Virginia Spencer Carr - Böcker
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4 produkter
4 produkter
384 kr
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An intimate biography of a great American writer; He rose from a childhood as the illegitimate son of a financial titan to become the man Sartre called ""the greatest writer of our time."" A progressive writer who turned his passions into the groundbreaking U.S.A. trilogy, John Dos Passos later embraced conservative causes. At the height of his career he was considered a peer of Hemingway and Fitzgerald, yet he died in obscurity in 1970. Award-winning biographer Virginia Spencer Carr examines the contradictions of Dos Passos's life with an indepth study of the man. Using the writer's letters and journals, and with assistance from the Dos Passos family, Carr reconstructs an epic life, one of literary acclaim and bitter obscurity, restless wandering and happy marriage, friendship with Edmund Wilson and feuds with Hemingway. First published to acclaim in 1984, Dos Passos remains the definitive personal portrait of the author.
444 kr
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Katherine Anne Porter often spoke of her story "Flowering Judas" as the tale she liked best of all her stories because it came the nearest to what she meant it to be. It is the story of Laura, an idealistic woman, who travels to Mexico from Arizona at the age of twenty-two to assist the Obreg-n Revolution. This casebook on "Flowering Judas" addresses Porter's ambivalence surrounding her roles as woman and artist and also attests to the profound influence of Mexico upon her work. Readers of this early tale will not be surprised to learn that although Porter was a practicing feminist in her life and her work, she actually eschewed the feminist label.Virginia Spencer Carr brings her own sharply focused biographer's eye to the introduction, further illuminating the story and the superb critical essays that it provokes. The casebook includes the authoritative text of the story itself, Porter's own statement regarding the genesis of this highly acclaimed work, an important interview, a collection of significant essays on "Flowering Judas" and the historical, cultural, and personal milieu from which the tale evolved, a bibliography, and a chronology of Porter's life and work.
623 kr
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The Lonely Hunter is widely accepted as the standard biography of Carson McCullers. Author of such landmarks of modern American fiction as Reflections in a Golden Eye and The Ballad of the Sad Café, Carson McCullers was the enfant terrible of the literary world of the 1940s and 1950s. Gifted but tormented, vulnerable but exploitative, McCullers led a life that had all the elements—and more—of a tragic novel.From McCullers's birth in Columbus, Georgia, in 1917 to her death in upstate New York in 1967, The Lonely Hunter thoroughly covers every significant event in, and aspect of, the writer's life: her rise as a young literary sensation; her emotional, artistic, and sexual eccentricities and entanglements; her debilitating illnesses; her travels in America and Europe; and the provenance of her works from their earliest drafts through their book, stage, and film versions.To research her subject, Virginia Spencer Carr visited all of the important places in McCullers's life, read virtually everything written by or about her, and interviewed hundreds of McCullers's relatives, friends, and enemies. The result is an enduring, distinguished portrait of a brilliant, but deeply troubled, writer.
284 kr
Skickas inom 10-15 vardagar
The definitive introduction to the complex author of ""The Heart Is a Lonely Hunter."" Updated with a discussion of recent scholarship, ""Understanding Carson McCullers"" provides a balanced introductory study of the Georgia-born novelist's major fiction and the reasons for her extraordinary and lasting acclaim. Carson McCullers was deemed the ""find of the decade"" when she appeared on the literary scene at the age of twenty-three and is best remembered for her celebrated novels ""The Heart Is a Lonely Hunter"" and ""The Member of the Wedding."" Through Virginia Spencer Carr's insightful discussion and lucid analysis of these and lesser-known works, McCullers is shown here as more than a southern writer, more than a lesbian novelist. McCullers emerges as a complex and multifaceted artist not yet fully comprehended and deserving of more contemplative study and thoughtful understanding.