Wallace Shawn – författare
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10 produkter
10 produkter
135 kr
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A traveller falls ill in a poor country and plummets into a feverish self-examination.But something's been hidden from me, too. Something - a part of myself - has been hidden from me, and I think it's the part that's there on the surface, what anyone in the world could see about me if they saw out the window of a passing train. The incredible history of my feelings and my thoughts could fill up a dozen leather-bound books. But the story of my life - my behaviour, my actions - now that's a slim little paperback, and I've never read it.The Fever was first performed by the author in an apartment near Seventh Avenue in New York City in January 1990. It was first performed at the Royal Court Theatre, London, in 1991, and at the Ambassadors Theatre in 1997. The Fever was revived at the Royal Court Theatre in April 2009.
132 kr
Skickas inom 5-8 vardagar
At Ted's instigation, the old gang gather once more at the almost legendary club The Talk House. Ten years on and presided over still by the kindly Nellie, there's the same genteel atmosphere, familiar drinks, unchanging special snacks. But the era of Walter Barclay is long gone.A playwright, a composer, an actress.The possibility of a pleasant night.Evening at The Talk House by Wallace Shawn premiered at the National Theatre, London, in November 2015.
264 kr
Skickas inom 3-6 vardagar
This title portrays the strange relationship that develops between a reclusive young woman and an eccentric professor.
235 kr
Skickas inom 3-6 vardagar
78 kr
Skickas inom 5-8 vardagar
480 kr
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A collection of beautiful essays in which Wallace Shawn takes readers on a revelatory journey where the personal and the political become one. Shawn often focuses on contradictions, even when unpleasant, and finds humour in the political and personal challenges of everyday life. AVAILABLE FROM JUNE 2009.
179 kr
Skickas inom 5-8 vardagar
With his distinctive brand of humour and insight, acclaimed playwright and beloved actor Wallace Shawn takes his readers on a revelatory journey through high art, war, culture, politics and privilege with his first non-fiction collection, which received immense critical acclaim when published in hardback in 2009. The personal and the political become one. Shawn often focuses on contradictions, even when unpleasant, and finds humour in the political and personal challenges of everyday life.
206 kr
Skickas inom 3-6 vardagar
In a gloomy hotel room, after reading compulsively about murders, Shawn tries to sleep but is troubled by meandering thoughts and memories that follow one another in an apparently random chain. Ultimately a point of view begins to emerge. In a world dominated by privileged killers, how should we live? What world do we want?Having recently passed the age of seventy, before which he found it difficult to piece together more than a few fragments of understanding, Shawn would like to pass on anything he's learned before death or dementia close down the brief window available to him, but he may not be ready yet.
172 kr
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203 kr
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“Lovely, hilarious, and seriously thought-provoking.” TONI MORRISON"Endlessly curious, playful, and subtle." PANKAJ MISHRASLEEPING AMONG SHEEP UNDER A STARRY SKY is a collection of essays written over the course of the last thirty-five years.Shawn seems to start from the premise that the world ought to be a place where all of us can lie around on cushions writing letters and love poems to each other on multi-coloured paper, as perhaps the women and men of the eleventh-century Heian court in Japan were able to do. Why do we not inhabit a world in which beauty, sensuality, and the adoration of other people, other beings, and the natural world are our principal preoccupations? Why, instead, are we obsessed with a joyless struggle for supremacy over each other? Why have we invented races and nations? Is what we call “civilization” the precipitating cause of our destructiveness and viciousness, our sadism, our love of murder? Shawn himself grew up as a child of privilege and has devoted his life to aesthetic pursuits and hedonism. Has the life he’s led provided him with any sort of valuable vantage point from which to view the world, or has he simply been a parasite? As he himself feels that the answer isn’t clear, a certain self-questioning underlies these essays, along with a nagging doubt about whether we’re right to insist that all of our different qualities and aspects cohere into a single “self.” If the self is simply an illusion, how can we understand “ourselves”? And if we don’t understand ourselves, what conclusions should we draw from that?