduction to the text will closely contextualize the original novel in relation to its heady decade of composition and publication — a momentous time for genre publishing — and also survey the half century and more of scholarship on Earthsea, which has shifted in direction and emphasis many times over the decades, just as surely as Le Guin frequently adjusted her own sails when composing later works set in the fantasy world. Above all, this book positions A Wizard of Earthsea as perhaps an "old text" that nevertheless belongs in a "new canon," a key novel in the author''s career and the genre in which it participates, and one that at once looks back to Tolkien and his own antecedents in masculinist early fantasy; looks forward to Le Guin''s own continuing feminist and progressive education; and anticipates and indeed helped to shape young adult literature in its contemporary form.

​This book assesses the work of one of the foundational figures of American fantasy, Peter S. Beagle. Through its focused analysis of The Last Unicorn, this study contextualises Beagle’s work in relation to the popularity of the fantasy genre, following its growing success in the aftermath of Tolkien’s The Lord of the Rings. In addition, through reference to the film adaptation of The Last Unicorn and also Beagle’s other works, this study highlights the author’s longevity and the influence that his metafictional and comedic work has had on contemporary fantasy.