Tristram Hunt – författare

Friedrich Engels is one of the most attractive and contradictory figures of the nineteenth century. Born to a prosperous mercantile family in west Germany, he spent his career working in the Manchester cotton industry, riding to the Cheshire hounds, and enjoying the comfortable, middle-class life of a Victorian gentleman. Yet Engels was also the co-founder of international communism - the philosophy which in the 20th century came to control one third of the human race. He was the co-author of The Communist Manifesto, a ruthless party tactician, and the man who sacrificed his best years so Karl Marx could write Das Kapital. Tristram Hunt relishes the diversity and exuberance of Engels's era: how one of the great bon viveurs of Victorian Britain reconciled his raucous personal life with this uncompromising political philosophy.

From Tristram Hunt, award-winning author of The Frock-Coated Communist and leading UK politician, Ten Cities that Made an Empire presents a new approach to Britain's imperial past through the cities that epitomised itSince the return of Hong Kong to China in 1997 and the end days of Empire, Britain's colonial past has been the subject of passionate debate. Tristram Hunt goes beyond the now familiar arguments about Empire being good or bad and adopts a fresh approach to Britain's empire and its legacy. Through an exceptional array of first-hand accounts and personal reflections, he portrays the great colonial and imperial cities of Boston, Bridgetown, Dublin, Cape Town, Calcutta, Hong Kong, Bombay, Melbourne, New Delhi, and twentieth-century Liverpool: their architecture, culture, and society balls; the famines, uprisings and repressions which coursed through them; the primitive accumulation and ghostly bureaucracy which ran them; the British supremacists and multicultural trailblazers who inhabited them.From the pioneers of early America to the builders of modern India, from west to east and back again, Hunt follows the processes of exchange and adaptation that collectively moulded the colonial experience and which in their turn transformed the culture, economy and identity of the British Isles. This vivid and richly detailed imperial story, located in ten of the most important cities which the Empire constructed, demolished, reconstructed and transformed, allows us a new understanding of the British Empire's influence upon the world and the world's influence upon it.Praise for The Frock-Coated Communist:'Beautifully written and consistently engaging' - Independent'An excellent book ... Hunt has a mastery of 19th-century British culture and European political thought' - Robert Service, Sunday Times'Thoughtful and engaging' - Telegraph Review

Friedrich Engels is one of the most attractive and contradictory figures of the nineteenth century. Born to a prosperous mercantile family in west Germany, he spent his career working in the Manchester cotton industry, riding to the Cheshire hounds, and enjoying the comfortable, middle-class life of a Victorian gentleman. Yet Engels was also the co-founder of international communism - the philosophy which in the 20th century came to control one third of the human race. He was the co-author of The Communist Manifesto, a ruthless party tactician, and the man who sacrificed his best years so Karl Marx could write Das Kapital. Tristram Hunt relishes the diversity and exuberance of Engels's era: how one of the great bon viveurs of Victorian Britain reconciled his raucous personal life with this uncompromising political philosophy. Set against the backdrop of revolutionary Europe and industrializing England - of Manchester mills, Paris barricades, and East End strikes - it is a story of devoted friendship, class compromise, ideological struggle, and family betrayal.

From Tristram Hunt, award-winning author of The Frock-Coated Communist and leading UK politician, Ten Cities that Made an Empire presents a new approach to Britain's imperial past through the cities that epitomised itThe final embers of the British Empire are dying, but its legacy remains in the lives and structures of the cities which it shaped. Here Tristram Hunt examines the stories and defining ideas of ten of the most important: Boston, Bridgetown, Dublin, Cape Town, Calcutta, Hong Kong, Bombay, Melbourne, New Delhi, and twentieth-century Liverpool.Rejecting binary views of the British Empire as 'very good' or 'very bad', Hunt uses an exceptional array of primary accounts and personal reflection to chart the processes of exchange and adaptation that collectively shaped the colonial experience - and, in turn, transformed the culture, economy and identity of the British Isles.TRISTRAM HUNT is one of Britain's best known historians. Since 2010 he has been the MP for Stoke-on-Trent Central, and in October 2013 was made Shadow Secretary of State for Education. He is a senior lecturer in British history at Queen Mary, University of London, and has written numerous series for radio and television. He is also a regular contributor to the Times, Guardian and Observer. His previous books include The English Civil War at First Hand, Building Jerusalem, and The Frock-Coated Communist: The Revolutionary Life of Friedrich Engels, which was published in more than a dozen languages.Praise for The Frock-Coated Communist:'Beautifully written and consistently engaging' - Independent'An excellent book ... Hunt has a mastery of 19th-century British culture and European political thought' - Robert Service, Sunday Times'Thoughtful and engaging' - Telegraph Review

Almost a quarter of a million lives were lost as King and Parliament battled for their religious and political ideals in the English Civil War. England was divided between Cavaliers and Roundheads engaged in bitter struggles from Preston to Lostwithiel, Pembroke to York. Armies were on the march, villages were decimated and great dynasties destroyed: fathers and sons, uncles and cousins were pitted against each other in defence of their loyalties. The civil war led to the execution of a king, the beginnings of sectarian division in Ireland, savage clan warfare in Scotland and the roots of English socialism.Tristram Hunt avoids adding to the many, mostly transitory interpretations of the civil war and instead offers a timeless narrative based on the first-hand accounts of those who witnessed these traumatic events. In doing so he brings out the voices of the civil war generation - those who lost sons, who witnessed massacres and who fought for an ideal. In this book we see their motivations, fears and misery as the horror of war overwhelmed them. From Cromwell's letters to the memoirs of a Roundhead wife the civil war era is brought to life in all its terrible and fascinating glory.

*Longlisted for the William MB Berger Prize for British Art History, 2022*A spectacular biography of the great designer, entrepreneur, abolitionist and beacon of the Industrial Revolution, from acclaimed historian and Director of the Victoria and Albert Museum, Tristram HuntJosiah Wedgwood, perhaps the greatest English potter who ever lived, epitomized the best of his age. From his kilns and workshops in Stoke-on-Trent, he revolutionized the production of ceramics in Georgian Britain by marrying technology with design, manufacturing efficiency and retail flair. He transformed the luxury markets not only of London, Liverpool, Bath and Dublin but of America and the world, and helping to usher in a mass consumer society. Tristram Hunt calls him 'the Steve Jobs of the eighteenth century'.But Wedgwood was radical in his mind and politics as well as in his designs. He campaigned for free trade and religious toleration, read pioneering papers to the Royal Society and was a member of the celebrated Lunar Society of Birmingham. Most significantly, he created the ceramic 'Emancipation Badge', depicting a slave in chains and inscribed 'Am I Not a Man and a Brother?' that became the symbol of the abolitionist movement.Tristram Hunt's hugely enjoyable new biography, strongly based on Wedgwood's notebooks, letters and the words of his contemporaries, brilliantly captures the energy and originality of Wedgwood and his extraordinary contribution to the transformation of eighteenth-century Britain.

'History writing at its compulsive best' A. N. WilsonThis is a history of the ideas that shaped not only London, but Manchester, Glasgow, Liverpool, Leeds, Birmingham, Sheffield and other power-houses of 19th-century Britain. It charts the controversies and visions that fostered Britain's greatest civic renaissance.Tristram Hunt explores the horrors of the Victorian city, as seen by Dickens, Engels and Carlyle; the influence of the medieval Gothic ideal of faith, community and order espoused by Pugin and Ruskin; the pride in self-government, identified with the Saxons as opposed to the Normans; the identification with the city republics of the Italian renaissance - commerce, trade and patronage; the change from the civic to the municipal, and greater powers over health, education and housing; and finally at the end of the century, the retreat from the urban to the rural ideal, led by William Morris and the garden-city movement of Ebenezer Howard.

*Longlisted for the William MB Berger Prize for British Art History, 2022*A spectacular biography of the great designer, entrepreneur, abolitionist and beacon of the Industrial Revolution, from acclaimed historian and Director of the Victoria and Albert Museum, Tristram HuntJosiah Wedgwood, perhaps the greatest English potter who ever lived, epitomized the best of his age. From his kilns and workshops in Stoke-on-Trent, he revolutionized the production of ceramics in Georgian Britain by marrying technology with design, manufacturing efficiency and retail flair. He transformed the luxury markets not only of London, Liverpool, Bath and Dublin but of America and the world, and helping to usher in a mass consumer society. Tristram Hunt calls him 'the Steve Jobs of the eighteenth century'.But Wedgwood was radical in his mind and politics as well as in his designs. He campaigned for free trade and religious toleration, read pioneering papers to the Royal Society and was a member of the celebrated Lunar Society of Birmingham. Most significantly, he created the ceramic 'Emancipation Badge', depicting a slave in chains and inscribed 'Am I Not a Man and a Brother?' that became the symbol of the abolitionist movement.Tristram Hunt's hugely enjoyable new biography, strongly based on Wedgwood's notebooks, letters and the words of his contemporaries, brilliantly captures the energy and originality of Wedgwood and his extraordinary contribution to the transformation of eighteenth-century Britain.

The charismatic movement has a high profile in contemporary Christianity. The book's contributors include insiders and outsiders, charismatics and sociologists; with Britain as their focus, they trace the movement's international connections, historical development and variety. The book provides a wealth of information and analysis which will interest both those within the movement and students of religion wanting to know more about it.

Published to mark the artist's 90th birthday, this is the first and only book to provide an overview of Bryan Organ, one of the world's great portrait painters. This book tells the story of Bryan Organ, whose works have been commissioned by the National Portrait Gallery more than any other 20th-century painter. It is itself a portrait, one that draws on his beginnings on the school cricket pitch and at art college as well as his time sketching others in recording studios, on the polo field and at the Elysée Palace. It tells the stories of his most important paintings, his friendship with Graham Sutherland, and his endless experimentation with movement, space and form. For the first time, it offers a contextual overview of his paintings, drawings, prints and sketches from the 1950s to today. Whether painting Prince Charles, Sir Harold Macmillan, Elton John, President Mitterrand or pigeon fanciers Mr and Mrs Sharples, Organ’s strategy is to find a point of contact with his sitters and get to know them. As this beautiful book illustrates, his acute powers of observation, his facility as a draughtsman and meticulous painting technique enable him to create a psychological likeness that feels like a real human encounter. Despite his success, Organ has always shunned the limelight. When his controversial 1970 portrait of Princess Margaret hit the front pages, he found it difficult to cope with the uproar and retreated to France. Some ten years later, his portrait of Princess Diana was slashed by an anti-monarchist, and Organ decided that enough was enough. Since then, he has continued to work quietly, but refuses to be involved in any exhibitions and avoids all press coverage. Organ provided unprecedented access to his entire archive for this book, the only overview of his illustrious career.