Valerie Loichot – författare
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2 produkter
2 produkter
Orphan Narratives
The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse
Inbunden, Engelska, 2007
715 kr
Skickas inom 11-20 vardagar
In ""Orphan Narratives"", Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote both in relation and in resistance to the violence of plantation slavery. She uses the term ""orphan narrative"" to capture the ways in which this violence servered the child, the text, and history from a traceable origin. Black or white, male or female, Antillean or American, these writers share a common inheritance and transnational connection through which their texts maintain familial, temporal, and narrative patterns without having any central authority figure. The author specifically cites Saint-John Perse's ""Eloges"" (1911), Faulkner's ""Light in August"" (1932), Morrison's ""Song of Solomon"" (1977), and Glissant's ""La Case du commandeur"" (1981) as postslavery texts. Where the actual family is dismembered, these narrative accounts invent new familian links. Reciprocally, biological family ties endure despite the literal and discursive violence inflicted upon them. Breaking new ground in trans-American studies by juxtaposing texts from the francophone Lesser Antilles and the U.S. South, ""Orphan Narratives"" will be a valuable addition to Caribbean, American, and postcolonial studies, not to mention its appeal to scholars and students of Faulkner, Glissant, Morrison, and Saint-John Perse.
Häftad, Engelska, 2013
330 kr
Skickas inom 5-8 vardagar
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, ValÉrie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, “the culinary” is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates-including Patrick Chamoiseau, Suzanne CÉsaire, AimÉ CÉsaire, Maryse CondÉ, Edwidge Danticat, Édouard Glissant, Lafcadio Hearn, and Dany LaferriÈre-“bite back” at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.