Venise T. Berry – författare

Images of African Americans in our culture abound--on television, in films, on the radio, and in newsprint. Whether in works by African Americans--most notably popular music, film, and to a growing degree, television programs--or works about African Americans from documentaries to news coverage--strong images pervade our public consciousness. Mediated Messages and African American Culture is the first book to examine these images and messages as a whole. Bringing together works by leading scholars, this collection examines such vital topics as the relationship between black men and the police, the state of the African American press, and the perpetuation of images of African Americans as poor, violent, and undereducated. Timely case studies and the combination of theory and practice make this text both up-to-date and thorough in its analysis of the image and portrayal of African Americans in the media. Mediated Messages and African American Culture will be of great interest to students who study popular culture, black popular culture, African American history, and the media. The book's critical discussion about the treatment of African Americans in the media is unique in its coverage and depth.

On 4 July, 1910, in 100-degree heat at an outdoor boxing ring near Reno, Nevada, film cameras recorded-and thousands of fans witnessed-former heavyweight champion Jim Jeffries'' reluctant return from retirement to fight Jack Johnson, a black man. After 14 grueling rounds, Johnson knocked out Jeffries and for the first time in history, there was a black heavyweight champion of the world. At least 10 people lost their lives because of Johnson''s victory and hundreds more were injured due to white retaliation and wild celebrations in the streets. Public screenings received instantaneous protests and hundreds of cities barred the film from being shown. Congress even passed a law making it a federal offense to transport moving pictures of prizefights across state lines, and thus the most powerful portrayal of a black man ever recorded on film was made virtually invisible.This is but one of the hundreds of films covered in the Historical Dictionary of African American Cinema, which includes everything from The Birth of a Nation to Crash. In addition to the films, brief biographies of African American actors and actresses such as Sidney Poitier, James Earl Jones, Halle Berry, Eddie Murphy, Whoopi Goldberg, Denzel Washington, and Jamie Foxx can be found in this reference. Through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology, this book provides a better understanding of the role African Americans played in film history.

On 4 July, 1910, in 100-degree heat at an outdoor boxing ring near Reno, Nevada, film cameras recorded-and thousands of fans witnessed-former heavyweight champion Jim Jeffries' reluctant return from retirement to fight Jack Johnson, a black man. After 14 grueling rounds, Johnson knocked out Jeffries and for the first time in history, there was a black heavyweight champion of the world. At least 10 people lost their lives because of Johnson's victory and hundreds more were injured due to white retaliation and wild celebrations in the streets. Public screenings received instantaneous protests and hundreds of cities barred the film from being shown. Congress even passed a law making it a federal offense to transport moving pictures of prizefights across state lines, and thus the most powerful portrayal of a black man ever recorded on film was made virtually invisible.This is but one of the hundreds of films covered in The A to Z of African American Cinema, which includes everything from The Birth of a Nation to Crash. In addition to the films, brief biographies of African American actors and actresses such as Sidney Poitier, James Earl Jones, Halle Berry, Eddie Murphy, Whoopi Goldberg, Denzel Washington, and Jamie Foxx can be found in this reference. Through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology, this book provides a better understanding of the role African Americans played in film history.

On 4 July, 1910, in 100-degree heat at an outdoor boxing ring near Reno, Nevada, film cameras recorded-and thousands of fans witnessed-former heavyweight champion Jim Jeffries'' reluctant return from retirement to fight Jack Johnson, a black man. After 14 grueling rounds, Johnson knocked out Jeffries and for the first time in history, there was a black heavyweight champion of the world. At least 10 people lost their lives because of Johnson''s victory and hundreds more were injured due to white retaliation and wild celebrations in the streets. Public screenings received instantaneous protests and hundreds of cities barred the film from being shown. Congress even passed a law making it a federal offense to transport moving pictures of prizefights across state lines, and thus the most powerful portrayal of a black man ever recorded on film was made virtually invisible.This is but one of the hundreds of films covered in The A to Z of African American Cinema, which includes everything from The Birth of a Nation to Crash. In addition to the films, brief biographies of African American actors and actresses such as Sidney Poitier, James Earl Jones, Halle Berry, Eddie Murphy, Whoopi Goldberg, Denzel Washington, and Jamie Foxx can be found in this reference. Through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology, this book provides a better understanding of the role African Americans played in film history.

Black Culture and Experience: Contemporary Issues offers a holistic look at Black culture in the twenty-first century. It is a collection of work that creates a synergy among authors and leads to a valuable resource on contemporary issues. Part One examines institutional, societal, and political issues like identity politics; the Rooney Rule; prosperity gospel; inequality in the criminal justice system; the American dream; the future of Black and Africana studies; and President Obama’s double consciousness. Part Two investigates social, cultural, and community issues such as the Affordable Care Act; Black women and obesity; Black men’s experience in marriage and relationships; sexual decision making; interracial relationships; and cultural racism. Part Three explores media, pop culture, and technology issues including the rise of urban fiction; hip hop and feminism; race in Super Bowl commercials; the construction of Black Diasporic identities; Whiteness in Black-oriented films; Black masculinity in Django Unchained; and the power of Black Twitter. This anthology contains work from leading scholars, authors, and other specialists who have been brought together to highlight key issues in black culture and experience today. The goal is to help readers understand where we are and where we still need to go, what is working and what we still need to work on, what is right and what is still wrong.

Black Culture and Experience: Contemporary Issues offers a holistic look at Black culture in the twenty-first century. It is a collection of work that creates a synergy among authors and leads to a valuable resource on contemporary issues. Part One examines institutional, societal, and political issues like identity politics; the Rooney Rule; prosperity gospel; inequality in the criminal justice system; the American dream; the future of Black and Africana studies; and President Obama’s double consciousness. Part Two investigates social, cultural, and community issues such as the Affordable Care Act; Black women and obesity; Black men’s experience in marriage and relationships; sexual decision making; interracial relationships; and cultural racism. Part Three explores media, pop culture, and technology issues including the rise of urban fiction; hip hop and feminism; race in Super Bowl commercials; the construction of Black Diasporic identities; Whiteness in Black-oriented films; Black masculinity in Django Unchained; and the power of Black Twitter. This anthology contains work from leading scholars, authors, and other specialists who have been brought together to highlight key issues in black culture and experience today. The goal is to help readers understand where we are and where we still need to go, what is working and what we still need to work on, what is right and what is still wrong.

Racialism and Media: Black Jesus, Black Twitter and the First Black American President is an exploration of how the nature of racial ideology has changed in our society. Yes, there are still ugly racists who push uglier racism, but there are also popular constructions of race routinely woven into mediated images and messages. This book examines selected exemplars of racialism moving beyond traditional racism. In the twenty-first century, we need a more nuanced understanding of racial constructions. Denouncing anything and everything problematic as racist or racism simply does not work, especially if we want to move toward a real solution to America’s race problems. Racialism involves images and messages that are produced, distributed, and consumed repetitively and intertextually based on stereotypes, biased framing, and historical myths about African American culture. These images and messages are eventually normalized through the media, ultimately shaping and influencing societal ideology and behavior. Through the lens of critical race theory these chapters examine issues of intersectionality in Crash, changing Black identity in Black-ish, the balancing of stereotypes in prime-time TV’s Black male and female roles, the power of Black images and messages in advertising, the cultural wealth offered through the Black Twitter platform, biased media framing of the first Black American president, the satirical parody of Black Jesus, contemporary Zip Coon stereotypes in film, the popularity of ghettofabulous black culture, and, finally, the evolution of black representation in science fiction.

As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of African American images being displayed on an ever-expanding silver screen. This wide range of stories, topics, views, and genres will finally give the world a glimpse of African American life that has long been ignored and has yet to be seen.This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1400 cross-referenced entries on actors, actresses, movies, producers, organizations, awards, and terminology, this book provides a better understanding of the role African Americans played in film history. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema.

Relatively recently it has been acknowledged that Black women too often experience extreme psychological distress such as depression, anxiety disorders, panic, phobias, fear, eating disorders, low self-esteem, loneliness from social isolation, PTSD/PTSS, emotional pain, suffering, and suicide to name a few. Mental health conditions both negatively or positively affect their physical health and wellbeing. For example, depression is found to be associated with an increased risk of hypertension and other chronic illnesses such as diabetes, asthma, cancer, cardiovascular disease, and arthritis (Badescu et al. 2016; DeMoss et al. 2020; van Tuijl et al. 2023; Webb, 2022). We, Black Superwomen, have a long history of denying our mental health challenges. The status of Black women’s mental health has always shown up in our physical reality and, currently, we are in another moment of awareness that seeks to clarify the health consequences and costs of the Black superwoman trope. Originally published in 1978, Michele Wallace brought to our attention the myth of the Black Superwoman highlighting our struggles and humanity. More recently Marita Golden in 2021 explored the same issue interviewing Black women about the hidden mental health crisis surrounding their lives. Her book offers crucial stories about how important it is for Black women to ask for help, learn strategies for healing, and build self-care into their lives.Unfortunately, when we do strive to heal ourselves, we encounter difficulties concerning access to care. So, we must creatively and collectively develop innovative avenues of care for ourselves. We, Black (Super)women, must prioritize our health and wellbeing not alone but also in concert with other Black women who are on similar journeys. Conferences such as the Annual Strong Black Women Redefined Conference (Renaye) offering self-love healing retreats organized for and by Black women, and podcasts like Therapy for Black Girls (Harden-Bradford) are designed to help. Today, there are a range of actions, methods, and expressive therapies to help soothe the soul, but many of us don’t take advantage. Reading The Black Superwoman and Mental Health: Power and Pain is one step not only for ourselves as individuals, but for our communities as well. We must continue the early education of Black girls and other women towards healthier mental and physical wellbeing. It is not easy to reveal oneself and to be vulnerable in a public way as the authors in this book have done. This is the act of resisting the voices and social scripts that say we do not air our "dirty laundry", we should keep "secrets" to remain safe, yet unhealthy. Audrey Lord encouraged us to speak out as our silence will not protect us and it will certainly harm our psychological and physical health and well-being (Van de Mortele, 2016). Therefore, we must find safe spaces to speak our truths, to heal. We sincerely thank these authors of poetry, short stories, essays, and research for their contributions as they bear witness to many of the circumstances that inform our lives. It is through the process of seeking, doing, and being, sometimes in private counseling (or psychotherapy), that many of us learn to acknowledge, analyze, speak, and eventually write the truth of/about our lives and to move closer to being whole black women.

Relatively recently it has been acknowledged that Black women too often experience extreme psychological distress such as depression, anxiety disorders, panic, phobias, fear, eating disorders, low self-esteem, loneliness from social isolation, PTSD/PTSS, emotional pain, suffering, and suicide to name a few. Mental health conditions both negatively or positively affect their physical health and wellbeing. For example, depression is found to be associated with an increased risk of hypertension and other chronic illnesses such as diabetes, asthma, cancer, cardiovascular disease, and arthritis (Badescu et al. 2016; DeMoss et al. 2020; van Tuijl et al. 2023; Webb, 2022). We, Black Superwomen, have a long history of denying our mental health challenges. The status of Black women’s mental health has always shown up in our physical reality and, currently, we are in another moment of awareness that seeks to clarify the health consequences and costs of the Black superwoman trope. Originally published in 1978, Michele Wallace brought to our attention the myth of the Black Superwoman highlighting our struggles and humanity. More recently Marita Golden in 2021 explored the same issue interviewing Black women about the hidden mental health crisis surrounding their lives. Her book offers crucial stories about how important it is for Black women to ask for help, learn strategies for healing, and build self-care into their lives.Unfortunately, when we do strive to heal ourselves, we encounter difficulties concerning access to care. So, we must creatively and collectively develop innovative avenues of care for ourselves. We, Black (Super)women, must prioritize our health and wellbeing not alone but also in concert with other Black women who are on similar journeys. Conferences such as the Annual Strong Black Women Redefined Conference (Renaye) offering self-love healing retreats organized for and by Black women, and podcasts like Therapy for Black Girls (Harden-Bradford) are designed to help. Today, there are a range of actions, methods, and expressive therapies to help soothe the soul, but many of us don’t take advantage. Reading The Black Superwoman and Mental Health: Power and Pain is one step not only for ourselves as individuals, but for our communities as well. We must continue the early education of Black girls and other women towards healthier mental and physical wellbeing. It is not easy to reveal oneself and to be vulnerable in a public way as the authors in this book have done. This is the act of resisting the voices and social scripts that say we do not air our "dirty laundry", we should keep "secrets" to remain safe, yet unhealthy. Audrey Lord encouraged us to speak out as our silence will not protect us and it will certainly harm our psychological and physical health and well-being (Van de Mortele, 2016). Therefore, we must find safe spaces to speak our truths, to heal. We sincerely thank these authors of poetry, short stories, essays, and research for their contributions as they bear witness to many of the circumstances that inform our lives. It is through the process of seeking, doing, and being, sometimes in private counseling (or psychotherapy), that many of us learn to acknowledge, analyze, speak, and eventually write the truth of/about our lives and to move closer to being whole black women.