Vibiana Bowman Cvetkovic - Böcker
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4 produkter
4 produkter
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Portrayals of Children in Popular Culture: Fleeting Images, edited by Vibiana Bowman Cvetkovic and Debbie Olson, is a collection which examines images of “children” and “childhood” in popular culture, including print, online, television shows, and films. The contributors to this volume explore the constructions of “children” and “childhood” rather than actual children or actual childhoods. In the chapters that are concerned with depictions of actual, individual children, the authors investigate how the images of those children conform or “trouble” current notions of what it means to be a child engaged in a contemporary “childhood.” This is a unique volume, because of the academic discourse which is employed—that of “Childhood Studies.” The Childhood Studies scholars represented in this collection utilize an interdisciplinary approach which draws upon various academic fields—their methodologies, theoretical approaches, and scholarly conventions—for the scholarly research in this collection.Together, the contributions to this collection interrogate classic notions of childhood innocence, knowledge, agency, and the fluid position of the signifier “child” within contemporary media forms. These interdisciplinary works function as a testament to the infectiousness of the child image in print, television, and cinematic contexts, and represent a new avenue of discursive scholarship; the questions raised and connections made provide fresh insights and unique perspectives to topics regarding children and childhood and their representation within multiple media platforms. The growing field of Childhood Studies is enriched by the intellectual originality represented by this volume’s authors who ask new questions about the enduring and captivating image of the child.
Reinventing Reference: How Public, Academic, and School Libraries Deliver Value in the Age of Google
Häftad, Engelska
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1 357 kr
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Working with and devising quality educational resources for 'Generation M' - today's group of teens and young adults born in the early 1980s through the mid 1990s - can be a challenge for librarians and instructors who may not relate well to their multitasking, technophile students. Here, editors Cvetkovic (named of one of the '2005 Library Movers and Shakers' by ""Library Journal"") and Lackie (the 2006 recipient of the ALA Kenneth Haycock Award for Promoting Librarianship) answer the core questions you'll need to facilitate new and powerful learning opportunities for your Gen M audience, including: Who are the members of Gen M? What is their shared cultural experience and how does it influence learning? And how can librarians and educators best meet this cohort's educational requirements? Cvetkovic, Lackie and their contributors debunk common myths and misconceptions about this unique generation to provide a realistic understanding of their instructional needs and learning styles. You'll a comprehensive introduction and overview of Gen M, including key term definitions, background information, and a clear idea of the scope of issues facing educators charged with teaching and working with this age group. A section on the emergent digital community inherent to Gen M examines the personal, sociological, and educational implications and impact on future pedagogy. The authors cover popular online tools like Facebook, Wikipedia, YouTube, Google, many of which play a large role in Gen M information retrieval, and also address key educational theories and provide instruction for creating lessons and learning objects that can be used in both traditional and online educational environments. Examples of current best practices are provided along with corresponding instruction for designing and implementing them in your library or classroom.
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Cold War Children's Television: Philadelphia as a Case Study examines a culturally significant phenomenon of the Cold War—the locally produced hosted children's show. The Cold War era and the coming of age of commercial television were entwined not only chronologically but societally. The era of the locally produced hosted show closed in the wake of Sesame Street due to shifts in social policy, industry economics, and rising expectations for children programming. Through the lens of cultural and historical analysis, this book reveals that beyond that nostalgia lies a vital visual form that thrived in the Cold War era; one that reflected the ideals of childhood, media, and nation of a societal terrain from which the American children's television host emerged.