Vanessa L. Ochs – författare

When Vanessa Ochs begins to suspect her various physical ailments are due to her leading an ?unsanctified life,? she decides to travel to Jerusalem with her family to explore the sacred books of Judaism. Armed with a list of institutions and the names of women who specialize in teaching these sacred texts, Ochs sets out on a journey of discovery. She forges a personal relationship with her mentors, women who are determined to disprove the claim of Rabbi Eliezer ben Hyrcanus: ?The words of the Torah should be burnt rather than taught to women.? As her year in Jerusalem draws to a close, Ochs begins to find a way to reconcile her feminist views with her quest to live a life according to laws shaped by the ?sexist? views of traditional Judaism.Part scholarly investigation, part anecdotal memoir, Words on Fire is an accessible portrait of a remote world and a fascinating, firsthand account of the clash between feminism and Judaism.

The life and times of a treasured book read by generations of Jewish families at the seder tableEvery year at Passover, Jews around the world gather for the seder, a festive meal where family and friends come together to sing, pray, and enjoy traditional food while retelling the biblical story of the Exodus. The Passover Haggadah provides the script for the meal and is a religious text unlike any other. It is the only sacred book available in so many varieties—from the Maxwell House edition of the 1930s to the countercultural Freedom Seder—and it is the rare liturgical work that allows people with limited knowledge to conduct a complex religious service. The Haggadah is also the only religious book given away for free at grocery stores as a promotion. Vanessa Ochs tells the story of this beloved book, from its emergence in antiquity as an oral practice to its vibrant proliferation today.Ochs provides a lively and incisive account of how the foundational Jewish narrative of liberation is remembered in the Haggadah. She discusses the book's origins in biblical and rabbinical literature, its flourishing in illuminated manuscripts in the medieval period, and its mass production with the advent of the printing press. She looks at Haggadot created on the kibbutz, those reflecting the Holocaust, feminist and LGBTQ-themed Haggadot, and even one featuring a popular television show, The Marvelous Mrs. Maisel. Ochs shows how this enduring work of liturgy that once served to transmit Jewish identity in Jewish settings continues to be reinterpreted and reimagined to share the message of freedom for all.

When Vanessa Ochs begins to suspect her various physical ailments are due to her leading an ?unsanctified life,? she decides to travel to Jerusalem with her family to explore the sacred books of Judaism. Armed with a list of institutions and the names of women who specialize in teaching these sacred texts, Ochs sets out on a journey of discovery. She forges a personal relationship with her mentors, women who are determined to disprove the claim of Rabbi Eliezer ben Hyrcanus: ?The words of the Torah should be burnt rather than taught to women.? As her year in Jerusalem draws to a close, Ochs begins to find a way to reconcile her feminist views with her quest to live a life according to laws shaped by the ?sexist? views of traditional Judaism.Part scholarly investigation, part anecdotal memoir, Words on Fire is an accessible portrait of a remote world and a fascinating, firsthand account of the clash between feminism and Judaism.

Vanessa Ochs invites her readers to explore how Jewish practice can be more meaningful through renewing, reshaping, and even creating new rituals, such as naming ceremonies for welcoming baby girls, healing services, Miriam's cup, mitzvah days, egalitarian wedding practices, and commitment ceremonies. We think of rituals—the patterned ways of doing things that have shared and often multiple meanings— as being steeped in tradition and therefore unalterable. But rituals have always been reinvented. When we perform ancient rituals in a particular place and time they are no longer quite the same rituals they once were. Each is a debut, an innovation: this Sabbath meal, this Passover seder, this wedding—firsts in their own unique ways. In the last 30 years there has been a surge of interest in reinventing ritual, in what is called minhag America. Ochs describes the range and diversity of interest in this Jewish American experience and examines how it reflects tradition as it revives Jewish culture and faith. And she shows us how to create our own ritual objects, sacred spaces, ceremonies, and liturgies that can be paths to greater personal connection with history and with holiness: baby-naming ceremonies for girls, divorce rituals, Shabbat practices, homemade haggadahs, ritual baths, healing services. Through these and more, we see that American Judaism is a dynamic cultural process very much open to change and a source of great personal and communal meaning.The ceramic "Tree of Life" spice container that appears on the cover of Inventing Jewish Ritual is by Susan Garson of Garson and Pakele Studios, www.garsonpakele.com

In this vivid collection, Judaic scholar Vanessa Ochs brings the legends of the biblical matriarchs to new life. Intimate, familiar and wise, the heroines in Sarah Laughed are revealed to be inspiring role models for women today. From Eve's rebellious taste of wisdom to the righteous anager of Job's wife, each woman's story is retold in imaginative prose and accompanied by real-life rituals that can help us gain insight into various aspects of our everyday lives.

CrossCurrents connects the wisdom of the heart with the life of the mind and the experiences of the body. The journal is operated through its parent organization, the Association for Public Religion and Intellectual Life (APRIL), an interreligious network of academics, activists, artists, and community leaders seeking to engage the many ways religion meets the public. Contributions to the journal exist at the nexus of religion, education, the arts, and social justice. In the March issue of CrossCurrents: "Note About This Issue" by Charles P. Henderson "Introduction" by Vanessa L. Ochs "A Heart of Flesh: Beyond 'Creative Liturgy'" an essay by Catherine Madsen "Response to Catherine Madsen" by Randi Rashkover "Response to Catherina Madsen God as Criterion of Jewish Liturgy" by Steven Kepnes "Response to Catherine Madsen, A Heart of Flesh: Beyond 'Creative Liturgy'" by Leah Hochman "Response to Catherine Madsen's Paper, A Heart of Flesh: Beyond 'Creative Liturgy"' by Caroline Rody "Catherine Madsen Responds" by Catherine Madsen "Law as Lyric, Lyric as Star Trek: A Reading of Kol Nidre" by Eric Murphy Selinger "Kaplan's Approach to Prayer Appreciated and Challenged" by Eric Caplan "On Poetry and Prayer" by Rachel Barenblat "Poetry and Prayer" by Edward Feld "Human Rights Need a Human Tradition" by Gabriel Moran "Theology After Obama--What Does Race Have to Do With It?: A Racial Prolegomenon to American Theological Production in the Twenty-first Century" by James W. Perkinson "What Kind of Country?: Economic Crisis, the Obama Presidency, the Politics of Loathing, and the Common Good" by Gary Dorrien "Sexuality and the Jesus Tradition" a book review by J. Harold Ellens "Sexuality and the New Testament, Understanding Key Texts" a book review by J. Harold Ellens