Victoria Lamont - Böcker
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4 produkter
4 produkter
409 kr
Skickas inom 5-8 vardagar
Remembered as one of science fiction's best editors, Judith Merril (1923-1997) also wrote prolifically and stands as one of the genre's central figures in the United States and Canada. This work offers a much-needed literary biography and critical commentary on Merril's groundbreaking science fiction, anthologies, reviews, memoir and other endeavors. A thorough account of Merril's 50-year career, it is a valuable source for students of science fiction, women's life writing, women's contributions to frontier mythology and women's activism.
683 kr
Skickas inom 10-15 vardagar
At every turn in the development of what we now know as the western, women writers have been instrumental in its formation. Yet the myth that the western is male-authored persists. Westerns: A Women’s History debunks this myth once and for all by recovering the women writers of popular westerns who were active during the late nineteenth and early twentieth centuries when the western genre as we now know it emerged.Victoria Lamont offers detailed studies of some of the many women who helped shape the western. Their novels bear the classic hallmarks of the western-cowboys, schoolmarms, gun violence, lynchings, cattle branding-while also placing female characters at the center of their western adventures and improvising with western conventions in surprising and ingenious ways. In Emma Ghent Curtis’s The Administratrix a widow disguises herself as a cowboy and infiltrates the cowboy gang responsible for lynching her husband. Muriel Newhall’s pulp serial character, Sheriff Minnie, comes to the rescue of a steady stream of defenseless female victims. B. M. Bower, Katharine Newlin Burt, and Frances McElrath use cattle branding as a metaphor for their feminist critiques of patriarchy. In addition to recovering the work of these and other women authors of popular westerns, Lamont uses original archival analysis of the western-fiction publishing scene to overturn the long-standing myth of the western as a male-dominated genre.
276 kr
Skickas inom 10-15 vardagar
B. M. (Bertha Muzzy) Bower was the first author to make a living writing popular westerns, creating more than sixty novels and hundreds of short stories that were read by millions of Americans. Bower’s were among the first westerns adapted to film, and the exploits of her cowboys at the fictional Flying U ranch established a tradition that flourishes to this day. A Montana mother of three, she began writing short stories in 1900, desperate for money that would allow her to leave her unhappy marriage to a cowboy employed by the McNamara ranch.Discouraged by her editors from publicizing her identity as a woman, Bower’s important contribution to American mass culture faded from cultural memory after her death in 1940. Based on extensive research in Bower’s personal archives and publishers’ records, as well as interviews with some of her descendants, The Bower Atmosphere recounts the remarkable twists and turns of Bower’s life, from her beginnings on a Montana cattle ranch to her success as a writer of serial westerns, all the while contending with the conflicting pressures of editors, husbands, children, and her own creative aspirations.
299 kr
Skickas inom 10-15 vardagar
At every turn in the development of what we now know as the western, women writers have been instrumental in its formation. Yet the myth that the western is male-authored persists. Westerns: A Women’s History debunks this myth once and for all by recovering the women writers of popular westerns who were active during the late nineteenth and early twentieth centuries when the western genre as we now know it emerged.Victoria Lamont offers detailed studies of some of the many women who helped shape the western. Their novels bear the classic hallmarks of the western-cowboys, schoolmarms, gun violence, lynchings, cattle branding-while also placing female characters at the center of their western adventures and improvising with western conventions in surprising and ingenious ways. In Emma Ghent Curtis’s The Administratrix a widow disguises herself as a cowboy and infiltrates the cowboy gang responsible for lynching her husband. Muriel Newhall’s pulp serial character, Sheriff Minnie, comes to the rescue of a steady stream of defenseless female victims. B. M. Bower, Katharine Newlin Burt, and Frances McElrath use cattle branding as a metaphor for their feminist critiques of patriarchy. In addition to recovering the work of these and other women authors of popular westerns, Lamont uses original archival analysis of the western-fiction publishing scene to overturn the long-standing myth of the western as a male-dominated genre.