Warwick Rodwell – författare

Westminster Abbey contains the only surviving medieval Cosmatesque mosaics outside Italy. They comprise: the ‘Great Pavement’ in the sanctuary; the pavement around the shrine of Edward the Confessor; the saint’s tomb and shrine; Henry III’s tomb; the tomb of a royal child, and some other pieces. Surprisingly, the mosaics have never before received detailed recording and analysis, either individually or as an assemblage. This two-volume publication presents a holistic study of this outstanding group of monuments in their historical architectural and archaeological context. The shrine of St Edward is a remarkable survival, having been dismantled at the Dissolution and re-erected (incorrectly) in 1557 under Queen Mary. Large areas of missing mosaic were replaced with plaster on to which mosaic designs were carefully painted. This 16th-century fictive mosaic is unique in Britain. Conservation of the sanctuary pavement was accompanied by full archaeological recording with every piece of mosaic decoration drawn and coloured by David Neal, phase plans have been prepared,  and stone-by-stone examination undertaken, petrologically identifying and recording the locations of all the materials present. It has revealed that both the pavements and tombs include a range of exotic stone types. The Cosmati study has shed fresh light on every aspect of the unique series of monuments in Westminster Abbey; this work will fill a major lacuna in our knowledge of 13th-century English art of the first rank, and will command international interest.

Canterbury Cathedral possesses a unique marble mosaic pavement, dating from the early 12th century, which has long intrigued scholars and been the subject of speculation and debate. It forms part of the floor of the Trinity chapel, adjacent to the site where the shrine of St Thomas Becket stood, prior to the Reformation. Since the mosaic is older than the chapel itself and partly destroyed a pavement of figurative roundels, laid c.1215, it must have been moved here from elsewhere in the cathedral. This volume explores the history and archaeology of the Trinity chapel, the pavement and the physical remains of the cult of Becket, based largely on hitherto unrecorded and unpublished evidence. In the early 12th century, Archbishop Anselm rebuilt the eastern arm of the cathedral, introducing architectural elements from his native Italy, and these included a magnificent mosaic pavement, composed of the most expensive marbles, which lay in front of the high altar. In 1170, Archbishop Becket was murdered in the cathedral, and his body rested overnight on the pavement before being buried in the crypt. Thomas was immediately revered as a martyr, and in 1173 was canonised by the pope; a simple shrine was erected over his tomb. In the following year, a fire (arson) destroyed the eastern arm of the cathedral, precipitating the construction of the present Trinity and Corona chapels, wherein St Thomas’s remains were enshrined. After decades of delay and political strife, the enshrinement took place in 1220, in the presence of Henry III. The shrine comprised a great marble table, supported on six clusters of columns. On top of the table was a marble sarcophagus containing the saint’s body in an iron-bound timber coffin, over which stood the sumptuous feretory, a gabled timber ‘roof’, plated with sheets of gold and adorned with jewels. East of the shrine lies the small Corona chapel in which a fragment of Becket’s skull was separately encased in a ‘head-shrine’, and to the west a large area was paved with forty-eight figurative stone roundels, created by French artisans. All around, stained-glass windows display the early miracles of Becket. The layout of the Trinity chapel underwent transmutations, first around 1230, when the mosaic pavement was taken up from the old presbytery, reduced in size and relaid in front of Becket’s shrine, where is it today. Second, the chapel was reordered in c. 1290, when the podium carrying the shrine was enlarged and the paving around it reconfigured. Medieval tombs were now being installed in the chapels, including those of the Black Prince and Henry IV. The end came in 1538, when Henry VIII ordered the thorough destruction of Becket’s shrines, but a great deal of archaeological evidence remained in the floors, walls and a few surviving fragments of the shrines, all now recorded and discussed in this beautifully illustrated volume for the first time.

Churches are Britain’s most completely surviving class of historic monument. They are also usually the oldest buildings within their settlements. As such, these structures, from parish church to cathedral, from medieval to Georgian, are a huge architectural and archaeological resource.The last couple of decades have witnessed an unprecedented upsurge of public interest in the historic environment, and the growth of the tourism and ‘heritage’ industries has focused new attention on churches. While some visitors to churches, cathedrals and monastic ruins seem content to wander around with little or no understanding of what they are looking at, many have an interest in learning about the history or usage of the building. How far does it go back? Where is the earliest part of the building? Warwick Rodwell discusses the archaeological techniques that can attempt to answer such questions.In this lavishly illustrated, informative guide, Professor Rodwell explores the buildings themselves, their component parts, from foundations to finials, their sites, furnishings, fixtures and fittings, as well as churchyards and monuments.

The British Archaeological Association’s 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter.Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace.Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries.Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.

The British Archaeological Association’s 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter.Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace.Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries.Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.

Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace.Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries.Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.

Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace.Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries.Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.

The British Archaeological Association’s 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter.

The British Archaeological Association’s 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter.

Northwold Manor is a multi-period listed building (grade II*), about which almost nothing was known. Uninhabited since 1955, it had fallen into a state of extreme dereliction, and was beyond economic repair when the author purchased the property in 2014\. He and his wife, Diane Gibbs, embarked on a major restoration that ran for nine years.The restoration was carried out as a quasi-archaeological operation, revealing that the building complex had Tudor origins, followed by the construction of a Stuart house, with Georgian improvements, and a new entertaining suite added in 1814\. The Manor, with its fine drawing room, ballroom and orangery, was the grandest house in Northwold, and research into the families that occupied it revealed unexpected connections to the French Bourbon Court. From the 17th to the 20th century, the Carters were the principal owners, and a local branch of the family included Howard Carter, discoverer of Tutankhamen’s tomb.This account begins with a topographical study of Northwold and its three medieval manors, followed by an exploration of the decline of the Carter family in the late 19th century. That triggered the break-up of the Northwold Estate in 1919\. Passing through several ownerships, the Manor was earmarked for demolition in 1961; reprieved, it became a furniture store in the 1970s, and every room was solidly packed. As the roofs failed and water poured in, ceilings and floors collapsed, carrying with them the stacks of rotting furniture. By the late 1990s, walls and gables were collapsing too, and the local authority attempted to intervene. A long struggle to save the Manor ensued, finally ending with compulsory purchase in 2013.Although manor houses occur in most English parishes, they have received surprisingly little archaeological study. Every year, hundreds are restored or altered, but rarely accompanied by detailed recording or scholarly research; and popular television programs reveal the shameful level of destruction that takes place in the name of ‘restoration’. This is a book like no other: the holistic approach to the rehabilitation of Northwold’s derelict manor house – involving history, archaeology, architecture and genealogy – demonstrates how much can be learned about a building that had never before been studied. The project has received several awards.