Tom Betteridge – författare

This fascinating collection of essays reflects closely the main areas of debate within gay historiography. For the last twenty years scholars have argued over the nature of early modern sodomy, responding in a number of different and contradictory ways. Questions addressed in the book include: was early modern sodomy the same as modern homosexuality? Were there homosexuals in early modern Europe? Did men who had sex with each other in this period regard their behaviour as determining their identity? What was the relationship between the grave sin of sodomy and the homoerotic images that fill Renaissance culture?. The volume includes essays on sodomy in English Protestant history writing, in Calvin’s Geneva, in early modern Venice and the trial of sodomy in Germany.

This book is a study of the English Reformation as a political and literary event. Focusing on an eclectic group of texts, unified by their explication of the key elements of the cultural history of the period 1510–80 the book unravels the political, poetic and religious themes of the era. Through readings of work by Edmund Spenser, William Tyndale, Sir Thomas More and John Skelton, as well as less celebrated Tudor writers, Betteridge surveys pre-Henrician literature as well as Henrician Reformation texts, and delineates the literature of the reigns of Edward VI, Mary Tudor and Elizabeth I. Ultimately, the book argues that this literature, and the era, should not be understood simply on the basis of conflicts between Protestantism and Catholicism but rather that Tudor culture must be seen as fractured between emerging confessional identities and marked by a conflict between those who embraced confessionalism and those who rejected it.This important study will be fascinating reading for students and researchers in early modern English literature and history.

Reinterpreting Badiou’s philosophy in light of both his persistent, reverent invocations of the German-Jewish poet Paul Celan, and his long-term engagement with Samuel Beckett, Badiou, Poem and Subject fundamentally reassesses Badiou’s radical departure from the legacy of Martin Heidegger, and his wholesale rejection of philosophies that would, in the wake of twentieth-century violence and beyond, proclaim their own end or completion. For Badiou, both writers, from the terminus of Literary Modernism, affirm novel conceptions of subjectivity capable of transcending the historical conditions of their presentation: Celan’s collective and ephemeral subject of ‘anabasis’, and Beckett’s disjunctive ‘Two’ of love. Blending close textual analyses with critical reflections on Heidegger, Lacoue-Labarthe and Adorno, among others, Tom Betteridge argues that Badiou’s innovative readings of both Celan’s poetry and the ‘latent poem’ in Beckett’s late prose are crucial to understanding his significance in the history of twentieth-century French philosophy and its German heritage, offering a significant contribution to a growing field of interest in Badiou’s philosophical encounter with poetry, and its political ramifications.

Reinterpreting Badiou''s philosophy in light of both his persistent, reverent invocations of the German-Jewish poet Paul Celan, and his long-term engagement with Samuel Beckett, Badiou, Poem and Subject fundamentally reassesses Badiou''s radical departure from the legacy of Martin Heidegger, and his wholesale rejection of philosophies that would, in the wake of twentieth-century violence and beyond, proclaim their own end or completion. For Badiou, both writers, from the terminus of Literary Modernism, affirm novel conceptions of subjectivity capable of transcending the historical conditions of their presentation: Celan''s collective and ephemeral subject of ''anabasis'', and Beckett''s disjunctive ''Two'' of love. Blending close textual analyses with critical reflections on Heidegger, Lacoue-Labarthe and Adorno, among others, Tom Betteridge argues that Badiou''s innovative readings of both Celan''s poetry and the ''latent poem'' in Beckett''s late prose are crucial to understanding his significance in the history of twentieth-century French philosophy and its German heritage, offering a significant contribution to a growing field of interest in Badiou''s philosophical encounter with poetry, and its political ramifications.

Reinterpreting Badiou''s philosophy in light of both his persistent, reverent invocations of the German-Jewish poet Paul Celan, and his long-term engagement with Samuel Beckett, Badiou, Poem and Subject fundamentally reassesses Badiou''s radical departure from the legacy of Martin Heidegger, and his wholesale rejection of philosophies that would, in the wake of twentieth-century violence and beyond, proclaim their own end or completion. For Badiou, both writers, from the terminus of Literary Modernism, affirm novel conceptions of subjectivity capable of transcending the historical conditions of their presentation: Celan''s collective and ephemeral subject of ''anabasis'', and Beckett''s disjunctive ''Two'' of love. Blending close textual analyses with critical reflections on Heidegger, Lacoue-Labarthe and Adorno, among others, Tom Betteridge argues that Badiou''s innovative readings of both Celan''s poetry and the ''latent poem'' in Beckett''s late prose are crucial to understanding his significance in the history of twentieth-century French philosophy and its German heritage, offering a significant contribution to a growing field of interest in Badiou''s philosophical encounter with poetry, and its political ramifications.