Walter Ott – författare

What is the origin of the concept of a law of nature? How much does it owe to theology and metaphysics? To what extent do the laws of nature permit contingency? Are there exceptions to the laws of nature? Is it possible to give a reductive analysis of lawhood, or is it a primitive?Twelve new essays by an international team of leading philosophers take up these and other central questions on the laws of nature, whilst also examining some of the most important intuitions and assumptions that have guided the debate over laws of nature since the concepts invention in the seventeenth century.Laws of Nature spans the history of philosophy and of science, contemporary metaphysics, and contemporary philosophy of science.

Some philosophers think physical explanations stand on their own: what happens, happens because things have the properties they do. Others think that any such explanation is incomplete: what happens in the physical world must be partly due to the laws of nature. Causation and Laws of Nature in Early Modern Philosophy examines the debate between these views from Descartes to Hume.Ott argues that the competing models of causation in the period grow out of the scholastic notion of power. On this Aristotelian view, the connection between cause and effect is logically necessary. Causes are ''intrinsically directed'' at what they produce. But when the Aristotelian view is faced with the challenge of mechanism, the core notion of a power splits into two distinct models, each of which persists throughout the early modern period. It is only when seen in this light that the keyarguments of the period can reveal their true virtues and flaws.To make his case, Ott explores such central topics as intentionality, the varieties of necessity, and the nature of relations. Arguing for controversial readings of many of the canonical figures, the book also focuses on lesser-known writers such as Pierre-Sylvain Régis, Nicolas Malebranche, and Robert Boyle.

The seventeenth century witnesses the demise of two core doctrines in the theory of perception: naïve realism about color, sound, and other sensible qualities and the empirical theory, drawn from Alhacen and Roger Bacon, which underwrote it. This created a problem for seventeenth century philosophers: how is that we use qualities such as color, feel, and sound to locate objects in the world, even though these qualities are not real?Ejecting such sensible qualities from the mind-independent world at once makes for a cleaner ontology, since bodies can now be understood in purely geometrical terms, and spawns a variety of fascinating complications for the philosophy of perception. If sensible qualities are not part of the mind-independent world, just what are they, and what role, if any, do they play in our cognitive economy? We seemingly have to use color to visually experience objects. Do we do so by inferring size, shape,and motion from color? Or is it a purely automatic operation, accomplished by divine decree?This volume traces the debate over perceptual experience in early modern France, covering such figures as Antoine Arnauld, Robert Desgabets, and Pierre-Sylvain Régis alongside their better-known countrymen René Descartes and Nicolas Malebranche.

The seventeenth century witnesses the demise of two core doctrines in the theory of perception: naïve realism about color, sound, and other sensible qualities and the empirical theory, drawn from Alhacen and Roger Bacon, which underwrote it. This created a problem for seventeenth century philosophers: how is that we use qualities such as color, feel, and sound to locate objects in the world, even though these qualities are not real?Ejecting such sensible qualities from the mind-independent world at once makes for a cleaner ontology, since bodies can now be understood in purely geometrical terms, and spawns a variety of fascinating complications for the philosophy of perception. If sensible qualities are not part of the mind-independent world, just what are they, and what role, if any, do they play in our cognitive economy? We seemingly have to use color to visually experience objects. Do we do so by inferring size, shape,and motion from color? Or is it a purely automatic operation, accomplished by divine decree?This volume traces the debate over perceptual experience in early modern France, covering such figures as Antoine Arnauld, Robert Desgabets, and Pierre-Sylvain Régis alongside their better-known countrymen René Descartes and Nicolas Malebranche.

It can seem obvious that we live in a world governed by laws of nature, yet it was not until the seventeenth century that the concept of a law came to the fore. Ever since, it has been attended by controversy: what does it mean to say that Boyle's law governs the expansion of a gas, or that the planets obey the law of gravity? Laws are rules that permit calculations and predictions. What does the universe have to be like, if it is to play by them?This book sorts the most prominent answers into three families. Laws first arose in a theological context; they govern events only because God enforces them. Those wishing to reverse the order of explanation, and argue that the powers of objects fix the laws, struggled to claim for themselves the results of new science. The stand-off between these two families bred a third which rejects any kind of enforcer for the laws. On this view, laws summarize events; they do not govern anything. This book traces the fortunes of the three families, from their origins to the present day. It uses objections - and the revisions needed to answer them - to produce the best representative of each. Along the way, it tries to settle the rules of this game, the debate over laws of nature. What should we expect from an account of laws? The book aims to help readers develop their own desiderata and judge the merits of the competing positions.

John Locke's theory of perception was developed at a time when the orthodox account of this most basic tie between mind and world was being called into question. New theories competed against the old Aristotelian view and against each other, chief among them those of the Cartesians and the neo-Epicureans. In Locke and the Mysteries of Perception, Walter Ott provides a unified reading of Locke's theory of perception, informed by works with which Locke himself was familiar. Ott shows how tensions that have long puzzled Locke's readers can often be resolved by attending to the goals and assumptions that propel his thought. Locke emerges as a transitional figure, struggling to reconcile elements of three disparate positions: though Locke was no Aristotelian, he maintained the doctrine of common sensibles; though not a Cartesian, he exploits their theory of natural judgment; and though not an Epicurean, he appeals to the passivity of sense perception to guarantee its accuracy. Driven by his commitment to experience as both the ultimate tribunal and sole source of our ideas, Locke attempted to meld all three positions into a coherent philosophy of perception capable of accommodating the results of Kepler and the new science. Whether he can succeed is the chief question of this book.

What is the origin of the concept of a law of nature? How much does it owe to theology and metaphysics? To what extent do the laws of nature permit contingency? Are there exceptions to the laws of nature? Is it possible to give a reductive analysis of lawhood, or is it a primitive?Twelve new essays by an international team of leading philosophers take up these and other central questions on the laws of nature, whilst also examining some of the most important intuitions and assumptions that have guided the debate over laws of nature since the concepts invention in the seventeenth century.Laws of Nature spans the history of philosophy and of science, contemporary metaphysics, and contemporary philosophy of science.

The seventeenth century witnesses the demise of two core doctrines in the theory of perception: naïve realism about color, sound, and other sensible qualities and the empirical theory, drawn from Alhacen and Roger Bacon, which underwrote it. This created a problem for seventeenth century philosophers: how is that we use qualities such as color, feel, and sound to locate objects in the world, even though these qualities are not real?Ejecting such sensible qualities from the mind-independent world at once makes for a cleaner ontology, since bodies can now be understood in purely geometrical terms, and spawns a variety of fascinating complications for the philosophy of perception. If sensible qualities are not part of the mind-independent world, just what are they, and what role, if any, do they play in our cognitive economy? We seemingly have to use color to visually experience objects. Do we do so by inferring size, shape, and motion from color? Or is it a purely automatic operation, accomplished by divine decree? This volume traces the debate over perceptual experience in early modern France, covering such figures as Antoine Arnauld, Robert Desgabets, and Pierre-Sylvain Régis alongside their better-known countrymen René Descartes and Nicolas Malebranche.

Some philosophers think physical explanations stand on their own: what happens, happens because things have the properties they do. Others think that any such explanation is incomplete: what happens in the physical world must be partly due to the laws of nature. Causation and Laws of Nature in Early Modern Philosophy examines the debate between these views from Descartes to Hume. Ott argues that the competing models of causation in the period grow out of the scholastic notion of power. On this Aristotelian view, the connection between cause and effect is logically necessary. Causes are 'intrinsically directed' at what they produce. But when the Aristotelian view is faced with the challenge of mechanism, the core notion of a power splits into two distinct models, each of which persists throughout the early modern period. It is only when seen in this light that the key arguments of the period can reveal their true virtues and flaws. To make his case, Ott explores such central topics as intentionality, the varieties of necessity, and the nature of relations. Arguing for controversial readings of many of the canonical figures, the book also focuses on lesser-known writers such as Pierre-Sylvain Régis, Nicolas Malebranche, and Robert Boyle.

Some philosophers think physical explanations stand on their own: what happens, happens because things have the properties they do. Others think that any such explanation is incomplete: what happens in the physical world must be partly due to the laws of nature. Causation and Laws of Nature in Early Modern Philosophy examines the debate between these views from Descartes to Hume. Ott argues that the competing models of causation in the period grow out of the scholastic notion of power. On this Aristotelian view, the connection between cause and effect is logically necessary. Causes are 'intrinsically directed' at what they produce. But when the Aristotelian view is faced with the challenge of mechanism, the core notion of a power splits into two distinct models, each of which persists throughout the early modern period. It is only when seen in this light that the key arguments of the period can reveal their true virtues and flaws. To make his case, Ott explores such central topics as intentionality, the varieties of necessity, and the nature of relations. Arguing for controversial readings of many of the canonical figures, the book also focuses on lesser-known writers such as Pierre-Sylvain Régis, Nicolas Malebranche, and Robert Boyle.